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Square Haunting: Five Writers in London…
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Square Haunting: Five Writers in London Between the Wars (Original 2020; 2021. Auflage)

von Francesca Wade (Autor)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
3301178,740 (4.2)104
"In the early twentieth century, Mecklenburgh Square, a hidden architectural gem in the heart of London, was a radical address. On the outskirts of Bloomsbury known for the eponymous group who "lived in squares, painted in circles, and loved in triangles," the square was home to students, struggling artists, and revolutionaries. In the pivotal era between the two world wars, the lives of five remarkable women intertwined at this one address: modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and above all work independently."--… (mehr)
Mitglied:streamsong
Titel:Square Haunting: Five Writers in London Between the Wars
Autoren:Francesca Wade (Autor)
Info:Crown (2021), Edition: Reprint, 432 pages
Sammlungen:Deine Bibliothek, Lese gerade, Gelesen, aber nicht im Besitz, Library book
Bewertung:
Tags:literary biography, Dorothy L. Sayers, feminism, history, London, non-fiction, Virginia Woolf, women, women authors, writers and writing, H. D, H.D. Imagiste, Bloomsbury, Mecklenburgh Square

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Square Haunting: Five Women, Freedom and London Between the Wars von Francesca Wade (2020)

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To be honest, it took me a while to get into this -- the introduction is far longer than it needs to be, and feels more like an apology or a synopsis entry to a dissertation.

Once the biographies started, I was drawn in more and more. I was particularly fascinated to learn about Hilda Doolittle/HD, Ilene Power and Jane Harrison, as I had never heard of any of them before. I loved learning more about Dorothy Sayers (even though I could wish she loved Wimsey more), and I think the Virginia Woolf section was wonderfully focused on her work -- I like how much it talked about what she was doing and how she was dealing with her mental health, rather than writing her struggles off. On the whole, I thought the premise was a little wacky -- connecting via a space, but the interconnections really are astonishing, and I found the strength of the subjects inspiring.


Audio Advanced Reader's Copy Provided by Libro.fm. ( )
  jennybeast | Apr 14, 2022 |
The 20th century ushered in a period of change for women, leading to advances in education and greater independence. London’s Bloomsbury neighborhood flourished as a residential and intellectual hub and one specific enclave, Mecklenburgh Square, was home to five notable women writers and scholars over more than twenty years. The poet Hilda Doolittle, known as H.D., came first in 1916, followed by author Dorothy Sayers, classicist Jane Harrison, historian Eileen Power, and author Virginia Woolf.

In Square Haunting, Francesca Wade profiles each woman and shows how their time in Mecklenburgh Square informed their lives and their work. None of the women lived there at the same time and their circles barely overlapped, but there are common threads running through their lives: scholarship, independence, and the courage to flout convention. And yet their success often came at significant emotional cost.

Before reading this book, Woolf was the figure I was most familiar with. I enjoyed reading about others who forged similar paths, and am grateful for their pioneering role in improving the lives of future generations of women. ( )
  lauralkeet | Jun 14, 2021 |
[Square Haunting] is a group biography of five writers/academics connected by place, Mecklenburgh Square in London. They didn't all live there at the same time, but were all drawn to the location as a place where, as women, they could be in the middle of life and culture, but also have small place to call their own and focus on their work. The author devotes a section to each woman in the order that she lived in Mecklenburgh Square: the poet and author H.D. (Hilda Doolittle) who lived there from 1916-1918; the novelist Dorothy Sayers who lived there in 1920; academic of ancient history Jane Ellen Harrison who lived there from 1926-1928; economic historian Eileen Power who lived there from 1922-1940; and author Virginia Woolf who was there 1939-1940.

I loved reading about these women, who, across the board, struggled to balance the desire to be taken seriously in their fields with the hope of having a balanced and fulfilled life. There are many parallels to be drawn about the challenges they faced to have their work judged on equal footing with men. Overall, I thought this book was pretty successful, especially considering the challenging topic. Though these women had similarities, they weren't a circle and largely did not interact. Drawing them together through the location of Mecklenburgh Square worked very well for some of the women, but for others I thought the tie to place was less strong. Despite these few reservations, I would definitely recommend this to anyone interested in the time period. I hadn't even heard of two of these women, and knew very little about H.D. and Dorothy Sayers. Viriginia Woolf I'm pretty familiar with, but the section about her brought some welcome new ideas about her life.

[[Francesca Wade]], the author, seems fairly young from her bio, and I will read whatever she writes next. ( )
  japaul22 | May 5, 2021 |
This is an inventive approach to biography. All of the 5 women in this book lived in the same Square in Bloomsbury between the First world war and the second. They lived their for different times, some less than a year, others for much longer. They didn't always overlap in terms of residency and they didn't necessarily socialise together if they did. But the links that tie them together are many and varied. Some lived there at the start of their writing career, others nearer the end. They each tried to present, in their own way, a different type of life for women, one where independence and a marriage of two minds was possible and desirable. Of the 5 women, I have heard of only 2, which is poor on my part. But I do know the area. I worked, for a time, at Brunswick Square, which is the matching square on the other side of the Foundling Hospital from Mecklenburg Square. I liked the idea that these 5 women shared something that was more than just geography, and she makes this case throughout the book. The biographies start quite separate, but gradually then overlap, as the links between the various women through their extended social circle and through their writings becomes clearer. The final chapter on the post war history of the square was interesting as well.
As a means of writing about 5 different women, the use of the location was certainly interesting. I quite enjoyed this and mean to read some of the other women that I am less familiar with. ( )
  Helenliz | Feb 3, 2021 |
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'I like this London life in early Summer - the street sauntering & square haunting.'
VIRGINIA WOOLF, diary 20 April 1925
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A few minutes past midnight on Tuesday, 10 September 1940, an air raid struck Mecklenburgh Square.
Marooned on an island in the middle of a busy junction, a stone woman stoops to fill an urn with water.
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I like this London life in early Summer -
the street sauntering & square haunting
--Virginia Woolf, diary, 20 April 1925
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"In the early twentieth century, Mecklenburgh Square, a hidden architectural gem in the heart of London, was a radical address. On the outskirts of Bloomsbury known for the eponymous group who "lived in squares, painted in circles, and loved in triangles," the square was home to students, struggling artists, and revolutionaries. In the pivotal era between the two world wars, the lives of five remarkable women intertwined at this one address: modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and above all work independently."--

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