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All Our Names von Dinaw Mengestu
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All Our Names (2014. Auflage)

von Dinaw Mengestu

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
4652653,256 (3.65)77
An unforgettable love story about a searing affair between an American woman and an African man in 1970s America and an unflinching novel about the fragmentation of lives that straddle countries and histories. All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart--one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Elegiac, blazing with insights about the physical and emotional geographies that circumscribe our lives, All Our Names is a marvel of vision and tonal command. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn.--Publisher's description.… (mehr)
Mitglied:brleach
Titel:All Our Names
Autoren:Dinaw Mengestu
Info:Knopf (2014), Edition: First Edition, Hardcover, 272 pages
Sammlungen:Deine Bibliothek
Bewertung:
Tags:to-read, to-read-literature

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Unsere Namen von Dinaw Mengestu

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Reason read: African Novel Challenge
Dinaw Mengestu was born in Ethiopia but came to the US as a child. He is American author. This is the story of two young men who come of age during the revolution. It is told in two voices; the voice of Helen (an American) and Isaac.The main themes are dislocation and self-reinvention. The author has won awards for his works and is the author of four novels. ( )
  Kristelh | Apr 15, 2023 |
This is the second book that I've read by this wonderful young writer, already recipient of multiple grants and the prestigious MacArthur Award. In this novel he again explores themes of the immigrant experience and multiracial relationships, and recounts the main character's tumultuous travels from his native village in Ethiopia, through revolution in Uganda and then to America. The story in these chapters alternate with those of his arrival in the US, his life in a small Midwestern town and his hope for the future. A terrific novel and beautifully written!
( )
  steller0707 | Aug 25, 2019 |
Such beautiful prose, and I felt like I was holding my breath from the beginning to the end. ( )
  viviennestrauss | Jun 28, 2019 |
My main issue with this novel is that is lacked specificity and details to make me feel invested in what that characters were doing. Because of this, both Helen and Isaac's (both present day and past) actions seemed inscrutable. Their actions were clear enough, but there was little context to their behavior. I also felt such a huge disconnect between the parts of the book that took place in the past and the present day - the one character who is featured in both sections feels like two entirely different people rather than the same person who has matured. ( )
  Katie_Roscher | Jan 18, 2019 |
There are two intertwined stories in this novel, which alternates between two first person narrators, a Ugandan man called Isaac and Helen, a social worker from a small town in the American Midwest. Originally he is one of her cases, a refreshing change from the sadness of working with clients with terminal illnesses. They soon become friends, and then more.

Isaac’s story is one of his past, and of a close friendship between two university students, which will be tested by the upheavals of politics and civil war. Helen’s story is about coming to know Isaac, though I wondered at some points whether she actually does know very much about him, and where he’s come from.

The contrast between the two settings is sharp. While Laurel seems to be a peaceful place, Helen’s boss has some ominous warnings for her about racism and prejudice in that small semi-rural town.

A thought provoking and moving novel which left me wondering what would happen to the characters after I closed the book. ( )
1 abstimmen elkiedee | Dec 11, 2017 |
Dinaw Mengestu continues to explore the violent uprooting and uneasy exile of his two previous novels, Children of the Revolution and How to Read the Air, in what is his most impressive examination yet of the African diaspora. At its heart lie two impassioned love stories, divergently expressed and played out.

Mengestu’s style is restrained, but his scope is vast – moving between the stunning East African landscape, where even the splendour of the sunset is a portent, to an introverted Illinois, a microcosm of America’s collective guilt at the aftermath of the disastrous war in Vietnam and its reluctance to accept a post-segregation society.

Worlds on a cusp, powerfully drawn: notable above all is Mengestu’s desperately moving portrait of a compromised friendship.
hinzugefügt von kidzdoc | bearbeitenThe Telegraph, Catherine Taylor (Jun 17, 2014)
 
What's fascinating about All Our Names is the unsettling way it engages with history – both the history of Uganda and literary history. Those with the right knowledge will be able to place this novel in an exact historical context, but that's rather beside the point. This is a book trying to pull away from fixed dates and places just as Helen's Isaac is trying to locate his sense of self without reference to location or the events of his past.
hinzugefügt von kidzdoc | bearbeitenThe Guardian, Giles Foden (Jun 4, 2014)
 
For with “All Our Names,” he has grounded his search in a story so straightforward but at the same time so mysterious that you can’t turn the pages fast enough, and when you’re done, your first impulse is to go back to the beginning and start over.
hinzugefügt von ozzer | bearbeitenNew York Times, MALCOLM JONES (Mar 19, 2014)
 
“All Our Names” is an immigrant story from a writer fully conscious that he’s working in a genre as crowded as Ellis Island. What he presents here is tantalizingly laconic — long on mood, short on details — an attempt to represent the conflicted emotions of someone who has survived the loss of his family, his friends, his country, his identity.
hinzugefügt von kidzdoc | bearbeitenThe Washington Post, Ron Charles (Mar 4, 2014)
 

» Andere Autoren hinzufügen (5 möglich)

AutorennameRolleArt des AutorsWerk?Status
Dinaw MengestuHauptautoralle Ausgabenberechnet
Jackson, KoreyErzählerCo-Autoreinige Ausgabenbestätigt
Kilchling, VerenaÜbersetzerCo-Autoreinige Ausgabenbestätigt
Maarleveld, SaskiaErzählerCo-Autoreinige Ausgabenbestätigt
Riera Arbussà, ErnestÜbersetzerCo-Autoreinige Ausgabenbestätigt
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Als Isaac und ich uns an der Universität zum ersten Mal begegneten, taten wir beide so, als wären uns der Campus und die Strassen der Hauptstadt so vertraut wie die staubigen Pfade der Dörfer, in denen wir aufgewachsen waren und bis vor wenigen Monaten gelebt hatten.
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An unforgettable love story about a searing affair between an American woman and an African man in 1970s America and an unflinching novel about the fragmentation of lives that straddle countries and histories. All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart--one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Elegiac, blazing with insights about the physical and emotional geographies that circumscribe our lives, All Our Names is a marvel of vision and tonal command. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn.--Publisher's description.

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Dinaw Mengestus Buch All Our Names wurde im Frührezensenten-Programm LibraryThing Early Reviewers angeboten.

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