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Lädt ... Und unsere Gesichter, mein Herz, vergänglich wie Fotosvon John Berger
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Este inclasificable libro une con lucidez la profundidad del trabajo ensayístico de John Berger sobre el arte con la riqueza emocional de su trabajo narrativo y poético. Por primera vez se sirve de sus modos de ver para examinar su obra, sus emociones, y cuestiona aspectos trascendentes como las razones que nos llevan a amar. Las respuestas de Berger, misteriosas por su sutileza, son esperanzadas y necesarias. En este libro, posiblemente su obra más íntima, el autor pasa revista a una serie de experiencias que son tan esenciales, tan familiares (el amor y el tiempo, la ausencia y la distancia, el arraigo y el alejamiento) que casi hemos olvidado la manera de sentirlas en nuestra vida. You should read writers that the writers you love love. Gerald Vizenor always seems to work a mention of John Berger into his texts. This was brilliant and expressed quite a few ideas about time far better than I ever could have expressed them myself. A collection of philosophical sketches, poems, and essays about nature of love, time, space and separation, it still leaves a little something to desired. Though prose are meticulously constructed, I require something a little more creative. Also, it would have worked better if individual sections were not so obviously divided by format. Unlike Vizenor, the poetry, fiction, and nonfiction are not seamlessly blended together into an unnameable whole. Immagini Questo libro, dono di una carissima amica, mi segue... anzi mi sta accanto, da diversi mesi ormai. E' lì appoggiato per terra vicino al letto ed ogni tanto la sera, tra un romanzo e l'altro o comunque quando ne sento la voglia, lo riprendo in mano e leggo o rileggo qualcosa. Ci sono brani o meglio, "immagini" che ho letto e riletto più volte e che rileggerò ancora, perché mi affascinano e mi commuovono e non saprei neanche dire perchè: un gattino completamente bianco, la foto di cinque operai turchi, un dipinto di Rembrandt... due corpi che fondendosi in un abbraccio definitivo si decompongono. Zeige 5 von 5 keine Rezensionen | Rezension hinzufügen
Booker Prize-winning author John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality and the steady backward tug of time. He recreates the mysterious forces at work in a Rembrandt painting, transcribes the sensorial experience of viewing lilacs at dusk, and explores the meaning of home to early man and to the hundreds of thousands of displaced people in our cities today. And Our Faces, My Heart, Brief as Photos is a seamless fusion of the political and personal. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresKeine Genres Melvil Decimal System (DDC)823.912Literature English & Old English literatures English fiction Modern Period 1901-1999 1901-1945Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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