StartseiteGruppenForumMehrZeitgeist
Web-Site durchsuchen
Diese Seite verwendet Cookies für unsere Dienste, zur Verbesserung unserer Leistungen, für Analytik und (falls Sie nicht eingeloggt sind) für Werbung. Indem Sie LibraryThing nutzen, erklären Sie dass Sie unsere Nutzungsbedingungen und Datenschutzrichtlinie gelesen und verstanden haben. Die Nutzung unserer Webseite und Dienste unterliegt diesen Richtlinien und Geschäftsbedingungen.

Ergebnisse von Google Books

Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.

Lädt ...

The Lover's Portrait: An Art Mystery

von Jennifer S. Alderson

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
386646,023 (4)Keine
"A portrait holds the key to recovering a cache of looted artwork, secreted away during World War II, in this captivating historical art thriller set in the 1940s and present-day Amsterdam. When a Dutch art dealer hides the stock from his gallery-- rather than turn it over to his Nazi blackmailer-- he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in. After studying for a year in the Netherlands, Zelda scores an internship at the prestigious Amsterdam Historical Museum, where she works on an exhibition of paintings and sculptures once stolen by the Nazis, lying unclaimed in Dutch museum depots almost seventy years later. When two women claim the same painting, the portrait of a young girl entitled Irises, Zelda is tasked with investigating the painting's history and soon finds evidence that one of the two women must be lying about her past. Before she can figure out which one it is and why, Zelda learns about the Dutch art dealer's concealed collection. And that Irises is the key to finding it all. Her discoveries make her a target of someone willing to steal-- and even kill-- to find the missing paintings. As the list of suspects grows, Zelda realizes she has to track down the lost collection and unmask a killer if she wants to survive." -- provided by publisher… (mehr)
Keine
Lädt ...

Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest.

Keine aktuelle Diskussion zu diesem Buch.

A swiftly flowing narrative, the beauty and rhythm of Amsterdam, mystery and intrigue surrounding paintings pilfered during the second world war by Nazis, and a charming relationship between the protagonist, Zelda, and her young Dutch tutor, Friederich, make this a wonderfully readable mystery.

It opens with a flashback to 1942, with a man named Arjan trying to stay one step ahead of Nazi Oswald Drechsler by keeping art treasures out of the hands of the Gestapo. These flashbacks are intermittent throughout yet involving, balancing what is occurring in the present with slowly revealed glimpses into the past. Zelda Richardson is a likable protagonist easy for the reader to embrace, because she’s far from perfect, yet resilient. Thanks to Professor Marianne Smit, who has encouraged her, she gets an unpaid internship at the Amsterdam Museum. Her boss Bernice Dijkstra, and the stern curator Huub Konjin enlist her aid in helping with the website tied to the Stolen Objects exhibition. The translations from Dutch to English are a mess. It seems a dream assignment for young Zelda, who views the museum as a kind of Camelot. It is through her eyes that the reader gets a wonderful sense of living in Amsterdam.

Zelda is soon at odds with Huub, however, when two separate claimants step forward to claim one of the paintings even before the exhibit has opened. In the background, Konrad Heider has been searching religiously for his family’s paintings. The difficulty of proving prominence for both Rita Brouwer, and Heider’s client, Karen O’Neil, is a tricky one, however. After a day escorting Rita around Amsterdam, enjoying her company as she shares with Zelda her memories of this part of the world during the war, Zelda is convinced of Rita’s genuineness and becomes her champion. This places her at odds with Huub, who clearly is ready to grant the overbearing Karen rights to the painting. Zelda cannot understand why, or why Karen is spending so much money to claim a relatively worthless painting.

There are secrets and intrigue here, and when Zelda oversteps her assignment by speaking with a relative related to the search for documentation, it sets in motion unexpected violence, as the past reaches out to the future. Sixty-five paintings, forty-five crates, and war-time homosexuality and blackmail make for intrigue and a touch of danger amidst a colorful backdrop. More and more, as Zelda attempts to be Rita’s champion, she places in jeopardy the Master’s program she so covets so that she can become a curator and work at exhibition design. On the personal front, Zelda’s boyfriend Pietro seems to be using her, and ignoring her, while her pal Friedrich, with whom she has no romantic feelings, is always there to help. He operates quadrocoptors and small drone planes by remote control as a hobby, and this will come into play as Zelda tries to discover what one of the claimants is really up to.

The mystery surrounding the painting, Irises, and its provenance is augmented by the wonderful atmosphere of life in Amsterdam. The heroine and her sidekick are likable and the reader wants them to succeed. The narrative itself is fairly breezy, flowing and unfolding naturally, even within the flashbacks. The last third of the book is quite exciting, with a sprinkling of danger, and a dash of violence. The conclusion to the mystery is very satisfying, suggesting promise of other adventures for Zelda. All in all, this appears to be a very fine mystery series.

If I have a caveat, it is that Zelda did not take the romantic direction I’d hoped for, and where the story-line appeared to be heading. Perhaps with this being a series, the author felt that Zelda being too entangled romantically would smother options in upcoming books, but it would have been charming, in my opinion. It is a very minor quibble, however. The Lover’s Portrait: An Art Mystery by Jennifer S. Alderson is a wonderful read for fans of the genre, and is much more enthralling than its breezy narrative and cerebral subject matter — a museum, works of art — suggests. Highly recommended! ( )
  Matt_Ransom | Oct 6, 2023 |
international-crime-and-mystery, cultural-exploration, world-war-2, art, art-theft, historical-places-events, historical-research, netherlands, mystery, thriller, amateur-sleuth, intrigue, greed, fraud*****

The nazis weren't the only art thieves in the twentieth century, and this excellent mystery gives a nod to the fact that covert theft continues to this day. In an attempt to return stolen artwork to rightful owners, the museum has launched an internet presence. This brings in the good, the bad, and the ugly. Unknown to the museum board, one of their employees is as dishonest as can be and stops at nothing to achieve his own personal agenda. Zelda is only an unpaid intern but she becomes enmeshed in discovering the charade on behalf of a legitimate claimant. Excellent suspense and engaging characters.
Carol Purdom performs the narration beautifully and gives voice to all the characters by enhancing their personalities
I won this free audiobook in a Giveaway! ( )
  jetangen4571 | Feb 11, 2020 |
Note: Even though this is Book 2 in the series, it works fine as a stand alone novel.

I love a good art mystery, where the main character has to dig into the history of an art piece and try to figure out motivations of potential owners. Zelda Richardson has the passion for the job. She was bored sick of her office computer job in Big City, USA and ran off to the Netherlands to study art, working on her master’s degree. I really wanted to like Zelda and eventually I came to care about her in the way I would care about a young niece. She has the appreciation for Dutch art and the dedication to research but she’s not the sharpest pencil in the pack. The clues to the mystery were well laid out and Zelda sometimes took forever to put them together.

Because of that, this cozy murder mystery read more like a kid’s mystery novel. So maybe it’s not so much Zelda but rather how the mystery itself unfolded. I really felt that Zelda acted younger than a woman in her late 20s or early 30s and her slowness in piecing together the clues really added to this. Once I cheated and adjusted Zelda’s age to 15, I liked her more and I enjoyed the tale more.

Most of the story is set in Amsterdam and there were a few scenes sprinkled throughout the story that do well in reminding us of the setting. However, for most of the book, the tale could be set almost anywhere. A few Dutch touches here and there would have added to the atmosphere.

There are two women who claim rightful ownership of a newly recovered portrait called Irises. Rita Brower hails from Missouri (I think) and is friendly. She lived in Amsterdam as a kid and has many fond memories of the place. Karen O’Neil comes in hitting heavy with a pushy attorney, threatening to go to the press with her sob story. I liked that it wasn’t immediately clear which woman had the best case of ownership though Zelda had a clear liking for Rita while her co-worker Huub Konjin clearly favored Karen with all her legal documentation. Her boss Bernice remained professional throughout the entire mess, requiring her employees to look into both cases diligently.

The research pulls in Nazi occupation of the Netherlands during WWII and their persecution of homosexuals. I felt Zelda had a very simple take on this: if character X was a homosexual, there’s no way character X could have children. That’s just silly. Plenty of homosexuals and bisexuals have had kids. This argument of Zelda’s was a very weak one but a lot of emphasis was placed on it, making it a weak point in the plot.

Later on, Zelda talks her friend Friedrich into helping her spy on one of the claimants. However, she’s then dumb enough to play this illegal recording for her boss and Huub. Obviously, that doesn’t go well and I was sure Zelda would face charges. Zelda was completely surprised at how things went and I felt this added to the overall feeling that Zelda was more a 15 year old than a 25 year old.

As the story winds up for the big finale, which was easy to predict well before we got there, I was rooting for Zelda. She may be a bit dense but I didn’t want her dead and I did want her to find the big stash of lost art. Since things had been so cozy and rather PG, I wasn’t worried for Zelda’s safety even when she was held at gun point. I did wonder about that one scene where the Bad Guy has to hold her at gun point and pick a lock at the same time….. hmmm…. it usually takes 2 hands to pick a lock. Zelda didn’t take advantage of that moment but she comes up swinging later once she’s worked out that she’s dead if she doesn’t do something.

Over all, it was a fun cozy listen with good pacing. 3.5/5 stars.

The Narration: Carol Purdom has a very pleasant voice to listen to. She makes a decent Zelda and a really great Rita (Missouri accent). She does well as the slightly outraged Karen too. I was expecting the Dutch characters to have Dutch accents, but they didn’t. They usually sounded a bit formal or stilted but not with Dutch accents. There’s a few lines of German here and there and Perdom’s German pronunciation needs some polishing. She was really good with the emotions, especially Zelda’s. 3.5/5 stars.

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Jennifer S. Alderson. The gifting of this audiobook did not affect my opinion of it. ( )
  DabOfDarkness | Sep 26, 2018 |
AUDIOBOOK REVIEW:

The teaser on the front cover gave me some idea where the story was going—One painting. Two claimants. Three murders. Isn’t that intriguing?

What I particularly liked about this book is how the author weaves an excellent mystery around a time period and subject I rarely read about. It is quite the eye-opener. The author is familiar with her material from personal experience, living in Amsterdam. She also has degrees in art history and museum studies. With her journalist background, passion for writing, along with the credentials, she created a believable and cunning plot.

I appreciated her story crafting, providing pieces of the mystery while keeping me guessing all along; the way she keeps the mystery unfolding; and the way she moves the reader from the 1940’s to the present as the mystery and suspense coil ever-tighter.

I learned so much about how artists were able to ‘hide’ their work from the greed of those who would take what doesn’t belong to them. I didn’t feel the author pushed ‘history’ down my throat, rather it came as a by-product of the story unfolding. Well written!

This story captures how times have changed, just some 80 years ago, people were much less accepting and tolerant of different life styles. We still struggle with this, however.

I enjoy Zelda’s not-letting-anything-slide attitude with a bit of humor thrown in. She is quite the Nancy Drew of Amsterdam. I also enjoy her exuberance for getting into the Master’s program. I’m hoping Frederick and she will have a future. He is a true friend. Perhaps in a sequel?

The story was a bit of a slow starter and the initial voice portrayed by Carol Purdom fell flat for me, that is, the voice for the museum’s project manager. However, her voice for the old woman who claims the painting is hers, and the belligerent curator reliving his past disappointments, has her doing an admirable job adding energy to the telling.

All-in all, I enjoyed the sleuth and well-written plot. ( )
  Eileen.Dandashi | Dec 31, 2017 |
American Art History student Zelda Richardson loves her life in Amsterdam, but entrance into the Master’s course in Museum Studies depends on her performance as an intern at the Amsterdam Historical Museum. She is asked to work on an online project to restore 1500 paintings stolen by the Nazis during World War Two to their rightful owners or descendants but she is not welcomed onto the project by the stiff, unfriendly Huub Konijn, senior curator at the Jewish Historical Museum, who designed the website.

But not content with her editing role, Zelda uses her previous web design experience to brighten up the front page, with her own choice of paintings, in an animation. Despite Huub’s criticism, one of these paintings, Irises, triggers a claimant almost instantly. Rita Brouwer, a large, jolly American woman claims it was painted for her elderly sister, but as Zelda begins to warm to this lady, another claimant turns up. Karen O’Neil is an unpleasant socialite, accompanied by her German lawyer, Konrad Heider. She has paperwork listing the painting in the Gallery of her grandfather, Arjan van Heemsvliet.

In parallel with events in 2015, we read about how many valuable paintings belonging to Dutch Jews were hidden in 1942 by Arjan and his friend, picture framer, Philip Verbeet who was Rita’s father. But both men disappeared and the location of the paintings is still unknown. We know more than Zelda about whom she should trust but part of the mystery is concealed until the end and Zelda’s impetuous, proactive investigation leads her into danger and thrilling action.

The novel gives a detailed account of the large quantity of art that was stolen and how rightful ownership is carefully researched, which of necessity slows down the first part of the story, but there is also a compelling mystery which makes the rest of book a real page turner. Zelda is a determined young woman who stumbles into predicaments because of her desire to reveal the truth and the other characters also have convincing motives and characteristics. A great read. ( )
1 abstimmen Somerville66 | Jun 6, 2017 |
keine Rezensionen | Rezension hinzufügen

Gehört zur Reihe

Du musst dich einloggen, um "Wissenswertes" zu bearbeiten.
Weitere Hilfe gibt es auf der "Wissenswertes"-Hilfe-Seite.
Gebräuchlichster Titel
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen.
Originaltitel
Alternative Titel
Ursprüngliches Erscheinungsdatum
Figuren/Charaktere
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen.
Wichtige Schauplätze
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen.
Wichtige Ereignisse
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen.
Zugehörige Filme
Epigraph (Motto/Zitat)
Widmung
Erste Worte
Zitate
Letzte Worte
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen.
(Zum Anzeigen anklicken. Warnung: Enthält möglicherweise Spoiler.)
Hinweis zur Identitätsklärung
Verlagslektoren
Werbezitate von
Originalsprache
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen.
Anerkannter DDC/MDS
Anerkannter LCC

Literaturhinweise zu diesem Werk aus externen Quellen.

Wikipedia auf Englisch

Keine

"A portrait holds the key to recovering a cache of looted artwork, secreted away during World War II, in this captivating historical art thriller set in the 1940s and present-day Amsterdam. When a Dutch art dealer hides the stock from his gallery-- rather than turn it over to his Nazi blackmailer-- he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in. After studying for a year in the Netherlands, Zelda scores an internship at the prestigious Amsterdam Historical Museum, where she works on an exhibition of paintings and sculptures once stolen by the Nazis, lying unclaimed in Dutch museum depots almost seventy years later. When two women claim the same painting, the portrait of a young girl entitled Irises, Zelda is tasked with investigating the painting's history and soon finds evidence that one of the two women must be lying about her past. Before she can figure out which one it is and why, Zelda learns about the Dutch art dealer's concealed collection. And that Irises is the key to finding it all. Her discoveries make her a target of someone willing to steal-- and even kill-- to find the missing paintings. As the list of suspects grows, Zelda realizes she has to track down the lost collection and unmask a killer if she wants to survive." -- provided by publisher

Keine Bibliotheksbeschreibungen gefunden.

Buchbeschreibung
Zusammenfassung in Haiku-Form

LibraryThing-Autor

Jennifer S. Alderson ist ein LibraryThing-Autor, ein Autor, der seine persönliche Bibliothek in LibraryThing auflistet.

Profilseite | Autorenseite

Aktuelle Diskussionen

Keine

Beliebte Umschlagbilder

Gespeicherte Links

Bewertung

Durchschnitt: (4)
0.5
1
1.5
2
2.5
3 4
3.5
4 4
4.5
5 4

 

Über uns | Kontakt/Impressum | LibraryThing.com | Datenschutz/Nutzungsbedingungen | Hilfe/FAQs | Blog | LT-Shop | APIs | TinyCat | Nachlassbibliotheken | Vorab-Rezensenten | Wissenswertes | 203,189,917 Bücher! | Menüleiste: Immer sichtbar