The chapter on book censorship in particular really spoke to me as a librarian. A beautiful book, and now I have 5000 other things to research from indigenous Mexican culture, and feel an overwhelming need to paint something Maya blue. ( )

I hoped for a bio but I got a collection of previously published short pieces, all with autobiographical elements. Not much about houses here. I’m a Cisneros fan and I must admit I was a little underwhelmed. ( )

I enjoyed most of the selections in this collection of miscellaneous writings by the author of The House on Mango Street. Lots of reflections on writers and the writing process, growing up as an American of Mexican descent, living in various places, and living alone (and liking it). Library book. ( )

A House of My Own: Stories From My Life by Sandra Cisneros is a collection of previously written works pulled together to create a "jigsaw autobiography." The topics range from personal stories to tributes to responses to criticism to social commentary. I read the book as individual, stand alone pieces without an expectation of cohesion or chronology. As is true of any collection, some pieces speak more to me than others.

Read my complete review at: http://www.memoriesfrombooks.com/2015/11/a-house-of-my-own-stories-from-my-life.... ( )

Biography
Sandra Cisneros
A House of My Own: Stories from My Life
Alfred A. Knopf
Hardcover, 978-0-385-35133-1 (also available as ebook and audiobook), 400 pgs., $28.95
October 6, 2015

"As I write this, I’m ending my sixth decade. A new cycle in my life is opening and old one is closing. I wish to look backward and forward all at once."

A House of My Own: Stories from My Life by Sandra Cisneros is an autobiography of sorts, an assemblage of nonfiction pieces spanning the years 1984 through 2014. Cisneros has always written about borders: personal, political, cultural, sexual, spiritual, geographical; she has always written about identity; and she’s always been searching for her true home. “I’m gathering up my stray lambs…and herding them under one roof, not so much for the reader’s sake, but my own. Where are you, my little loves, and where have you gone? Who wrote these and why? I have a need to know, so that I can understand my life.”

Born in Chicago to a working-class Mexican American family, the lone girl among six sons, Cisneros attended graduate school at the Iowa Writers Workshop. She had to create her own path, not blazing but creeping, hacking through the undergrowth. She had not yet discovered a template for what she needed to be and how she wanted to live. “Then it occurred to me that none of the books in this class [grad school], in any of my classes, in all the years of my education had ever discussed a house like mine. I went home that night and realized my education had been a lie — had made presumptions about what was “normal,” what was American, what was of value. I got mad [and] asked myself what I could write about that my classmates couldn’t. I was trying as best I could to write the kind of book I’d never seen in a library or in a school…it was out of this negative experience that I found something positive: my own voice.”

Constructed in much the same manner as The House on Mango Street — vignettes that, taken together, describe a whole — the work in A House of My Own is taken from essays, lectures, feature articles, travel pieces, introductions written for art books, museum catalogs, letters. I did wish for a different arrangement, more flow or thematic cohesion, because this chronological order jumps from subject to subject with no transitions. The effect is sometimes discordant. The photographs Cisneros has chosen are a joy, many candid and family shots, and she provides us with a stellar to-be-read list as she reflects on authors who inspired her.

We get the privileges of watching Cisneros evolve her particular consciousness. Paradoxically (or logically), the most affecting pieces involve feminist fire or Cisneros family dynamics: growing up the only girl who, no matter how old she gets, wants her father to be proud. There is no self-indulgent navel-gazing in A House of My Own, but genuine examination. Cisneros has provided a template for those of us who follow.

"Is home something you move toward instead of going back? Homesickness, then, would be a malaise not for a place left behind in memory, but one remembered in the future."

Originally published in Lone Star Literary Life. ( )