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Normal People: One million copies sold von…
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Normal People: One million copies sold (2019. Auflage)

von Sally Rooney (Autor)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
6,8302701,363 (3.72)193
"At school Connell and Marianne pretend not to know each other. He's popular and well-adjusted, star of the school football team, while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her job at Marianne's house, a strange and indelible connection grows between the two teenagers--one they are determined to conceal. A year later, they're both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other" --… (mehr)
Mitglied:SGLongstaff
Titel:Normal People: One million copies sold
Autoren:Sally Rooney (Autor)
Info:Faber & Faber (2019), Edition: Main, 288 pages
Sammlungen:Deine Bibliothek
Bewertung:
Tags:Keine

Werk-Informationen

Normale Menschen von Sally Rooney

Kürzlich hinzugefügt voncarolouisereads, private Bibliothek, LucilaRodriguez, Kaftan, sophiesapphire, VidhyaAnand, gadhaliwal1
  1. 60
    Zwei an einem Tag von David Nicholls (BookshelfMonstrosity)
    BookshelfMonstrosity: Normal People is more explicit than One Day, but both of these character-driven novels follow a couple who can't resist each other and come together only to separate over and over again.
  2. 30
    Trust Exercise von Susan Choi (BookshelfMonstrosity)
    BookshelfMonstrosity: Though Trust Exercise employs an unconventional storyline that unfolds with stylistically complex flair, and Normal People is more straightforward, both novels play with power dynamics within relationships and explore the limitations of communication.… (mehr)
  3. 10
    Gespräche mit Freunden von Sally Rooney (hazzabamboo)
    hazzabamboo: Her second, and even better - they cover quite similar ground
  4. 00
    In Paris With You von Clementine Beauvais (SandSing7)
    SandSing7: The characters and their relationship are eerily similar, the writing is lovely and poetic (even though Paris is written in verse), and it's super weird that even the endings are exactly the same.
  5. 00
    You Have to Make Your Own Fun Around Here von Frances Macken (WendyRobyn)
    WendyRobyn: These are both coming of age stories in which young adults reassess their childhood relationships after moving away from their Irish home village.
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Englisch (252)  Niederländisch (4)  Katalanisch (4)  Spanisch (3)  Italienisch (1)  Französisch (1)  Deutsch (1)  Schwedisch (1)  Alle Sprachen (267)
Die Erwartung ist hoch beim zweiten Roman, hat einem der erste gefallen. Man fürchtet ja immer,der Autor könne schon alles gegeben haben und wiederhole sich nun nur noch. Aber der zweite Roman Sally Rooneys ist ganz anders, viel düsterer als der erste. Er handelt von sehr viel Sex, aber das Ganze ist beklemmend zu lesen; man leidet mit den Protagonisten, die so fürchterlich feststecken und sich nicht erklären, ja nicht einmal selbst erkennen können.
  Drapetsona | Apr 16, 2021 |
[T]he idealized reading experience Rooney casts for her young writer is a magnetic mingling of literary minds that sharpens an intelligence capable not merely of imagining others but of imagining how to be close to them, even how to live with the responsibility of their happiness and dreams.
hinzugefügt von ScattershotSteph | bearbeitenThe Nation, Hannah Gold (Sep 17, 2019)
 
[U]pon critical reflection, the novel’s territory comes to seem like more fog than not. Which is to say: it’s a novel about university life, but without collegiate descriptions or interactions with professors or references to intellectual histories or texts; about growing up, but without any adults [. . .]; about Ireland, but without any sense of place, national history, or even physical description (if Joyce wrote Ulysses in order that Dublin might be reconstructed brick by brick, you’d be hard pressed to even break ground using Normal People); about Connell becoming a writer, but without any meaningful access to his interior development, or any sense conveyed of how his creative “passion” inflects his life; and, finally, about Marianne and Connell’s intertwined fate where we are only intermittently given access to sustained moments of intimacy.
 
Rooney's slivers of insight into how Marianne and Connell wrestle with their emotions and question their identity in the process made it one of the most realistic portrayals of young love I've read. Their relationship is rife with mistakes, misunderstandings, and missed chances that could be simplified if only they communicated and didn't subconsciously suppress their feelings, as millennials are wont to do.
 
Here, youth, love and cowardice are unavoidably intertwined, distilled into a novel that demands to be read compulsively, in one sitting.
 
[W]hile Rooney may write about apparent aimlessness and all the distractions of our age, her novels are laser-focused and word-perfect. They build power by a steady accretion of often simple declarative sentences that track minuscule shifts in feelings.
hinzugefügt von ScattershotSteph | bearbeitenNPR Books, Heller McAlpin (Apr 16, 2019)
 

» Andere Autoren hinzufügen

AutorennameRolleArt des AutorsWerk?Status
Rooney, SallyHauptautoralle Ausgabenbestätigt
Baardman, GerdaÜbersetzerCo-Autoreinige Ausgabenbestätigt
Balmelli, MauriziaÜbersetzerCo-Autoreinige Ausgabenbestätigt
Lindell, KlaraÜbersetzerCo-Autoreinige Ausgabenbestätigt
McMahon, AoifeErzählerCo-Autoreinige Ausgabenbestätigt
Pellisa, IngaÜbersetzerCo-Autoreinige Ausgabenbestätigt
Riera, ErnestTraductorCo-Autoreinige Ausgabenbestätigt

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It is one of the secrets in that change of mental poise which has been fitly named conversion, that to many among us neither heaven nor earth has any revelation till some personality touches theirs with a peculiar influence, subduing them into receptiveness.
George Eliot, Daniel Deronda
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JANUARY 2011

Marianne answers the door when Connell rings the bell.
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It feels powerful to him to put an experience down in words, like he's trapping it in a jar and it can never fully leave him.
That's money, the substance that makes the world real. There's something so corrupt and sexy about it.
Outside her breath rises in a fine mist and the snow keeps falling, like a ceaseless repetition of the same infinitesimally small mistake.
His appearance is like a favorite piece of music to her, sounding a little different each time she hears it.
Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently. You learn nothing very profound about yourself simply by being bullied; but by bullying someone else you learn something you can never forget.
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"At school Connell and Marianne pretend not to know each other. He's popular and well-adjusted, star of the school football team, while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her job at Marianne's house, a strange and indelible connection grows between the two teenagers--one they are determined to conceal. A year later, they're both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other" --

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Durchschnitt: (3.72)
0.5 3
1 37
1.5 4
2 126
2.5 31
3 376
3.5 131
4 547
4.5 92
5 355

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