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A Company of Poets (Poets on Poetry)

von Louis Simpson

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This is a collection of essays, reviews, and interviews in which the author, himself a distinguished poet, expresses his ideas about the nature of poetry and criticizes his contemporaries. Simpson takes his stand with the "poetry of feeling" and agrees with Woodsworth that poetry should be written in a selection of the language "really spoken by men." His reviews of American poets who have since become famous show Simpson to be an acute an innovative thinker. There are also essays on modern classics: Apollinaire, MacDiarmid, Lawrence, Crane, and Pound. The collection shows the full range of the critic of whom the Times Literary Supplement recently said: "Simpson's critical and narrative voice is very distinctive - it is generous, sympathetic, spontaneously free and wittily fatalistic. Most originally, perhaps, this voice marries criticism, biography, literary and cultural history in an imaginative atmosphere of sheer wonder and discovery."  … (mehr)
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Simpson's down-to-earth, commonsensical criticism is a pleasure to read. He has remarkably wide-ranging sympathies and tastes which he expresses in clear prose and a generosity of spirit. Partly, I suppose, my reaction is colored by the fact that he deals so much with the poets I first read and loved as a teenager in the late 60s and early 70s (Bly, Levertov, Merwin, et al), but i think it goes deeper than that. The book opens with some semi-autobiographical (or at least personal pieces) which are charming, but perhaps the weakest part of the volume. There follows a number of reviews and short critical articles, perceptive, clear, and blessedly free of academic cant, mostly written for the non-specialist periodical market. The last section is largely taken up with extended interviews from various sources in which Simpson explicates his straight-forward theory of poetry. This book is from the remarkable "Poets on Poetry" series from the University of Michigan Press. ( )
  sjnorquist | Aug 5, 2013 |
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This is a collection of essays, reviews, and interviews in which the author, himself a distinguished poet, expresses his ideas about the nature of poetry and criticizes his contemporaries. Simpson takes his stand with the "poetry of feeling" and agrees with Woodsworth that poetry should be written in a selection of the language "really spoken by men." His reviews of American poets who have since become famous show Simpson to be an acute an innovative thinker. There are also essays on modern classics: Apollinaire, MacDiarmid, Lawrence, Crane, and Pound. The collection shows the full range of the critic of whom the Times Literary Supplement recently said: "Simpson's critical and narrative voice is very distinctive - it is generous, sympathetic, spontaneously free and wittily fatalistic. Most originally, perhaps, this voice marries criticism, biography, literary and cultural history in an imaginative atmosphere of sheer wonder and discovery."  

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