|
Lädt ... Bright Earth: Art and the Invention of Color (2001)480 | 11 | 51,281 |
(4.1) | 13 | "Bright Earth provides a glimpse into a little-explored avenue in the history of art and science: the creation of pigments and dyes and their influence on painting, as well as on fashion, merchandising, and the textile and chemical industries. For as long as artists have turned their dreams into images, they have relied on technical knowledge to supply their materials. Today almost every shade imaginable is easily available in off-the-shelf tubes; every hue and tincture is manufactured and ready for immediate use by the painter. But up until the eighteenth century, most artists ground and mixed their own pigments, and by necessity had considerable skill as a practical chemists."--Jacket.… (mehr) |
▾Empfehlungen von LibraryThing ▾Diskussionen (Über Links) ▾Reihen und Werk-Beziehungen ▾Auszeichnungen und Ehrungen
|
Gebräuchlichster Titel |
Die Informationen sind von der italienischen Wissenswertes-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. | |
|
Originaltitel |
|
Alternative Titel |
|
Ursprüngliches Erscheinungsdatum |
|
Figuren/Charaktere |
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. | |
|
Wichtige Schauplätze |
|
Wichtige Ereignisse |
|
Zugehörige Filme |
|
Epigraph (Motto/Zitat) |
|
Widmung |
|
Erste Worte |
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. Preface ☸ For the past two years I have been learning to speak a new language. ONE THE EYE OF THE BEHOLDER THE SCIENTIST IN THE STUDIO ☸ "I believe that in the future, people will start painting pictures in one single colour, and nothing else but colour." | |
|
Zitate |
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. One of the Impressionists' numerous bludgeon-witted critics suggested that they might have achieved their results by loading a gun with bright colours and firing it at the canvas. | |
|
Letzte Worte |
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. | |
|
Hinweis zur Identitätsklärung |
|
Verlagslektoren |
|
Werbezitate von |
Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. | |
|
Originalsprache |
|
Anerkannter DDC/MDS |
|
Anerkannter LCC |
|
▾Literaturhinweise Literaturhinweise zu diesem Werk aus externen Quellen. Wikipedia auf Englisch (5)▾Buchbeschreibungen "Bright Earth provides a glimpse into a little-explored avenue in the history of art and science: the creation of pigments and dyes and their influence on painting, as well as on fashion, merchandising, and the textile and chemical industries. For as long as artists have turned their dreams into images, they have relied on technical knowledge to supply their materials. Today almost every shade imaginable is easily available in off-the-shelf tubes; every hue and tincture is manufactured and ready for immediate use by the painter. But up until the eighteenth century, most artists ground and mixed their own pigments, and by necessity had considerable skill as a practical chemists."--Jacket. ▾Bibliotheksbeschreibungen Keine Bibliotheksbeschreibungen gefunden. ▾Beschreibung von LibraryThing-Mitgliedern
Zusammenfassung in Haiku-Form |
|
|
Aktuelle DiskussionenKeineGoogle Books — Lädt ...
|
I found it impossible to read without an Internet access available around. Despite a number of illustrations the author constantly refers (and for good reasons) to a yet greater number of works. Thus it is more rewarding - both estethically and cognitively - to check those paintings to better understand the points made by this brilliant author.