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Landscape for a Good Woman: A Story of Two Lives

von Carolyn Kay Steedman

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1843147,754 (3.69)1
This book is about lives lived out on the borderlands, lives for which the central interpretative devices of the culture don't quite work. It has a childhood at its centre - my childhood, a personal past - and it is about the disruption of that fifties childhood by the one my mother had lived out before me, and the stories she told about it.' Intricate and inspiring, this unusual book uses autobiographical elements to depict a mother and her daughter and two working-class childhoods (Burnley in the 1920s, South London in the 1950s) and to find a place for their stories in history and politics, in psychoanalysis and feminism. 'Provocative and quite dazzling in its ambitions. . . Beautifully written, intellectually compelling' Judith Walkowitz… (mehr)
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Steedman's book really challenges histories of working class folks by taking her own life and her mother's life and tracing them with some lenses of psychoanalysis and also readings of class consciousness and showing how disconnected those experiences are from dominant narratives about working class life. It sort of feels all over the place, but every part of it reads towards her argument and it's really compelling in the ways she mines her own experience for these pieces. I can't quite explain it, but I found it to be a really interesting, compelling read and I definitely recommend it. ( )
  aijmiller | Nov 12, 2017 |
I found this book to be unpleasant and unsuccessful. As scholarship, the bitterness of the author compromised the presentation, while as memoir the erudition interfered with the life story. ( )
  sleahey | Aug 23, 2012 |
At once a biography of her mother, an autobiography, and a philosophical study of gender and class, Landscape for a Good Woman is a beautiful exposition of the intersections of class and patriarchy in 1950s Britain through one woman's life. ( )
  TinuvielDancing | Jan 19, 2010 |
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I speak now in relation between the Oppressor and the oppressed; the inward bondages I meddle not with this in this place, though I am assured that if it be rightly searched into, the inward bondages of minde, as covetousness, pride, hypocrisie, envy, sorrow, fears, desperation and madness, are all occasioned by the outward bondage, that one sort of people lay upon another.

~ Gerrard Winstanley, 'The Law of Freedom in a platform, or, True Magistracy Restored', 1652
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She died like this.
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This book is about lives lived out on the borderlands, lives for which the central interpretative devices of the culture don't quite work. It has a childhood at its centre - my childhood, a personal past - and it is about the disruption of that fifties childhood by the one my mother had lived out before me, and the stories she told about it.' Intricate and inspiring, this unusual book uses autobiographical elements to depict a mother and her daughter and two working-class childhoods (Burnley in the 1920s, South London in the 1950s) and to find a place for their stories in history and politics, in psychoanalysis and feminism. 'Provocative and quite dazzling in its ambitions. . . Beautifully written, intellectually compelling' Judith Walkowitz

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