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Lädt ... Artemisia (1953)von Anna Banti
Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Anna Banti amb tres segles de distància analitza la vida d'Artemisia i la seva. Una redacció molt anàlitica, objectiva i descriptiva a nivell del pensament. ( ) Banti's historical fiction about the Renaissance painter Artemisia Gentileschi is a wonderfully creative take on the genre, being both biographical (of Banti's house fire which destroyed her original writings) and fictional novel (of Artimisia's personal journeys as a painter in Italy and England). The story of the artist is enthralling, but it is brought to life through Banti's creative feminist narrative on a woman operating in, and excelling in, a man's world (something Banti shares with her subject). En roman der "brænder sig fast" hos læseren. Historisk roman om Artemisia Gentileschi, født i 1598. Datter af den anerkendte barokmaler, Orazio Gentileschi, levede et turbolent liv. Som helt ung bliver hun voldtaget af sin tegnelærer og efter en ydmygende, vanærende retssag helligede hun sig totalt maleriet og formåede at slå sig igennem som kvindelig maler. I hendes biografiske data optræder en ægtemand og 2 – 3 børn, samt en for tiden enestående begivenhed: alene kvinde rejste hun til England for at besøge sin far som havde skabt sig en karriere under Charles d. I Romanen er ikke en traditionel biografisk-historisk roman. Banti tager sig store friheder og digter sit eget værk i en løbende dialog med Artemisia. Denne opbygning af romanen giver en oplevelse af at der skabes en pagt mellem de to kvinder. En pagt hvor Banti giver Artemisia stemme og liv nr.2 og til gengæld i retur får skrevet en helt særligt værk som skiller sig ud fra den traditionelle historiske roman. Desværre er romanen kun oversat til engelsk Zeige 4 von 4 keine Rezensionen | Rezension hinzufügen
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Artemisia Gentileschi, born in 1598, the daughter of an esteemed painter, taught art in Naples and painted the great women of Roman and biblical history: Esther, Judith, Cleopatra, Bathsheba. She also painted the rich and royal, but her wealthy male patrons wanted admiration while her women models wanted disguise. This woman, who had been violated in her youth and reviled as a rap victim in a public trial before going off to heretical England, who was rejected by her father and later abandoned by her husband and misunderstood by her daughter, who could not read or write but who could only paint--this woman was one of the first modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. Artemisia lives again in Anna Banti's novel, which was first published to critical acclaim in Italy in 1947 (Banti was the pseudonym of Lucia Lopresti, 1895-1978). Recognized as a consummate stylist, she was one of the most successful women writers in Italy before the resurgence of the feminist movement. Although Artemisia describes life in seventeenth-century Rome, Florence, and Naples, the time setting of the novel is, in a deeper sense, a historical, merging as it does the experience of a woman dead for three centuries with the terrors of World War II experienced by the author. Shirley D'Ardia Caracciolo's English translation of Banti's novel skillfully renders its complexity and poignancy as a study of courage. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)853.912Literature Italian Italian fiction 1900- 20th Century 1900-1945Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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