As the sun sets and the moon rises, an unnamed young child says good night to everything in the natural landscape.

In the simple, brief, descriptive text the child calls out, “Lilah Tov,” to hens and roosters, bears and bats, beaches and waves, clouds and stars, fish and birds, mountains and streams. There is no other narrative, at least not in words. Naggan’s lush, detailed, soft-edged landscapes provide another, deeper, and more nuanced level to the proceedings. “Lilah tov” means “good night” in Hebrew, and there is a menorah on the windowsill, indicating that this family is Jewish. By dress and household appearance, they seem to be living in the late 19th or early 20th century. After a simple meal, they pack their belongings and leave their small rural home. The protagonist is saying good night to the creatures and places spotted on what readers will see as a lengthy journey. Beneath a full moon a man rows them across a body of water, and the journey continues on the other side. At the end of their travels there is a new home awaiting them. They travel quietly and surreptitiously, but there is no explanation within the text of where they are and why they leave. Are they refugees escaping something dreadful? Each young reader will interpret the work differently depending on individual understanding and knowledge of history, or perhaps with a wise adult to help.

Haunting and beautiful. (Picture book. 6-10)

-Kirkus Review