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In Passport to Here and There Grace Nichols traces a journey that moves from the coastal memories of a Guyana childhood to life in Britain and her adoptive Sussex landscape. In these movingly redemptive and celebratory poems, she embraces connections and re-connections, with the ability to turn the ordinary into something vivid and memorable whether personal or public, contemporary or historical, most notably in a sonnet-sequence which grew out of a recent return trip to Guyana. Her ninth collection of adult poems and her fourth book with Bloodaxe, Passport to Here and There makes a significant contribution both to Caribbean and to British poetry. Our Demerara voices rising and falling growing more and more golden like a canefield's metamorphosis from shoots into sugar -- the crystal memory shared with a river...Passport to Here and There is Grace Nichols's third new collection since her Bloodaxe retrospective, I Have Crossed an Ocean (2010), following Picasso, I Want My Face Back (2009) and The Insomnia Poems (2017). It is a Poetry Book Society Special Commendation.… (mehr)
84/2020. The most recent collection of poems by Guyanese-British poet Grace Nichols, with a scattering of black and white photos by Compton Davis of the old wooden buildings of Georgetown the capital city of Guyana.
Preface: "One of the things we do as poets, is to try to preserve experiences, people, places important to us, in an effort to save them from time's erasure."
And those are the themes of this collection: childhood in Guyana; home in Sussex; revisiting Georgetown but with no ghosts to lay to rest; and praise poems for friends. Nichols appears to have reached a comfortable point in her life and the lack of tension in most of these poems reflects her achievement, but some of the people she's written praise-poems for are no longer among the living, and the river delta land of Guyana is under threat from climate change with some of the Dutch-colonial city of Georgetown built on reclaimed land as much as eight feet below sea level (the old buildings in the accompanying photos all conspicuously have their main living rooms above ground level). The author knows development of recently discovered offshore oil resources could change Guyana beyond recognition.
There is also the music of this accomplished poet's carefully chosen forms, with a sonnet sequence that worked especially well for me, and some outstanding images: "shooting stars of black tadpoles" being both literal pollywogs and symbols of the children who grew and changed and moved away.
If you appreciate Grace Nichols' work then you'll like this but I wouldn't say it's the best place to meet her for the first time. ( )
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In Passport to Here and There Grace Nichols traces a journey that moves from the coastal memories of a Guyana childhood to life in Britain and her adoptive Sussex landscape. In these movingly redemptive and celebratory poems, she embraces connections and re-connections, with the ability to turn the ordinary into something vivid and memorable whether personal or public, contemporary or historical, most notably in a sonnet-sequence which grew out of a recent return trip to Guyana. Her ninth collection of adult poems and her fourth book with Bloodaxe, Passport to Here and There makes a significant contribution both to Caribbean and to British poetry. Our Demerara voices rising and falling growing more and more golden like a canefield's metamorphosis from shoots into sugar -- the crystal memory shared with a river...Passport to Here and There is Grace Nichols's third new collection since her Bloodaxe retrospective, I Have Crossed an Ocean (2010), following Picasso, I Want My Face Back (2009) and The Insomnia Poems (2017). It is a Poetry Book Society Special Commendation.
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Preface: "One of the things we do as poets, is to try to preserve experiences, people, places important to us, in an effort to save them from time's erasure."
And those are the themes of this collection: childhood in Guyana; home in Sussex; revisiting Georgetown but with no ghosts to lay to rest; and praise poems for friends. Nichols appears to have reached a comfortable point in her life and the lack of tension in most of these poems reflects her achievement, but some of the people she's written praise-poems for are no longer among the living, and the river delta land of Guyana is under threat from climate change with some of the Dutch-colonial city of Georgetown built on reclaimed land as much as eight feet below sea level (the old buildings in the accompanying photos all conspicuously have their main living rooms above ground level). The author knows development of recently discovered offshore oil resources could change Guyana beyond recognition.
There is also the music of this accomplished poet's carefully chosen forms, with a sonnet sequence that worked especially well for me, and some outstanding images: "shooting stars of black tadpoles" being both literal pollywogs and symbols of the children who grew and changed and moved away.
If you appreciate Grace Nichols' work then you'll like this but I wouldn't say it's the best place to meet her for the first time. (