Each book in the series is getting progressively better and with all the twists, turns, intrigued this book has turned out to be a Non-Stop Adventure. The book itself is huge but I left wanting for more at the end. Reminds me very much of when I read Brandon Sanderson. 32 hours later you're still wanting more. ( )

Damn this series and the endings of the books. At least the final one just came out so I can keep reading straight away.

On the broader scale, my feelings are very similar here to what they were with Velocity Weapon. I have a love/hate relationship with the fact that at no point do I really know who to trust, but I still love most of the characters (or at the very least I love to hate them.) Jules is the one character who's just really unlikable with no redeeming qualities.

While I enjoy the characters, the main ones are the least interesting to me. In this one, my favorites ended up being Arden, Nox, and the Greeve siblings' parents. However, the plot is the thing that held me in it's grip throughout, and the character arcs were very secondary. I can't wait to find out how all the threads come together and where the story ends. ( )

10/10 stars ( )

If Velocity Weapon blew your mind, CHAOS VECTOR will scrape your remaining brain goo off the floor and launch it into space to be vaporised with a full complement of laser guns.

While the standout feature of Velocity Weapon is the twisting storyline and plot, I wasn’t anticipating this experience to continue in CHAOS VECTOR, thinking it an unrealistic expectation to have of any sequel. At first, this was more or less accurate as O’Keefe dives into the aftermath of the closing events in Velocity Weapon and delivers more of her signature intrigue and political espionage. But very soon I found I was quite wrong.

I have no idea how O’Keefe has mined so many fantastic ideas and deployed them all cohesively without relying on suspiciously convenient plot devices, but she did, and the result is incredibly fun. I had butterflies in my stomach as this book reached its climax which, despite all of my best efforts to predict, caught me entirely by surprise. The closing chapters of CHAOS VECTOR are both thrilling and satisfying, while impossibly leaving key questions to be answered in the next instalment.

CHAOS VECTOR continues the three POVs from Velocity Weapon delivered in the same punchy, short chapter format. There are many familiar faces and I was pleased to get to know Arden, Nox, Tomas and Graham a little better. There are also some new and likeable characters that fill out an endearing little space crew. O’Keefe manages to create compelling characters in between all the conspiracies and action so I hope there is time to explore their relationships further in the next book, though admittedly they’re all rather busy saving the universe.

O’Keefe also introduces some new sci-fi elements in this instalment like the virtual interface internet and some pretty epic space warfare scenes that will please any space opera fan ( )

I received this novel from Orbit Books through NetGalley, in exchange for an honest review: my thanks to both of them for this opportunity.

Where I was literally swept off my feet by Velocity Weapon, the first volume of this saga, the sequel took my breath away with the expanding complexity of the universe it describes and the excellent balance between action and characterization that takes the story to a new, higher level and lays the foundations for quite an explosive ending climax.

At the end of the previous book, the situation in the Ada Prime system was of tightly controlled strain, the conflict between Ada and Icarion still brewing under the surface as the rebellion and disappearance of Bero - the evolved AI running the ship Light of Berossus - further upset the precarious balance between the two powers. Now Sanda Greeve, the pivotal figure in that series of momentous events, understands that she must find the answers to her questions alone, not being able to really trust anyone after the string of half-truths and deceptions she was subjected to: as she tries to do her best to make sense of the often conflicting information she gathers, she struggles to stay alive against what look like insurmountable odds and a chain of plots-within-plots that threatens to bring the very fragile status quo to and end…

Once again, I find myself unable to supply a decent synopsis of this high-octane story, not so much out of a lack of proper terms, but because to do so would spoil your enjoyment of it: in my review of Velocity Weapon I used the term ‘jaw dropping’ to define the surprises that were in store for us readers, and this is even more true here, where we uncover a few of the pieces of this very complicated puzzle and we understand that there must be more, much more that still needs to be brought to light. But where I feel compelled not to reveal anything about the plot of Chaos Vector, I am free to talk at length about its amazing characters, both old and new, and the way their emotional and psychological growth enhances this story and gifts it with a deep layer of humanity that grounds and complements the elements of drama and adventure.

Sanda is the kind of character that’s easy to root for, because she’s both strong and compassionate, determined and gifted with a quirky sense of humor: if before we saw her deal with courage and toughness to adversities, here she evolves from someone who reacted to circumstances to an individual who takes matters in her own hands and makes difficult decisions that might cost her, both in the short and long run, but does so out of a strong moral foundation that knows no compromises. The Sanda we meet here in Chaos Vector is a person who seems to run constantly on the last fumes of her energy, dodging short-sighted superiors, impossible odds and deadly dangers, and yet she keeps going, driven by the need to forestall what appears as an inescapable catastrophe.

What makes Sanda different here is the fact she’s not acting on her own anymore: she requires allies to do what she desperately needs to do, and the people she slowly gathers around her - like a spinning celestial body that attracts drifting matter through gravitational forces - greatly help in defining her personality’s traits and show her ability in bringing their skills to the surface as she builds them into a cohesive team. If there is one narrative theme I enjoy it’s that of ‘found families’, a mixed bag of individuals brought together by circumstances and who are able to pool their strengths for the common good: this theme is strongly celebrated here thanks to the crew Sanda assembles out of the most disparate characters one could imagine. On the surface, these people might look like stereotypes: Nox the former military turned rogue; Arden the tech wizard and skilled hacker; Liao the driven scientist; or again Conway and Knuth, regulations-bound junior officers - but it’s through their skillful characterization that they are revealed as individuals with their own voice and personalities, and their slow but constant growth into (to use that previous metaphor) an accretion disk around Planet Sanda. Or rather, into a family.

Sanda’s brother Biran undergoes his own transformation - maybe not as quick or outwardly evident as his sister’s, but he’s progressively leaving behind the bright-eyed ideals that fueled his career among the Keepers as he discovers that the real-politik requirements of his position are quite far from those earlier dreams, and that he needs to adapt if he still wants to do what’s right for his people. There is this core of sadness and disillusionment in Biran that lays a grey pall on him, and I’ve wondered more than once wether he will be able to remain faithful to the essence of those ideals or if the compromises he’s forced to accept will change him, and in what way.

As far as the story itself is concerned, Chaos Vector is a veritable emotional rollercoaster, spinning plot points and revelations with a relentless pace made even more implacable by the alternating POVs: most of them end with a cliffhanger-like situation, but unlike what happens in other novels these segue into equally intriguing chapters that keep your attention riveted just as much as the previous ones, resulting in a compelling page-turner where shady research labs coexist with an equally crooked guild of fixers and/or killers for hire; where some of the military show corruption through the chinks in their armor and the members of the underworld appear to possess a certain code of honor. And of course, this being a space opera novel, there are many instances of intriguing technology: wearable access to a galaxy-wide net; healing-gel baths capable of bringing wounded back from the brink of death; gates that bridge enormous distances, and so on - but these are just… background decoration because The Protectorate, as a series, chooses to focus more on the human element of the story rather than on technological wonders, and that’s one of its winning details, the will to focus on people and the ties that bind them, on the concept of family and loyalty, on what being human means.

More than once I found myself thinking that The Protectorate possesses the perfect requirements to be turned into a space opera TV series as engaging as The Expanse, just to name one: it is my hope that enlightened executives from streaming services like Netflix or Amazon will see this story’s potential and show the foresight their Hollywood counterparts - mired in a self-defeating circle of reboots and prequels - seem to have long since lost.

In the meantime, I will look forward to the next book in line… ( )