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Downward to the earth von Robert Silverberg
Lädt ...

Downward to the earth (Original 1969; 1970. Auflage)

von Robert Silverberg (Autor)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
7021632,534 (3.67)22
Fiction. Science Fiction. HTML:

A lone man must make a journey across a once-colonized alien planet abandoned by mankind when it was discovered that the species there were actually sentient.

Gundersen returns to Holman's World seeking atonement for his harsh years as colonial governor. But now this lush, exotic planet of mystery is called by its ancient name of Belzagor, and it belongs once again to its native alien races, the nildoror and the sulidoror. Drawn by its spell, Gundersen begins a harrowing pilgrimage to its mist-shrouded north to witness a strange ritual rebirth that will alter him forever.

This is one of Silverberg's most intense novels and draws heavily on Joseph Conrad's Heart of Darkness. It puts listeners at the heart of the experience and forces them to ask what they would do in the same circumstances.

.
… (mehr)
Mitglied:grundlecat
Titel:Downward to the earth
Autoren:Robert Silverberg (Autor)
Info:Nelson Doubleday (1970), 180 pages
Sammlungen:Deine Bibliothek
Bewertung:
Tags:SF HC, BCE

Werk-Informationen

Die Mysterien von Belzagor von Robert Silverberg (1969)

  1. 00
    Herz der Finsternis von Joseph Conrad (aulsmith)
    aulsmith: Silverberg was inspired by Conrad's story to write Downward to Earth and makes some interesting comments on the themes that Conrad explores.
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F/SF
  beskamiltar | Apr 10, 2024 |
Great book. Silverberg accomplishes more per page than a lot of authors do. ( )
  bloftin2 | May 4, 2023 |
SF is varied, it's not always about space, technology, gadgets, artificial intelligence. Robert Silverberg takes a different approach, a more spiritual one, so to speak. This book is apparently based on [b:Heart of Darkness|4900|Heart of Darkness|Joseph Conrad|https://images.gr-assets.com/books/1392799983s/4900.jpg|2877220] by [a:Joseph Conrad|3345|Joseph Conrad|https://images.gr-assets.com/authors/1403814208p2/3345.jpg] and, in a way, [b:Gulliver's Travels|7733|Gulliver's Travels|Jonathan Swift|https://images.gr-assets.com/books/1427829692s/7733.jpg|2394716] by [a:Jonathan Swift|1831|Jonathan Swift|https://images.gr-assets.com/authors/1183238507p2/1831.jpg].

The title comes from a quote from Ecclesiastes:

Who knoweth the spirit of man that goeth upward, and the spirit of the beast that goeth downward to the earth?

ECCLESIASTES 3:21

----------

The main character, Gundersen, travels back to the jungle planet (Holman's World, as it was named by man, although its original name was Belzagor) on which he, 8 years ago, had the task to prepare it for human settlement, to colonise it. The already present population and creatures resemble elephants, apes (sulidor / sulidoror when plural), mountain goats, and what have you. Mainly the elephant-like creatures, nildor (nildoror when plural), were used as workforces, just like on Earth. Little did Gundersen and the other people sent out on this mission know or realise that these populations (by lack of a better term) have their own way of communicating, their own language(s), their own way of living, and so on, even if they aren't capable of setting up a "modern" civilisation, aren't active in the world of art, ... Hence (unjustly) seeing them as savages and mere animals.

All this takes place in a far future; many installations are automated, there are robots who take care of certain tasks. Any repairs are also done automatically, when the tools are present and the machinery hasn't succumbed to the local circumstances (wear and tear, climate, ...). Gundersen left when man had to relinquish their "rights" to the planet. Other stayed, for whatever reason. The installations (hotel, bungalow, research stations, ...) are decaying, slowly but surely, because the local populations have reclaimed and taken back possession of their land and traditions.

Eight years after his leaving, he decides to return to witness a strange kind of ceremony. Upon arrival, he knows he will have to follow the local laws and rules. Since he wants to go to the mist-shrouded country up north, he must obtain permission from an elder nildor. This he gets, but under one condition: bring back a man who committed a crime, but is hiding in sulidor (the fanged ape-like creatures) country.

One thing leads to another and Gundersen can finally begin his new mission, despite the difficulties he experiences. Cold weather, varying levels of humidity, etc., all without proper preparation. Just his jungle outfit. Like, dude, you've stayed ten years on that planet, surely you know that you need to prepare when moving out? Food, clothing, tools, ...? It's a miracle he didn't freeze to death or have migraines or something else.

The encounter with his former lover, Seena, is awkward, but memories pop up again and it's like they never separated. Seena is described in a typical, objective way, although she still cares about Gundersen, but also her new husband, Kurtz. Kurtz was one of the researchers, who messed with the nildoror's culture (snake venom). He also wanted to see what this "rebirth" ceremony entailed, but didn't come out as expected. The nildoror and sulidor have to go through this process when they're called, almost like Muslims have to, at least once in their lives, go to Mecca. Only on Belzagor, the process is indeed life-changing and depends on your inner being, your soul. That's also when Gundersen sees the light about himself and the local populations.

----------

I am positively surprised by how good this novel is. Silverberg's writing is quite fluid and very descriptive. He described the populations, the environment (plants, rocks, buildings, ...) as detailed as was necessary to make the story more lively, to have the reader experience it all from a front-row seat. The message is one about respect for others, for other cultures, for anything that may not conform or correspond to your own view on life. It's about looking inward. It's also a complaint against colonialism and (mainly western?) supremacy towards, as I saw it, African, Asian, and other people.

Despite a few details (e.g. the flawed character who, as a former governor of the planet, finds it unnecessary to properly prepare his visit and travels; but you can somehow sympathise with him and the locals / the way Seena is described / ... - one must realise, though, that the story was written more than 40 years ago), this book is recommended reading material, whether you're into SF or not. ( )
  TechThing | Jan 22, 2021 |
Reliving old sins
curiosity, remorse
it's all about you. ( )
  Eggpants | Jun 25, 2020 |
the planet and the aliens are truly different than the human explorers - every character and culture is well-developed - one of the few Silverberg I liked ( )
1 abstimmen Cheryl_in_CC_NV | Jun 6, 2016 |
keine Rezensionen | Rezension hinzufügen

» Andere Autoren hinzufügen (5 möglich)

AutorennameRolleArt des AutorsWerk?Status
Robert SilverbergHauptautoralle Ausgabenberechnet
Maronski, TomaszUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Szafran, GeneUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
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Who knoweth the spirit of man that goeth upward, and the spirit of the beast that goeth downward to the earth? Ecclesiastes iii,21
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He had come back to Holman's World after all.
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Fiction. Science Fiction. HTML:

A lone man must make a journey across a once-colonized alien planet abandoned by mankind when it was discovered that the species there were actually sentient.

Gundersen returns to Holman's World seeking atonement for his harsh years as colonial governor. But now this lush, exotic planet of mystery is called by its ancient name of Belzagor, and it belongs once again to its native alien races, the nildoror and the sulidoror. Drawn by its spell, Gundersen begins a harrowing pilgrimage to its mist-shrouded north to witness a strange ritual rebirth that will alter him forever.

This is one of Silverberg's most intense novels and draws heavily on Joseph Conrad's Heart of Darkness. It puts listeners at the heart of the experience and forces them to ask what they would do in the same circumstances.

.

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