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Once Upon a Time: A Short History of Fairy Tale (2014)

von Marina Warner

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

Reihen: A Very Short Introduction (550)

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3621070,456 (3.76)14
Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.… (mehr)
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It was a good overview of the Fairy Tale and the genre/type up to the current day. It was an easy and short read, a very promising start to the A Very Short Introduction series. ( )
  Ranjr | Jul 13, 2023 |
What it says on the tin: a short history of how fairy tales have been told, written, collected, adapted, and evolved; how they represent the nation’s/cultures they originated from; the sanitization that started long before Disney; how and why modern artists and audiences continue to interact and connect with these age-old stories. ( )
  vvbooklady | Feb 16, 2023 |
Note: I received a digital review copy of this book from the publisher through NetGalley.
  fernandie | Sep 15, 2022 |
This may perhaps be more accurately described not as a history of fairy tale, but as a history of the ways in which people have thought about and related to fairy tales: as facets of a national identity, for instance, or as universal guides to human experience, or through the lens of psychoanalysis or feminism. It definitely is short, though, at 180 pages. But it packs a lot into those 180 pages, giving the interestingly paradoxical sense of an author thinking very, very deeply about the subject even while barely having time to scratch the surface of it. It may, perhaps, be a little bit dense, but it's never dry, and it's full of sharp observations, interesting insights, and compelling food for thought about a genre of storytelling so familiar that it's easy to take it for granted, but that seems to contain infinite possibilities for adaptation, interpretation, and engagement.

Fascinating stuff, and the sort of book it seems like one could come back to repeatedly and find new substance in. ( )
  bragan | Jun 13, 2021 |
Many thanks to Oxford University Press for the ARC via NetGalley.

I thought this a charming and comprehensive guide through the multifaceted world of fairy tales. The writing is clean, confident, with numerous relevant examples and quotations provided. Due to its length, it naturally cannot cover all the minutiae of the extensive historical development of the genre, but provides instead a satisfactory overview of the major checkpoints on the way. As such, it makes for a reference book of some substance and authority, especially regarding some of the common themes in fairy stories, as well as some influential theories and literary practices in relation to the same.
The subject matter is approached from several different points of view, there are ample illustrations that supplement various points of argument, and the extremely extensive reading list at the end is a useful tool for anybody who considers this book a mere stepping stone on the way to more specified knowledge.
Personally, I particularly enjoyed the author's thoughts on how the existent corpus of fairy tales was explored in feminist theory and literature, and the focus on modern literary retellings in different media that not only completely transform the source material itself, but continue to redefine the genre and its functions even today. ( )
  ViktorijaB93 | Apr 10, 2020 |
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» Andere Autoren hinzufügen (2 möglich)

AutorennameRolleArt des AutorsWerk?Status
Marina WarnerHauptautoralle Ausgabenberechnet
Blackwell, SuUmschlagillustrationCo-Autoreinige Ausgabenbestätigt

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Imagine the history of fairy tale as a map, like the Carte du Tendres, the 'Map of Tenderness', drawn by Parisian romancers to chart the peaks and sloughs of the heart's affections: unfurl this imaginary terrain in your mind's eye, and you will first see two prominent landmarks, Charles Perrault's Histoires et Contes du temps passé (Tales of Olden Times, 1697) and a little nearer in the foreground, the Grimm Brothers' Kinder- und Hausmärchen (Children's and Household Tales, 1812-57). (Prologue)
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Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

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