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Lädt ... Private Dancer [1984 album]von Tina Turner
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Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. INFORMATION-This album contains the following tracks: 1 I Might Have Been Queen (Rupert Hine / Jamie West-Oram), 4:10 2 What's Love Got to Do with It (Terry Britten / Graham Lyle), 3:48 3 Show Some Respect (Terry Britten / Sue Shifrin), 3:18 4 I Can't Stand the Rain (Don Bryant / Donald Bryant / Bernard Miller / Ann Peebles), 3:43 5 Private Dancer (Mark Knopfler), 7:13 6 Let's Stay Together (Al Green / Al Jackson, Jr. / Willie Mitchell), 5:16 7 Better Be Good to Me (Mark Chapman / Mike Chapman / Nicky Chinn / Holly Knight), 5:12 8 Steel Claw (Paul Brady), 3:49 9 Help (John Lennon / Paul McCartney), 4:30 10 1984 (David Bowie), 3:11 11 I Wrote a Letter (Inga Rumpf), 3:24 12 Rock N Roll Widow (Tom Snow), 4:45 13 Don't Rush the Good Things, 3:46 14 When I Was Young (D. Briggs / Eric Burdon / Daniel McCulloch / John Weider), 3:11 The following tracks were not part of the 1984 album: 15 What's Love Got to Do with It [Extended Version] (Terry Britten / Mike Chapman / Nicky Chinn / Holly Knight / Graham Lyle), 5:48 16 Better Be Good to Me [Extended Version] (Mark Chapman / Mike Chapman / Nicky Chinn / Holly Knight), 7:02 17 I Can't Stand the Rain [Extended Version] (Don Bryant / Donald Bryant / Bernard Miller / Ann Peebles), 5:43 Zeige 2 von 2
In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy, reggae-influenced "What's Love Got to Do With It" to the gutsy "Better Be Good to Me" to heartfelt remakes of the Beatles' "Help," Al Green's "Let's Stay Together," and David Bowie's "1984." A reflection on the emptiness of a stripper's life, the dusky title song is as poignant as it is depressing. Without question, this was Turner's finest hour as a solo artist. AuszeichnungenBemerkenswerte Listen
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Backing Vocals – Cy Curnin, Rupert Hine, Tina Turner
Bass, Keyboards, Programmed By [Percussion Programming] – Rupert Hine
Drums [Acoustic Drums] – Trevor Morais
Guitar – Jamie West-Oram
Producer – Rupert Hine
Written-By – Jamie West-Oram, Jennette Obstoj*, Rupert Hine
4:10
2 What's Love Got To Do With It
Backing Vocals – Terry Britten, Tessa Niles
Drums – Graham Jarvis
Engineer, Mixed By – John Hudson
Guitar – Terry Britten
Keyboards – Billy Livsey, Nick Glennie Smith*
Percussion – Simon Morton
Producer – Terry Britten
Written-By – Graham Lyle, Terry Britten
3:49
3 Show Some Respect
Backing Vocals – Terry Britten, Tessa Niles
Drums – Graham Jarvis
Engineer, Mixed By – John Hudson
Guitar – Terry Britten
Keyboards – Billy Livsey, Nick Glennie Smith*
Producer – Terry Britten
Written-By – Sue Shifrin, Terry Britten
3:18
4 I Can't Stand The Rain
Drums – Graham Broad
Engineer, Mixed By – John Hudson
Guitar – Terry Britten
Keyboards – Nick Glennie Smith*
Producer – Terry Britten
Written-By – Ann Peebles, Bernard Miller, Donald Bryant*
3:41
5 Private Dancer
Bass – John Illsley
Drums – Terry Williams (3)
Guitar – Hal Lindes
Guitar [Guitar Solo], Soloist [Guitar Solo] – Jeff Beck
Keyboards – Alan Clark
Mixed By – Humberto Gatica
Percussion – Carter*, Julian Diggle
Producer – Carter*
Saxophone – Mel Collins
Written-By – Mark Knopfler
7:11
6 Let's Stay Together
Backing Vocals – Glenn Gregory, Martyn Ware
Drum Programming [Lynn Drum Programming] – Martyn Ware
Engineer – Greg Walsh, Walter Samuel
Guitar – Ray Russell
Percussion – Frank Riccotti*
Piano, Synthesizer – Nick Plytas
Producer, Arranged By – Greg Walsh, Martyn Ware
Programmed By [Fairlight-CMI Programming] – Greg Walsh
Saxophone – Gary Barnacle
Written-By – Al Green, Al Jackson*, Willie Mitchell
5:16
7 Better Be Good To Me
Backing Vocals – Cy Curnin, Rupert Hine, Tina Turner
Bass, Keyboards, Programmed By [Percussion Programming] – Rupert Hine
Drums [Acoustic Drums] – Trevor Morais
Guitar – Jamie West-Oram
Producer – Rupert Hine
Written-By – Holly Knight, Mike Chapman, Nicky Chinn
5:10
8 Steel Claw
Backing Vocals – Tina Turner
Bass – John Illsley
Drums – Terry Williams (3)
Guitar – Hal Lindes, Richie Zito
Guitar [Guitar Solo], Soloist [Guitar Solo] – Jeff Beck
Keyboards – Alan Clark
Mixed By – Humberto Gatica
Producer – John Carter
Written-By – Paul Brady
3:48
9 Help
Backing Vocals – Alex Brown, Gwen Evans, Jessica Williams
Bass, Saxophone – Wilton Felder
Drums – Ndugu Chancler*
Engineer – F. Byron Clark
Guitar – Charles Fearing, David Walker*
Piano, Synthesizer – Joe Sample
Producer – Joe Sample, Ndugu Chancler*, Wilton Felder
Programmed By [Synthesizer Programming] – David Ervin
Written-By – Lennon McCartney*
4:30
10 1984
Arranged By [Strings] – Dave Cullen*
Backing Vocals – Glenn Gregory, Martyn Ware
Drum Programming [Lynn Drum Programming] – Martyn Ware
Engineer – Greg Walsh, Walter Samuel
Piano, Synthesizer – Nick Plytas
Producer, Arranged By – Greg Walsh, Martyn Ware
Programmed By [Fairlight-CMI Programming] – Greg Walsh
Written-By – David Bowie
3:09