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Sing, Unburied, Sing

von Jesmyn Ward

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

Reihen: Bois Sauvage (2)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
2,9661763,554 (4.06)326
"A searing and profound Southern odyssey by National Book Award winner Jesmyn Ward. In Jesmyn Ward's first novel since her National Book Award-winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. Drawing on Morrison and Faulkner, The Odyssey and the Old Testament, Ward gives us an epochal story, a journey through Mississippi's past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in Sing, Unburied, Sing she is at the height of her powers. Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie's children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise. Sing, Unburied, Sing grapples with the ugly truths at the heart of the American story and the power, and limitations, of the bonds of family. Rich with Ward's distinctive, musical language, Sing, Unburied, Sing is a majestic new work and an essential contribution to American literature"--… (mehr)
  1. 30
    Menschenkind von Toni Morrison (BookshelfMonstrosity)
    BookshelfMonstrosity: Mournful spirits haunt both shattering works of African American magical realism that examine the effects of slavery (Beloved) and racism (Unburied) on women and children. Lyrical language and stylistically complex storytelling provide bulwarks from which to glimpse unbearable suffering in each.… (mehr)
  2. 00
    Of Love and Dust von Ernest J. Gaines (BookshelfMonstrosity)
    BookshelfMonstrosity: These searing novels feature complex, tragic, and flawed characters in the deep South and are set in part in punitive work camps where choices are limited, the threat of violence ubiquitous, and the corridors of fate narrow and unyielding.… (mehr)
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Ghosts from the Slave Grounds

National Book Award for Fiction and recent MacArthur Genius Award winner Jesmyn Ward explores family bonds and racial prejudice and oppression in Sing, Unburied, Sing. Racism permeates the patch traversed by Jojo and his sister Kayla, his grandfather Pop and dying mother Mam, and his self-absorbed mother Leonie and his white father Michael, the pair not much older than children, and brings forth his murdered uncle Given, and another thirteen-year-old boy Richie, killed on the prison farm of Parchman (Mississippi State Penitentiary). Both Given and Richie, visible to Jojo, seek but can never find the release of justice, both stark and brutal reminders that post-racial America exists merely as a rhetorical phrase fronting a myth. As grim as this sounds, and as shocking as the family’s odyssey proves, Ward does find hope in the familial bonds of Jojo, Kayla, and Pop.

The story is about two journeys, one in real time and the other through recent history. Leonie solicits her white friend Misty, who has an imprisoned black boyfriend, to retrieve Michael from Parchman with her, where he has finished his term for cooking and selling meth. She thinks it’s a good idea to bring along her children, Kayla, a toddler, and Jojo, thirteen. As readers learn, she isn’t much of a mother, so bad and absent that her children can’t call her mom. She works but her passions are Michael, longing for Michael, and getting high. The burden of caring for the children fall to Pop and Mam, who now lies in bed, wracked by pain as she dies of cancer. Fortunately for Kayla and Jojo, Pop knows how to care for his family. As Jojo and Kayla share a special bond, so do Jojo and Pop. Pop teaches him how to live on the farm, the secrets of the woods and the animals, and of survival. He’s a man who has seen and experienced much pain in his life, including having served a term as a teen in Parchman. Slowly, over time, he tells Jojo the story of Richie, which is the tale of black oppression summed up in the short, brutal life of a thirteen-year-old boy. It’s a story Pop can barely finish, because, as readers will eventually learn, the ending is so horrifying.

Needless to say, the auto trip proves excruciating for the four, partly because Kayla becomes sick during it and nobody but Jojo seems to care or know how to comfort and help the child. When they eventually pick up Michael, the return trip devolves into something even more harrowing. Before getting Micheal, Leonie and Misty stop over at their lawyer’s house, Al. When you are dirt poor, as these people are, you get the Als of the world, representation by a drug addled wasted white man. He sends them off with crystal meth, and wouldn’t you know it, only hours out of prison, a cop pulls them over. Leonie, out love perhaps, desperation for certain, swallows the meth and what results nearly costs the travelers their freedom, and Jojo his life. It’s a scene straight out of a worst nightmare.

As if this wasn’t enough, Leonie possesses the ability envied by her mother, of seeing the dead. Perhaps this is supernatural, but it’s more likely the pain of losing her brother Given to murder. Suffice to say here that against all good advice, star athlete Given thought his white teammates regarded him as he regarded him, as brothers. In the end, his trust and misreading of race killed him as surely as the bullet. Let’s leave it for readers to discover the circumstances on their own. Leonie believes she sees him, voiceless, observing all her bad deeds. Jojo possesses this ability as well. It manifests when they pick up Michael from Parchman and Richie hitches a ride to find his old benefactor, Pop, whom he knows as River. What is little, perpetually a child Ritchie seeking? He’s wants the one person he felt ever acknowledged and cared about him. There’s much sadness here, but none sadder than Ritchie and what he represents.

While many will think, no, this isn’t a book for me, it, in fact, probably is a book for you, and especially for people who will never know about it. Because it is a story that needs telling and feeling on a visceral level, with the right among of openness to receive and acknowledge it. Strongly recommended.
( )
  write-review | Nov 4, 2021 |
I won't read it because I think it will hit way too close to home.

Still I waver, because even though I don't want to... It feels like I need to.

***WHO SUCKED ME IN?***
Stephanie from time to read! on YouTube in their Vlog Week 14 | 2018 video published on 9 apr. 2018
  Jonesy_now | Sep 24, 2021 |
Remarkable, humbling ( )
  ibkennedy | Aug 23, 2021 |
Haunting. Jesmyn Ward has been described as the heir to Toni Morrison, and she absolutely deserves that title. She relentlessly depicts the effects of poverty, racism, and drugs in the deep South. But while Salvage the Bones shows the strength of family ties, Sing, Unburied, Sing heartbreakingly shows their limitations. This is a devastating story that I will be thinking about for a long time. ( )
  doryfish | Aug 20, 2021 |
Home. Death. Family. Love. Magic. All are mixed together in a delicious gumbo in SING, UNBURIED, SING. I was mesmerized by the intensity of this novel. Each of the different narrators brought me in so tight I could feel the hot sun and taste 5he food. It is quite a journey that takes place over a short period of actual time but covers generations in actuality. I know they is symbolism in the book that I did not get but I got enough to be transported and affected. I found myself constantly adjusting my impressions of people as the book shifted points of view. It was a good reminder to not judge until you have walked a mile in people’s shoes. This was one of those books that when I finished I just needed to sit still for a few minutes and think over what I had read. I felt elevated by the exper. ( )
  MarkMad | Jul 14, 2021 |
At just 304 pages long, “Sing, Unburied, Sing” is a road novel, a ghost story, a family epic, and damning testimony bearing witness to terrible crimes. It is also unforgettable.
 
...Ward is seeking something more from (or perhaps for) her characters. And so the road trip, and the drug drama, and the struggle for wholeness unfold against a series of more mysterious events.... For each of these characters, living or dead, what lies unasked or unspoken becomes an impediment not just to happiness or social mobility but to literal deliverance — and each must decide whether to rise to the occasion, whether to let what he or she harbors sound out. Maybe that’s the miracle here: that ordinary people whose lives have become so easy to classify into categories like rural poor, drug-dependent, products of the criminal justice system, possess the weight and the value of the mythic — and not only after death; that 13-year-olds like Jojo might be worthy of our rapt attention while their lives are just beginning.... Such feats of empathy are difficult, all too often impossible to muster in real life. But they feel genuinely inevitable when offered by a writer of such lyric imagination as Ward. “Sing, Unburied, Sing” is many things: a road novel, a slender epic of three generations and the ghosts that haunt them, and a portrait of what ordinary folk in dire circumstances cleave to as well as what they — and perhaps we all — are trying to outrun.
hinzugefügt von Lemeritus | bearbeitenNew York Times Book Reviews, Tracy K. Smith (bezahlte Seite) (Sep 22, 2017)
 
This is a lyrical howl of a book that knows exactly when to go quiet and when to make its cries almost unbearable. It's a story of unfinished business, for both a country still struggling to live up to its ideals and for the ghosts that walk through these pages ... The past is its own character in Sing, Unburied, Sing, ready to burst in without a moment's notice and remind everyone it never really went away. If William Faulkner mined the South for gothic, stream-of-consciousness tragedy, and Toni Morrison conjured magical realism from the corroding power of the region's race hatred, then Ward is a worthy heir to both. This is not praise to be taken lightly. Ward has the command of language and the sense of place, the empathy and the imagination, to carve out her own place among the literary giants.
hinzugefügt von Lemeritus | bearbeitenThe Dallas Morning News, Chris Vognar (Sep 8, 2017)
 
The title Sing, Unburied, Sing seems to echo the opening of the Iliad, when Homer asks the muse to sing of unburied bodies left on the battlefield of Troy "a feast for dogs and birds," while the dead men's souls descend to Hades. Homer's poems were meant to act as immortal grave markers for the war dead, even as the physical graves and bodies would rot away. We're still singing for those Greek corpses; why not, Jesmyn Ward asks, sing for the generations of black Southerners undone by racism and history, lynched, raped, enslaved, shot, and imprisoned? In this lush and lonely novel, Ward lets the dead sing. It's a kind of burial.
 
However eternal its concerns, “Sing, Unburied, Sing,” Ward’s new book, is perfectly poised for the moment. It combines aspects of the American road novel and the ghost story with a timely treatment of the long aftershocks of a hurricane and the opioid epidemic devouring rural America....With the supernatural cast to the story, everything feels heightened. The clearest influence is Toni Morrison’s “Beloved” — the child returning from the dead, bitter and wronged and full of questions. The echoes in the language feel like deliberate homage.... The ghosts — most of them, at any rate — want to rest, but they need restitution first. They need to know what happened to them, and why. It’s the unfinished business of a nation, playing out today in the calls for the removal of statues of Confederate soldiers and in the resurgence of the Klan.
hinzugefügt von Lemeritus | bearbeitenNew York Times, Parul Sehgal (bezahlte Seite) (Sep 5, 2017)
 

» Andere Autoren hinzufügen (1 möglich)

AutorennameRolleArt des AutorsWerk?Status
Ward, JesmynHauptautoralle Ausgabenbestätigt
Chalk, ChrisCo-Autoreinige Ausgabenbestätigt
Miceli, JayaUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Sundström, JoakimÜbersetzerCo-Autoreinige Ausgabenbestätigt
Wesley, RutinaCo-Autoreinige Ausgabenbestätigt

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Who are we looking for, who are we looking for?
It's Equiano we're looking for.
Has he gone to the stream? Let him come back.
Has he gone to the farm? Let him return.
It's Equiano we're looking for.

----Kwa chant about the disappearance of Equiano an African boy
The memory is a living thing---it too is in transit. But during its moment, all that is remembered joins, and lives---the old and the young, the past and the present, the living and the dead.

---from One Writer's Beginnings,
by Eudora Welty
The Gulf shines dull as lead. The coast of Texas
glints like a metal rim. I have no home
as long as summer bubbling to its head

boils for that day when in the Lord God's name
the coals of fire are heaped upon the head
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age after age, the uninstructing dead.

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For my mother, Norine Elizabeth Dedeaux, who loved me before I took my first breath. Every second of my life, she shows me so.
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This the kind of world, Mama told me when I got my period when I was twelve, that makes fools of the living and saints of them once they dead. And devils them throughout.
How the dolphins were dying off, how whole pods of them washed up on the beaches in Florida, in Louisiana, in Alabama and Mississippi: oil-burnt, sick with lesions, hollowed out from the insides. And then Michael said something I’ll never forget: Some scientists for BP said this didn’t have nothing to do with the oil, that sometimes this is what happens to animals: they die for unexpected reasons. Sometimes a lot of them. Sometimes all at once. And then Michael looked at me and said: And when that scientist said that, I thought about humans. Because humans is animals.
He’s been orbiting her like a moon, sleeping on the sofa with his back to the door, searching the yard and woods for pens and bins and machines to fix so he can repair in the face of what he cannot.
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"A searing and profound Southern odyssey by National Book Award winner Jesmyn Ward. In Jesmyn Ward's first novel since her National Book Award-winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. Drawing on Morrison and Faulkner, The Odyssey and the Old Testament, Ward gives us an epochal story, a journey through Mississippi's past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in Sing, Unburied, Sing she is at the height of her powers. Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie's children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise. Sing, Unburied, Sing grapples with the ugly truths at the heart of the American story and the power, and limitations, of the bonds of family. Rich with Ward's distinctive, musical language, Sing, Unburied, Sing is a majestic new work and an essential contribution to American literature"--

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