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Dandelions (1972)

von Yasunari Kawabata

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874309,877 (3.68)8
"Beautifully spare and deeply strange, Dandelions--exploring love and madness--is Kawabata's final novel, left incomplete when he committed suicide in April, 1972. The book concerns Ineko's mother and Kuno, the young man who loves Ineko and wants to marry her. The two have left Ineko at the Ikuta Mental Hospital, which she has entered for treatment of a condition that might be called "seizures of body blindness." Although her vision as a whole is unaffected, she periodically becomes unable to see her lover Kuno's body: when this occurs, Ineko breaks down. Whether or not her condition actually constitutes madness is a topic of heated discussion between Kuno and Ineko's mother... In this tantalizing book, Kawabata explores the incommunicability of desire as well as desire's relation to the urge to hide. With Dandelions, Kawabata carries the art of the novel, where he always suggested more than he stated, into mysterious new realms."--… (mehr)
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Che anche leggere sia un modo per perdere se stessi insieme alle impurita del mondo?
Davide Brullo, in un articolo dedicato a Kawabata, scrive:
In un testo del 1933, Gli occhi negli ultimi istanti, Kawabata si riferisce alla letteratura occidentale per dire la sua disciplina. “La vita di Dante, l’autore della Divina commedia, fu tragica. Si dice che Walt Whitman mostrando ai suoi ospiti un ritratto del poeta raccontasse: ‘E il volto di un uomo che si e sbarazzato delle impurita del mondo. Per poter acquisire quel volto ha ottenuto molto e ha perduto tutto’“. Mi piace credere che l’episodio sia un’invenzione di Kawabata, che si vela dietro il poeta che ha visto gli altri mondi, Dante, e quello che ha cantato questo mondo, Whitman. Scrivere significa perdere tutto: se stessi insieme alle “impurita del mondo”.

https://www.pangea.news/kawabata-la-melagrana-racconto/
  claudio.marchisio | Jun 23, 2022 |
My first Kawabata- I thought this might be more to my liking than his more descriptive writing. It's largely based on dialogue between a husband to be and his fiancee's mother and concerns her daughter, Inieko's, committal to a psychiatric clinic due to somagnosia, a form of body blindness. The characters debate whether Inieko's illness is actually a form of madness and whether she should have been committed in the first place. They rarely agree on things as they mull over the aetiology of her illness, showing how rarely humans connect and the solitary nature of each individual's journey. Perhaps this is illustrated by the recurring symbols of uniqueness such as a white rat, white herons on a burial mound and a lone white dandelion. There's an emphasis too on the unreliability and subjectivity of perceptions not just in Inieko but all of us, illustrated by the example of the conjecture regarding the sound of the bells and who's doing the ringing at the clinic as they interpret it from a nearby village. When the author makes general observations on humanity or the 'mad', they're generally pithy. I found it a very curious and oddly fascinating book and I'll be reading more Kawabata. ( )
  Kevinred | Dec 11, 2020 |
Weird and cryptic with flashes of brilliance. ( )
  boredgames | Dec 16, 2019 |
Peculiar. Calm. Sadly, unfinished. ( )
  kakadoo202 | Mar 2, 2021 |
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"Beautifully spare and deeply strange, Dandelions--exploring love and madness--is Kawabata's final novel, left incomplete when he committed suicide in April, 1972. The book concerns Ineko's mother and Kuno, the young man who loves Ineko and wants to marry her. The two have left Ineko at the Ikuta Mental Hospital, which she has entered for treatment of a condition that might be called "seizures of body blindness." Although her vision as a whole is unaffected, she periodically becomes unable to see her lover Kuno's body: when this occurs, Ineko breaks down. Whether or not her condition actually constitutes madness is a topic of heated discussion between Kuno and Ineko's mother... In this tantalizing book, Kawabata explores the incommunicability of desire as well as desire's relation to the urge to hide. With Dandelions, Kawabata carries the art of the novel, where he always suggested more than he stated, into mysterious new realms."--

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