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Lädt ... Culturevon Terry Eagleton
culture (114) Lädt ...
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One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture's value Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries-from rarified sphere to humble practices, and from a bulwark against industrialism's encroaches to present-day capitalism's most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat ";unfashionable"; thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the ";uncultured"; masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society. Keine Bibliotheksbeschreibungen gefunden. |
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When I used to use his Literary Theory: An Introduction to teach I found his ability to explain theories to which he did not subscribe well balanced and even when he interjected his views he did so fairly. I find that lacking in this book. Partly, I'm sure, because this is not meant to explain various schools of thought but to grapple with a concept from his own. Yet he sets up some thought, particularly postmodernism (or at least the aspects which adopt any form of relativism), as borderline stupid. Most people who embrace some form of cultural relativism do not practice the extreme version he argues against. This serves to make one whole chapter and parts of every other pointless strawman arguments. I expected better from someone for whom I have such high regard.
That grudge he seems to have with someone or something in his past which makes him irrational when writing about postmodernism does not detract from a lot of what he has to say. The distinctions he makes and the ways in which he demonstrates the various definitions and, more importantly, uses of culture are spot on for the most part. These portions of the book are reminiscent of his better works on ideology, aesthetics and theory in general.
I would recommend this to anyone interested in cultural and literary theory, capitalism and Marxist theory as it applies to culture. Eagleton never fails to engage the reader regardless of the degree of agreement.
Reviewed from a copy made available through Goodreads First Reads. ( )