Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.
|
Lädt ... The Fiction Editor, the Novel, and the Novelistvon Thomas McCormack
   Keine Keine aktuelle Diskussion zu diesem Buch.   ritaer | Apr 23, 2020 |  McCormack's ideas on sensibility (you either have it or you don’t) are interesting and, in some places, very insightful. I agree with him that not every editor is ideally suited to edit every book and that his/her taste must be similar to the taste of the “ideal reader” of a particular book. But at the same time, I’m not so sure that there are a “gifted few” who are born with editorial genius and the rest of the world are just a bunch of Philistines. I think everyone has some artistic sensibility. Whether or not they have the ability or inclination to use and develop this sensibility might be a different story. However, my opinion once again coincides with his when he points out the important relationship between craft and sensibility. Craft gives you a “bag of tricks” or a set of practical skills and strategies for making a book better. But only artistic sensibility can guide you in how (or if) to use particular elements of your craft. For example, craft would say to avoid using the same verb repeatedly in one paragraph. But one of my classmates brought in a poignant paragraph from Neil Gaiman’s American Gods that repeated the verb “believe” over and over to a marvelous effect. Clearly, the editor of American Gods needed to rely on sensibility to say, “Go ahead; break the ‘rules.’ It’s powerful, it’s beautiful, don’t ruin it because of your devotion to Strunk and White!” JypsyJBook | Jun 11, 2010 |  ) richardderus | Sep 18, 2006 | Zeige 3 von 3 keine Rezensionen | Rezension hinzufügen
"Lucid, thoughtful...writers and teachers will learn much from it...Belongs wherever Strunk and White'sThe Elements of Style finds frequent use."--Booklist "Writers will actually learn things here."--Los Angeles Times "Perfect for teachers, critics and general readers."--Library Journal "Required reading for all those who care about good fiction."--Kirkus Reviews Drawing upon twenty-eight years of experience as the CEO and editorial director of St. Martin's Press, Thomas McCormack gives practical guidance about how to plan, write, and revise a novel. A standard reference for editors since its first publication in 1988,The Fiction Editor has also become popular with writers because McCormack's advice is constructive at every step of the creative process. From individual word choice right up to the overarching effect of the work as a whole, he details how to structure the novel, choose the characters, drive the story, diagnose narrative ailments, and find and apply specific remedies. In this revised second edition, McCormack takes advantage of almost two decades of additional experience to clarify and expand on what he has learned. "Written in an amiable tone, often using examples, hypothetical writing scenarios, or dialogue-style discourse between industry professionals to clarify its points, The Fiction Editor, the Novel, and the Novelist is a superb handbook for fiction writers but especially recommended for prospective and professional fiction editors."--Midwest Book Review Thomas McCormack edited authors as diverse as James Herriot (All Creatures Great and Small) and Thomas Harris (The Silence of the Lambs). He was awarded LMP's Lifetime Achievement Award and the AAP's Curtis Benjamin Award for Creative Publishing. For two years, he wrote "The Cheerful Skeptic" column in Publishers Weekly. Keine Bibliotheksbeschreibungen gefunden. |
Aktuelle DiskussionenKeineBeliebte Umschlagbilder
 Google Books — Lädt ...GenresMelvil Decimal System (DDC)808.0683Literature By Topic Rhetoric and anthologies Rhetoric and anthologies By Type Of Writing Children's literatureKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt: (3.75)
Bist das du?Werde ein LibraryThing-Autor. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1