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Lädt ... Parsley, Sage, Rosemary and Thyme (c.2) (cd)von Paul Simon, Art Garfunkel (Verfasser)
Werk-InformationenParsley, Sage, Rosemary and Thyme von Simon & Garfunkel
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Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. This is a classic recording. It has four major hits by Simon and Garfunkel: Scarborough Fair/Canticle, Homeward Bound, The 59th Street Bridge, and For Emily, Whenever I May Find Her. Cloudy is a sweet, quiet song. The Dangling Conversation is another one I have grown old enough to appreciate. 7 O'Clock News/Silent Night is powerful and hasn't lost anything over the years. I like this a lot, but not as much as the Greatest Hits and Bridge over Troubled Water albums. It is a classic album; if you like Simon and Garfunkel, I think you'll like this album. INFORMATION-This album contains the following tracks: 1 Scarborough Fair/Canticle (Art Garfunkel / Paul Simon), 3:08 2 Patterns (Paul Simon), 2:42 3 Cloudy (Paul Simon), 2:10 4 Homeward Bound (Paul Simon), 2:30 5 The Big Bright Green Pleasure Machine (Paul Simon), 2:42 6 The 59th Street Bridge Song (Feelin' Groovy) (Paul Simon), 1:43 7 The Dangling Conversation (Paul Simon), 2:37 8 Flowers Never Bend with the Rainfall (Paul Simon), 2:10 9 A Simple Desultory Philippic (Or How I Was Robert McNamara'd into Submission) (Paul Simon), 2:12 10 For Emily, Whenever I May Find Her (Paul Simon), 2:04 11 A Poem on the Underground Wall (Paul Simon), 1:52 12 7 O'Clock News/Silent Night (Paul Simon), 2:01 The following tracks were not part of the 1966 release: 13 Patterns (demo), 2:57 14 A Poem on the Underground Wall (demo), 1:57 Zeige 3 von 3
Simon & Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing, and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and pointed as either of those records at their respective bests. After the frantic rush to put together an LP in just three weeks that characterized the Sounds of Silence album early in 1966, Parsley, Sage, Rosemary and Thyme came together over a longer gestation period of about three months, an uncommonly extended period of recording in those days, but it gave the duo a chance to develop and shape the songs the way they wanted them. The album opens with one of the last vestiges of Paul Simon's stay in England, "Scarborough Fair/Canticle" -- the latter was the duo's adaptation of a centuries-old English folk song in an arrangement that Simon had learned from Martin Carthy. The two transformed the song into a daunting achievement in the studio, however, incorporating myriad vocal overdubs and utilizing a harpsichord, among other instruments, to embellish it, and also wove into its structure Simon's "The Side of a Hill," a gentle antiwar song that he had previously recorded on The Paul Simon Songbook in England. The sonic results were startling on their face, a record that was every bit as challenging in its way as "Good Vibrations," but the subliminal effect was even more profound, mixing a hauntingly beautiful antique melody, and a song about love in a peaceful, domestic setting, with a message about war and death; Simon & Garfunkel were never as political as, say, Peter, Paul & Mary or Joan Baez, but on this record they did bring the Vietnam war home. Ist enthalten inBemerkenswerte Listen
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Written-By – Paul Simon And Art Garfunkel*
3:10
2 Patterns 2:45
3 Cloudy 2:21
4 Homeward Bound 2:29
5 The Big Bright Green Pleasure Machine 2:47
6 The 59th Street Bridge Song (Feelin' Groovy) 1:53
7 The Dangling Conversation 2:37
8 Flowers Never Bend With The Rainfall 2:10
9 A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission) 2:19
10 For Emily, Whenever I May Find Her 2:05
11 A Poem On The Underground Wall 1:52
12 7 O'Clock News/Silent Night 2:02
Bonus Tracks
13 Patterns (Demo) 2:53
14 A Poem On The Underground Wall (Demo) 1:51