In Sharon Olson's book Will There Be Music? the poet employs a sharp eye to illuminate scenes from a fifties childhood, and during her journey seeks testimony from an array of disparate voices: a Swedish grandmother, a band of prostitutes, a waitress in a Fellini film. Her investigations into the lives of artists and writers, among them John Sloan, Emil Nolde, Sartre and Stendhal, unfold with lyric intensity, deepening and darkening her report from an America where "gun cases beckon," an earth that "would never be scrubbed clean."