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How Novels Work

von John Mullan

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
249285,921 (3.95)6
Drawing on his weekly Guardian column, "Elements of Fiction," John Mullan offers an engaging look at the novel, focusing mostly on works of the last ten years as he illuminates the rich resources of novelistic technique. Mullan sheds light on some of the true masterworks of contemporary fiction, including Monica Ali's Brick Lane, J.M. Coetzee's Disgrace, Don DeLillo's Underworld, Jonathan Franzen's The Corrections, Mark Haddon's The Curious Incident of the Dog in the Night-Time, Patricia Highsmith's Ripley under Ground, Ian McEwan's Atonement, John le Carr�'s The Constant Gardener, Philip Roth's The Human Stain, Jonathan Safran Foer's Everything Is Illuminated, and Zadie Smith's White Teeth. He highlights how these acclaimed authors use some of the basic elements of fiction. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers, while others (meta-narrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. Mullan also excels at comparing modern and classic authors--Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist, making visible techniques and effects we are often only half-aware of as we read. It is an entertaining and stimulating volume that will captivate anyone who is interested in the contemporary or the classical novel.… (mehr)
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A very useful overview, clearly written and with repeated reference to examples. Mullan covers a wide range of topics and discusses them in plain language. His explanations are sufficiently detailed that it isn't necessary to have read all the books he draws from.

The one fault of this book is the necessary evil of its comprehensiveness: it fails to cover many topics in satisfying depth. On the other hand, if it did, only weightlifters would be able to read it.
1 abstimmen ajsomerset | Aug 26, 2008 |
Very accessible. ( )
  laura1210 | Nov 25, 2006 |
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Drawing on his weekly Guardian column, "Elements of Fiction," John Mullan offers an engaging look at the novel, focusing mostly on works of the last ten years as he illuminates the rich resources of novelistic technique. Mullan sheds light on some of the true masterworks of contemporary fiction, including Monica Ali's Brick Lane, J.M. Coetzee's Disgrace, Don DeLillo's Underworld, Jonathan Franzen's The Corrections, Mark Haddon's The Curious Incident of the Dog in the Night-Time, Patricia Highsmith's Ripley under Ground, Ian McEwan's Atonement, John le Carr�'s The Constant Gardener, Philip Roth's The Human Stain, Jonathan Safran Foer's Everything Is Illuminated, and Zadie Smith's White Teeth. He highlights how these acclaimed authors use some of the basic elements of fiction. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers, while others (meta-narrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. Mullan also excels at comparing modern and classic authors--Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist, making visible techniques and effects we are often only half-aware of as we read. It is an entertaining and stimulating volume that will captivate anyone who is interested in the contemporary or the classical novel.

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