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The Sobbing School (National Poetry Series)

von Joshua Bennett

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"Selected by Eugene Gloria as a winner of the National Poetry Series The Sobbing School, Joshua Bennett's mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett's own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries"-- "The Sobbing School, Joshua Bennett's mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th century performance artist Henry Box Brown, as well as Bennett's own family and childhood best friends, appear and are placed in conversation toward the end of claiming that there is always a world beyond what we are socialized to see value in, always alternate ways of thinking about relation that explode easy binaries"--… (mehr)
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Joshua Bennett is a very intelligent and witty poet. His observations and metaphors are arresting and spot on. His perspective and the subject of many of these poems make him extremely relevant. I recognize the intelligence of these poems.

But these are the kind of poems that make you say, “Hmmmm.” These are poems that send you to Google to conduct research that somehow spirals out of control. These are not bad things, but I personally prefer poems that make me look inside myself, poems that make me ask the deeper questions than any search engine can provide answers to.

Once or twice I was moved while reading The Sobbing School, but mostly I thought, “nice play on words/ideas/etc.” My reaction reminds me of my views on hip-hop, which is relevant as several of the poems in this collection deal with hip-hop culture. I've heard it said that some of the greatest lyricist in hip-hop are those that have the cleverest and most inventive lyrics. MF Doom is one rapper that is often mentioned as one of the greats. Doom is clever, but he has nothing to say. His style is cartoonish and follows no logic. Now, I'm not trying to draw a direct parallel between Bennett and MF Doom, because, frankly, Bennett is clearly reaching for a space in between, where wit and relevance meet. Unfortunately, my mind was so tied up with the logic that I was not in the page emotionally. For better or worse, feeling is what I am looking for in hip-hop and in poetry.

Favorite poem in this collection: “Anthropophobia.” That's one I felt.
  chrisblocker | Jun 28, 2017 |
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"Selected by Eugene Gloria as a winner of the National Poetry Series The Sobbing School, Joshua Bennett's mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett's own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries"-- "The Sobbing School, Joshua Bennett's mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th century performance artist Henry Box Brown, as well as Bennett's own family and childhood best friends, appear and are placed in conversation toward the end of claiming that there is always a world beyond what we are socialized to see value in, always alternate ways of thinking about relation that explode easy binaries"--

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