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Shark (2014)

von Will Self

Reihen: Umbrella Trilogy (2)

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In 1975, five years after being tricked into going on an ill-advised LSD trip, maverick psychiatrist Dr. Zack Busner realizes the true nature of the events that transpired on that dread-soaked day.
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Total, utter crap!

Only two reviews here and I think one is by his mum. ( )
  SpikeSix | Jan 21, 2016 |
It’s always “shark week” somewhere

Shark: A Novel by Will Self (Grove Press, $26).

British novelist Will Self offers as much promise for the post-modern novel as we can hope for: That it will somehow transcend self-indulgence.

In his latest, Shark: A Novel, which comes just months after Self declared the novel dead in an essay, he returns to the odd psychiatric hospital run by Dr. Zack Busner, familiar from his last novel, Umbrella.

In this novel, we’ve got a 1970 acid trip, taken on the same day as the massacre at Kent State, which leads us to the psychological struggles of a survivor of the U.S.S. Indianapolis (familiar to fans of Jaws as the ship that delivered the Hiroshima bomb, then sank in shark-infested waters, leaving Quint and his comrades to blood, terror and death) and a survivor of the Hiroshima bombing.

Self isn’t the first to suggest that everything since World War II was an LSD-fueled hallucination (you can make the case that Thomas Pynchon’s Gravity’s Rainbow did that), but this novel makes a better case for it than most.

Reviewed on Lit/Rant: www.litrant.tumblr.com ( )
  KelMunger | Jan 26, 2015 |

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Meanwhile the reader’s own appetite for this demanding book is tested at times, such as the long descriptions of an obscurely significant walk from the countryside to London that a character undertakes. Yet the novel is an intoxicating experience. Self’s powerful command of language animates the intense prose while his dry wit is given a freer rein than in Umbrella. Shark drives remorselessly on; it takes us with it.
 
To readers of Umbrella the technique of Shark, if not its themes, will feel familiar. To new readers it might seem baffling. Like Umbrella it is written in an unbroken flow: a single paragraph with no chapter breaks, section headings or any of the other paratextual detritus that the realist novel has erected around itself to ease its passage. There are no quotation marks – which James Joyce, a presiding influence, called “perverted commas”. Instead dialogue and interior monologue are signalled with a variety of dashes, ellipses and italicisations. Half-finished thoughts, scraps of remembered song and advertising slogans jostle together as the narrative skips between characters and time periods with the agility of a mountain goat.

If that sounds like an intimidating prospect, well, it is, and you have to wonder whether with Shark Self has finally jumped it. But the answer is emphatically no. Because not only is this a truly wonderful novel, it also makes you want to revisit his previous work and read it with a keener eye.
hinzugefügt von SimoneA | bearbeitenThe Telegraph, John Day (Aug 29, 2014)
 
Shark confirms that Self is the most daring and delightful novelist of his generation, a writer whose formidable intellect is mercilessly targeted on the limits of the cerebral as a means of understanding. Yes, he makes you think, but he also insists that you feel. I have every expectation that when this trilogy does conclude, it will be recognised as the most remorseless vivisection and plangent evocation of our sad, silly, solemn and strange last century.
hinzugefügt von SimoneA | bearbeitenThe Guardian, Stuart Kelly (Aug 28, 2014)
 

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In 1975, five years after being tricked into going on an ill-advised LSD trip, maverick psychiatrist Dr. Zack Busner realizes the true nature of the events that transpired on that dread-soaked day.

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