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The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia

von Emma Copley Eisenberg

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
2791394,148 (3.12)10
"In the early evening of June 25, 1980 in Pocahontas County, West Virginia, two middle-class outsiders named Vicki Durian, 26, and Nancy Santomero, 19, were murdered in an isolated clearing. They were hitchhiking to a festival known as the Rainbow Gathering but never arrived; they traveled with a third woman however, who lived. For thirteen years, no one was prosecuted for the "Rainbow Murders," though deep suspicion was cast on a succession of local residents in the community, depicted as poor, dangerous, and backward. In 1993, a local farmer was convicted, only to be released when a known serial killer and diagnosed schizophrenic named Joseph Paul Franklin claimed responsibility. With the passage of time, as the truth seemed to slip away, the investigation itself caused its own traumas--turning neighbor against neighbor and confirming a fear of the violence outsiders have done to this region for centuries. Emma Copley Eisenberg spent years living in Pocahontas and re-investigating these brutal acts. Using the past and the present, she shows how this mysterious act of violence has loomed over all those affected for generations, shaping their fears, fates, and the stories they tell about themselves. In The Third Rainbow Girl, Eisenberg follows the threads of this crime through the complex history of Appalachia, forming a searing and wide-ranging portrait of America--its divisions of gender and class, and of its violence."--Jacket flap.… (mehr)
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I got slightly caught up in the details of the court case in this book, but otherwise very much enjoyed it and found it very relatable. It reminded me a bit of THE FACT OF A BODY, which is my favourite true crime book. ( )
  emmy_of_spines | Sep 8, 2022 |
This was a tough book to rate. To me, the memoir/true crime/history of Appalachia/psychology themes of the book were a bit too much and made the book disjointed. I liked the author's writing and think she has real talent, but the flow was off to me. I was listening to it so that may be part of the issue as I do better with print books (author has a nice reading voice too). I enjoyed the history and social critique of WVA because that is where my dad grew up and I found it enlightening.
I would like to read more of this author. ( )
  carolfoisset | Jan 10, 2022 |
surprisingly, the least interesting parts in this book were actually about the killings this book is supposed to be about. the information about west virginia and its changing politics was the most interesting, and i appreciated her personal introspection even as it was at most peripherally related to the main story. i found myself much less interested in the story she was ostensibly writing about, and i don't know if that was her writing or the fact that it's not a solved crime (there are theories, though), or my inconsistent attention as i was listening.

it was kind of shocking to me to learn that west virginia split from virginia in part to join the union and fight the confederacy (although it was more a two thirds majority, not super overwhelming, but still), that they were against slavery and wanted to fight it. that they voted democratic consistently (like in all but 3 elections) until basically 2000. i thought the deep red had been entrenched for many years. like many people, i guess i have some misconceptions about west virginia.

she's a good writer, and makes some interesting points and connections, but i didn't find that i was very engaged with the book. overall this was just ok for me, but i'd read her again.

"In America, protecting or avenging white women from a violation of their safety or sexual autonomy has been used time and time again to justify the unlawful incarceration of men, particularly poor men and men of color."

"You start to think maybe you can abdicate your privilege like a crown, if only you try hard enough, and that maybe that will settle the score. I felt broken and running from the system in my mind, in which the only choices were to dominate or be dominated, stay completely still or get annihilated by my feelings and the terror of history. It was a system of impossible twos and endless double-binds, and I was afraid to move within it, or choose anything. I felt that no one I knew had a clue about America, it's true texture and shape and flavor and that the ways I had been taught to live in it were no longer working." ( )
1 abstimmen overlycriticalelisa | Jul 11, 2021 |
(24) I have very mixed feelings about this book. On the one hand, a well-written true crime exploration of the killings of two young women who were hitchhiking to a hippie festival in rural West Virginia in 1980. Their bodies were dumped in an out of the way clearing that seemed accessible or knowable only by locals. Was this a culture clash - the rural Appalachian 'Deliverance' sort of male enraged at counter-culture and women who dare be independent? Unfortunately, the case is never definitely solved and the author's exploration seems to not add that much. So in order to make it worthy of a book there is some well-written West Virginia sociological history (best part of the book) and a deeply personal narration about the author's young adulthood in which she lived some in Pocahontas County where the murders took place as part of AmeriCorps (worst part of the book.)

The writing was uneven. At times, when the author was writing about her own existential angst it was unfocused and pretentious. All the earmarks of the new millennium liberal arts education with terms like cultural relativism, historical trauma, toxic masculinity, and this notion of being aware of your own privilege. It truly came off as that horrible but apt term - 'virtue-signaling.'

I think this author has potential and the negative here is a common forgivable rookie mistake - she tried to do too much in one book. I think she should have stuck to the story of the Rainbow murders and how it may reflect a deeper truth (or not) about West Virginia. I think her own personal knowledge of the area could have informed that and added to the book as opposed to the memoir aspect which detracted. My critique sounds too harsh for my actual star rating of this book as is often the case when one has mixed feelings. Give it a try if you like a more literary look at the true crime genre. ( )
1 abstimmen jhowell | May 11, 2021 |
The Third Rainbow Girl: The Long Life of a Double Murder in the Appalachia by Emma Copley Eisenberg January 21, 2020

I received a digital ARC copy of this book from NetGalley and Hachette Books in exchange for an unbiased review.

This book is more of a memoir than a true crime story. On June 25, 1980, Vicki Durian (26) from Iowa, who worked as a HHA and Nancy Santomero (19) who dropped out of a NY college to work in a Tucson thrift shop, were murdered in southeastern West Virginia. They died in Pocahontas County where they hitchhiked to attend the Rainbow Gathering peace festival. It was during the author’s experience living and working for almost 1-1/2 years in Pocahontas County that she developed an interest in this cold case. Likewise, she had spent many summers there as a Volunteer in Service to America (VISTA) to help alleviate poverty by empowering teenage girls to pursue their education. She states that her 5 years of research spanned over 7 states. With that in mind, this is not a true crime novel in traditional sense, far from it. By the end of the book it is noted that was the author’s intention. She wanted to record her memories in West Virginia as well as the unsolved murders which occurred there. She felt deeply moved and sought to interview many of the people who lived through the terrible ordeal. There were many trials and accusations many about 7 local men who were considered disorderly drinkers. There was plenty of speculation regarding the police and politics of the handling of the situation. Honestly, I was expecting a rather traditional true crime novel given the title and felt confused and deflated at times. Although the two stories, that of the author and the cold case, are interesting it wasn’t my cup of tea. The story reads as unconventional as the author describes herself. In the end I had to wonder about the title, The Third Rainbow Girl. It is only at the end that focus is given to Elizabeth Johndrow who was considered the “third rainbow girl”. This is most likely because she survived and returned home before the group reached their destination. The author relates so well with the characters and setting that she might consider herself the third rainbow girl. Although she lived and worked in Pocahontas County many years after the crimes were committed, her experiences entwined with the history feels almost akin to her bearing witness to the events. ( )
  marquis784 | Mar 1, 2021 |
Ms. Eisenberg shares deeply personal experiences of her time in Pocahontas County, exposing her vulnerabilities, her own heavy drinking, her relationships with the men there and how deeply she had come to feel about the rugged pouch of land below the Eastern Panhandle.... Besides being a compelling read, this book advances the efforts of other storytellers who have tried to cut through the devious and hurtful attitudes about Appalachia to reveal an abiding humanity in its quirky soul.
 
The Third Rainbow Girl is as committed to history and personal exploration as it is to its respectful and detailed reporting of the murders, investigation, trials and aftermath. Its complexity and insistence that a true crime story is one that expands into further questions, and doesn’t collapse toward a resolution, will frustrate some readers. Some skimmers may exit after what they interpret as the spoilers in these opening pages – but they’ll miss an intimately lived and researched look at life in Appalachia, of life as a woman in constant, uninvited danger from men, and of the deep bonds that are possible between people and a place.... the context Eisenberg has established, and returns to after this section, is one of deep empathy and searching, from a writer who understands that the stories told about a place and its people, and the people who venture into that place, can never be quite definitive or tidy, much as readers and writers may like them to be.
 
The book offers a deep-dive into rural Appalachia, a region of the United States that is little understood, and it digs into questions of how deeply misogyny and bias can run inside a community.... The Third Rainbow Girl accomplishes what any good murder mystery should. It shines a spotlight on a nexus of people and a place. Eisenberg's tendency to weave in references to writers who've preceded her in the genre — Joan Didion and Truman Capote, for example — makes the reading experience uniquely thoughtful and introspective. The insights into human nature are the real gritty, good stuff you get from reading a masterful work of journalism like this one.
 
“The Third Rainbow Girl” is an evocative and elegantly paced examination of the murders that takes a prism-like view of the crime. Everyone in the rural county contributes a piece of evidence, but none of those pieces fit together to build a truthful picture of who killed the two women. Years pass and the once notorious “rainbow murders” fall from the headlines into obscurity. But the stain of guilt on the group of men in Pocahontas County, and the deep-seated trauma inflicted by the unsolved murders on the families of the murdered women, remains.... In the end, “The Third Rainbow Girl” is not just a masterly examination of a brutal unsolved crime, which leads us through many surprising twists and turns and a final revelation about who the real killer might be. It’s also an unflinching interrogation of what it means to be female in a society marred by misogyny, where women hitchhiking alone are harshly judged, even blamed for their own murders.
hinzugefügt von Lemeritus | bearbeitenNew York Times, Melissa Del Bosque (bezahlte Seite) (Jan 20, 2020)
 
The book is more than just another true crime memoir; Eisenberg has crafted a beautiful and complicated ode to West Virginia. Exquisitely written, this is a powerful commentary on society’s notions of gender, violence, and rural America. Readers of literary nonfiction will devour this title in one sitting.
hinzugefügt von Lemeritus | bearbeitenBooklist, Michelle Ross (Nov 1, 2019)
 
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Most had not wanted to be Confederate, but saying no to a thing is not the same thing as saying yes to its opposite.
Throughout the late 1960s and into the early 1970s, many Americans felt dispossessed by where the country was heading and how it was heading there—the Vietnam War principally, but also the way the government had responded to the uprisings motivated by racial injustice in Los Angeles and Detroit. Fleeing cities, they went to “the land.” Between seven hundred fifty thousand and a million Back to the Landers, as they were dubbed, lived in communes by the mid-seventies, and an additional million were homesteading, either as singles or as couples in some of the most rural parts of the United States.
...imposed on Appalachia by outsiders and spun into a story that had been used for harm. As Helen Lewis writes, the region’s history “demonstrates the concerted efforts of the exploiters to label their work ‘progress’ and to blame any of the obvious problems it causes on the ignorance or deficiencies of the Appalachian people.”
Trying to help was an inherently privileged and colonialist position, and besides, it only made whatever it was that was wrong worse.
I knew the very position of dissenting and dismay was a privileged one and that my rejection of these choices made, to rational people and people with less class and race privilege, very little sense. Yet there is a particular cognitive dissonance that sets in when you have many of the advantages this life can bestow but have seen, up close and in slow motion, what they mean for those to whom they are denied. You start to think maybe you can abdicate your privilege like a crown, if only you try hard enough, and that maybe that will settle the score.
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"In the early evening of June 25, 1980 in Pocahontas County, West Virginia, two middle-class outsiders named Vicki Durian, 26, and Nancy Santomero, 19, were murdered in an isolated clearing. They were hitchhiking to a festival known as the Rainbow Gathering but never arrived; they traveled with a third woman however, who lived. For thirteen years, no one was prosecuted for the "Rainbow Murders," though deep suspicion was cast on a succession of local residents in the community, depicted as poor, dangerous, and backward. In 1993, a local farmer was convicted, only to be released when a known serial killer and diagnosed schizophrenic named Joseph Paul Franklin claimed responsibility. With the passage of time, as the truth seemed to slip away, the investigation itself caused its own traumas--turning neighbor against neighbor and confirming a fear of the violence outsiders have done to this region for centuries. Emma Copley Eisenberg spent years living in Pocahontas and re-investigating these brutal acts. Using the past and the present, she shows how this mysterious act of violence has loomed over all those affected for generations, shaping their fears, fates, and the stories they tell about themselves. In The Third Rainbow Girl, Eisenberg follows the threads of this crime through the complex history of Appalachia, forming a searing and wide-ranging portrait of America--its divisions of gender and class, and of its violence."--Jacket flap.

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