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Music as a Mirror of History

von Robert Greenberg

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History. Nonfiction. HTML:

In the worlds of painting and literature, it's easy to see where history and art intersect. In Picasso's Guernica or Tolstoy's War and Peace, it's evident how works of art mirror and participate in the life of their times, sometimes even playing a role in historical events. But what about music?In Music as a Mirror of History, Great Courses favorite Professor Greenberg of San Francisco Performances returns with a fascinating and provocative premise: Despite the abstractness and the universality of music - and our habit of listening to it divorced from any historical context - music is a "mirror" of the historical setting in which it was created. Music carries a rich spectrum of social, cultural, historical, and philosophical information, all grounded in the life and experience of the composer - if you're aware of what you're listening to. In these 24 lectures, you'll explore how composers convey such explicit information, evoking specific states of mind and giving voice to communal emotions, all colored by their own personal experience. Music lovers and history enthusiasts alike will be enthralled by this exploration of how momentous compositions have responded to - and inspired - pivotal events.Ranging widely across the 18th, 19th, and 20th centuries, you witness historical moments such as the French Revolution, the Napoleonic Wars, the Austrian-Ottoman conflict, the Hungarian nationalist movement, the movement for Italian unification, the economic ascent of the U.S., the Stalinist regime in the USSR, and World Wars I and II. Across the arc of the course, you'll see how these events were felt and expressed in the music of Mozart, Beethoven, Berlioz, Brahms, Verdi, Wagner, and many others, including modern masters such as Janáček, Górecki, and Crumb, and you'll hear superlative musical excerpts in each lecture. Join us for an unparalleled look into the power and scope of musical art… (mehr)

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I much preferred the earlier episodes as I'm not a fan of classical music written in the 20th century. Loved hearing Handel, Mozart, and Beethoven's stories. Will listen to more of Greenberg. He is entertaining and passionate and informative. ( )
  franniepuck | May 7, 2023 |
I picked this course up recently when I couldn’t settle on which book I wanted to read next. The general topic is close to my heart - as an undergraduate I majored in history with a minor in music history, and seeing connections between the two came to me readily. Oddly enough, all these decades later I remember writing a paper on Leos Janacek - one of the composers Greenberg highlights - that did double duty for courses in both programs.

As it happens, I thoroughly enjoyed Greenberg’s course. I could quibble over a few things, such as his tendency to lapse a bit more into colloquialisms than I care for, and at one point I found myself wishing that he would assume that listeners could remember the details of Napoleon’s campaigns in Italy from one lecture to the next so that it wasn’t necessary to repeat them.

But overall I found it time well spent. Much of Greenberg’s subject matter was familiar to me at some level, but most of his commentary on 20th century music was new. (He seems especially knowledgeable about European history in the 19th and 20th centuries.). Although I can’t claim to be a fan of Shostakovich’s music, Greenberg’s observatIons on the composer’s machinations to stay alive, and out of Stalin’s gulags, was informative and gave me another image of the man.

Mostly, though, the course was a refreshing opportunity for me to revisit a subject I haven’t given a whole lot of thought in nearly 50 years. It reminded me of how much my understanding of European and Russian history was enhanced by studying music history.

Two closing notes: the subject matter is western concert music. Not Asian music and not pop culture. And overall, Greenberg is a very engaging presenter. It’s easy to see why his Great Courses are so popular. ( )
  BarbKBooks | Aug 15, 2022 |
This was much more of a HISTORY class than I had expected... I thought it would be a MUSIC history class. However, given how much of the information in the history lessons was new to me, I needed exactly what this course presented. I really enjoyed listening to the pieces of music along with the explanations of what was going on in the world and how that impacted the composer. I enjoyed the jokes less (WHY do all Great Courses lecturers seem to feel they need to be funny?) but the jokes did not overshadow the value I got out of this course. ( )
  ca.bookwyrm | Feb 10, 2022 |
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History. Nonfiction. HTML:

In the worlds of painting and literature, it's easy to see where history and art intersect. In Picasso's Guernica or Tolstoy's War and Peace, it's evident how works of art mirror and participate in the life of their times, sometimes even playing a role in historical events. But what about music?In Music as a Mirror of History, Great Courses favorite Professor Greenberg of San Francisco Performances returns with a fascinating and provocative premise: Despite the abstractness and the universality of music - and our habit of listening to it divorced from any historical context - music is a "mirror" of the historical setting in which it was created. Music carries a rich spectrum of social, cultural, historical, and philosophical information, all grounded in the life and experience of the composer - if you're aware of what you're listening to. In these 24 lectures, you'll explore how composers convey such explicit information, evoking specific states of mind and giving voice to communal emotions, all colored by their own personal experience. Music lovers and history enthusiasts alike will be enthralled by this exploration of how momentous compositions have responded to - and inspired - pivotal events.Ranging widely across the 18th, 19th, and 20th centuries, you witness historical moments such as the French Revolution, the Napoleonic Wars, the Austrian-Ottoman conflict, the Hungarian nationalist movement, the movement for Italian unification, the economic ascent of the U.S., the Stalinist regime in the USSR, and World Wars I and II. Across the arc of the course, you'll see how these events were felt and expressed in the music of Mozart, Beethoven, Berlioz, Brahms, Verdi, Wagner, and many others, including modern masters such as Janáček, Górecki, and Crumb, and you'll hear superlative musical excerpts in each lecture. Join us for an unparalleled look into the power and scope of musical art

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780.9The arts Music Music Biography And History

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