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My Life in Art von Constantin Stanislavski
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My Life in Art (1952. Auflage)

von Constantin Stanislavski

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2302116,971 (4.33)7
Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union. Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926. Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it - from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.… (mehr)
Mitglied:shamela
Titel:My Life in Art
Autoren:Constantin Stanislavski
Info:Theatre Arts Books (1952), Paperback
Sammlungen:Deine Bibliothek
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Tags:office, theatre, autobiography

Werk-Informationen

Mein Leben in der Kunst von Konstantin Stanislavsky

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I thought that "My Life in Art" - especially my edition, which is the most current translation of the Russian version with wonderfully illuminating footnotes and addendum - was a fantastic read. Stanislavski's voice is so clear, and he absolutely draws you in with his conversational and friendly prose. I enjoyed hearing his struggles as a young actor, especially since they are things I am coming up against in my own acting, and how he worked as an "actor's director". This book was very eye-opening for me, and it really helped me to look at various theatrical standbys in a new light. ( )
  391 | Jan 25, 2009 |
1937 edition
  SuzieHouston | Aug 9, 2009 |
keine Rezensionen | Rezension hinzufügen

» Andere Autoren hinzufügen (4 möglich)

AutorennameRolleArt des AutorsWerk?Status
Stanislavsky, KonstantinHauptautoralle Ausgabenbestätigt
Ivanov-Mumjiev, G.ÜbersetzerCo-Autoreinige Ausgabenbestätigt
Robbins, J. J.ÜbersetzerCo-Autoreinige Ausgabenbestätigt

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I was born in Moscow in 1863, a time that may well be taken as a dividing point between two great epochs.
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Wikipedia auf Englisch (2)

Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union. Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926. Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it - from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.

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