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Lädt ... The true story of the novel (Original 1994; 1996. Auflage)von Margaret Anne Doody
Werk-InformationenThe True Story of the Novel von Margaret Anne Doody (1994)
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Two very separate strands to this very quick review: Doody's work is well researched and the book is well worth reading; HOWEVER, the paper used by HarperCollins is not much better than newsprint. I have several books in my collection printed during wartime austerity (and with the Government marking within to show it) which were obviously on poor quality paper. Well, the paper in this 1997 printing is already brown and feeling delicate - something that the wartime volumes are not. And I bought this new as a sealed copy upon publication. The work printed thereon is first rate, however. keine Rezensionen | Rezension hinzufügen
Auszeichnungen
"One of the most successful literary lies," declares Margaret Anne Doody, "is the English claim to have invented the novel ... One of the best-kept literary secrets is the existence of novels in antiquity." In fact, as Doody goes on to demonstrate, the Novel of the Roman Empire is a joint product of Africa, Western Asia, and Europe. It is with this argument that The True Story of the Novel devastates and reconfigures the history of the novel as we know it.
Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness - but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both to keep the foreign - dark-skinned peoples, strange speakers, Muslims, and others - largely out of literature and to obscure the diverse nature of the novel itself.
This deeply informed and truly comparative work is staggering in its breadth. Doody treats not only recognized classics, but also works of usually unacknowledged subgenres - new readings of novels like The Pickwick Papers, Pudd'nhead Wilson, L'Assommoir, Death in Venice, and Beloved are accompanied by insights into Death on the Nile or The Wind in the Willows. Non-Western writers like Chinua Achebe and Witi Ihimaera are also included. In her last section, Doody goes on to show that Chinese and Japanese novels, early and late, bear a strong and not incidental affinity to their Western counterparts. Collectively, these readings offer the basis for a serious reassessment of the history and the nature of the novel. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)809.3Literature By Topic History, description and criticism of more than two literatures FictionKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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