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Criminals von Margot Livesey
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Criminals (Original 1996; 1996. Auflage)

von Margot Livesey

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2097129,356 (3.74)4
Margot Livesey's early novel "Criminals "is the story of adult brother and sister Ewan and Mollie and their decision to rescue an abandoned child. But is the child being rescued by these two, or abducted? Where is the line between moral and criminal behavior? Livesey paints a thrilling and devastating portrait of two people blinded by need and the desire for betterment.… (mehr)
Mitglied:arubabookwoman
Titel:Criminals
Autoren:Margot Livesey
Info:Q P D (1996), Paperback
Sammlungen:Read But Not Owned
Bewertung:
Tags:Collections Only, Fiction, Read 1997, Gave Away

Werk-Informationen

Mollys Baby von Margot Livesey (1996)

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Ewan Munro - a decent, yet harried young banker - receives a peculiar and disturbing letter from his sister Mollie. Already poised on the brink of his own personal crisis and desperately worried about Mollie's troubled state of mind, Ewan travels north to Scotland to be with his sister in her time of need. Along the way, Ewan discovers a baby abandoned in a bus station rest-room and, unsure about what to do next, he takes the child with him to see his sister.

What follows next are the intertwining stories and motivations of five different people - and the poignant story of the many more lives caught up in binding nets of affection and responsibility, of sibling loyalty, romantic longing and maternal love. Ultimately, the question becomes, where does the line between doing the morally acceptable thing cross with the line that follows criminal behavior? And what is the true cost of having the best of intentions and acting on them?

First of all, let me say that this was an extraordinarily well-written story and I enjoyed it immensely. In my opinion, Ms. Livesey really captures the authenticity of her characters, and manages to make the reader care about them as people who are experiencing tremendous difficulties. That being said, I will say that this particular story seemed just the slightest bit far-fetched; although I would still give this book a definite A+! ( )
  moonshineandrosefire | Apr 1, 2016 |
Strangely readable because story is bizarre and disturbing. A depressed and unstable woman has been given a lost baby by her preoccupied, naive banker brother. While he intends to bring the baby to the police, he doesn't recognize or read the strange and worrying signs his sister exhibits when she delays his plan. And then things get worse.

While the plot is strange, and the characters are overdone, the novel has a real-life quality to it making it more frightening to me than many of the mysteries I read. ( )
  Bookish59 | Oct 11, 2013 |
Criminals has been on my to-read list for ages; I'm slowly reading my way through all Margot Livesey's books. The premise of this one is rather simple; Ewan, a decent, sensible, upright banker, travels from London to Scotland by bus to visit his sister Mollie, who has recently split from her husband of ten years. At one of the bus stops, Ewan finds an abandoned baby on the floor of the men's restroom; he picks it up, intending to turn it in, but his bus is beginning to leave, and he rushes to get on it, baby still in his arms. When he reaches Mollie, she takes care of the baby and invents reasons why they can't turn it in or report it right away.

The narration is from three perspectives: Ewan's, Mollie's, and Kenneth's (the abandoner of the baby). In addition, Mollie's husband Chae is an author, and the reader gets excerpts of his book as Ewan reads it after picking it up at Mollie's. Chae's book gives insight into his and Mollie's lives, as it is largely autobiographical.

The abandonment and subsequent discovery of the baby sets off a chain reaction which culminates in a scene at Mollie's house with the whole cast. I felt deeply for both Ewan and Mollie, both complex, well-rounded characters. The writing is beautiful but not showy, and Livesey offers a denouement that is quick but not rushed; those who like their endings tied up neatly will be pleased.

The beauty of this book is less in what happens than how it happens, in the characters' internal and interpersonal struggles.

Quotes:

Mollie felt the power of hysteria. Ewan hated displays of emotion, other people's and his own, whereas she had always been ready to abandon the small boat of reason for the wast sea of feeling. (23)

If the universe is full of lost objects and we each attract to ourselves the ones we need, Ewan must be among the least likely candidates to find a baby. (25)

But was she, she wondered...finding her way, or losing it? (70)

Now the feeling of dread was like a light shining on all his other feelings, making them stronger and more vivid....All this shimmered before him, hopelessly beyond speech. I'll write her a letter, he thought. (99)

In the last few months she had been absolutely educated in the difference between want and need. (194)

He wanted to say it was ludicrous and then, remembering his own recent behaviour, thought, no, all it took was a small talent for forgetfulness, and anything was possible. (241)

"If" - that small word which had never given him any trouble - had become the gateway to a torturous labyrinth... (260)

...the sense of how easily his luck, and everyone else's, might have been otherwise still made him tremble. (Ewan, 270) ( )
  JennyArch | Apr 3, 2013 |
Leest lekker weg. Spannend. Verhaal wordt vanuit de diverse personages verteld. Meerdere verhaallijnen. Alleen het verhaal ín het verhaal (het boek Het donkere Woud) vond ik wat lastig te volgen. ( )
  Cromboek | May 22, 2011 |
A young banker responds to his sister's plea to come to Scotland to help her. On the way, in a bus station, he finds a 4 months old baby girl and almost by accident takes her with him.
Sort of lukewarm
  AnneliM | Jun 25, 2008 |
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Margot Livesey's early novel "Criminals "is the story of adult brother and sister Ewan and Mollie and their decision to rescue an abandoned child. But is the child being rescued by these two, or abducted? Where is the line between moral and criminal behavior? Livesey paints a thrilling and devastating portrait of two people blinded by need and the desire for betterment.

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