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Body of Work: Meditations on Mortality from the Human Anatomy Lab (2007)

von Christine Montross

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297988,432 (3.96)6
This is a hauntingly moving memoir of the relationship between a cadaver named Eve and the first-year medical student who cuts her open. Christine Montross was a nervous first-year medical student, standing outside the anatomy lab on her first day of class, preparing herself for what was to come. Entering a room with stainless-steel tables topped by corpses in body bags is shocking no matter how long you've prepared yourself, but a strange thing happened when Montross met her cadaver. Instead of being disgusted by her, she was utterly intrigued-intrigued by the person the woman once was, humbled by the sacrifice she had made in donating her body to science, and fascinated by the strange, unsettling beauty of the human form. They called her Eve. This is the story of Montross and Eve-the student and the subject-and the surprising relationship that grew between them. Body of Work is a mesmerizing, rarely seen glimpse into the day-to-day life of a medical student-yet one that follows naturally in the footsteps of recent highly successful literary renderings of the mysteries of medicine, such as Atul Gawande's Complications: A Surgeon's Notes on an Imperfect Science. Christine Montross was a poet long before she became a doctor, and she brings an uncommon perspective to the emotional difficulty of the first year of medical school-the dispiriting task of remaining clinical and detached while in the anatomy lab, and the struggle with the line you've crossed by violating another's body once you leave it. Montross was so affected by her experience with Eve that she undertook to learn more about the history of cadavers and the study of anatomy. She visited an autopsy lab in Ireland and the University of Padua in Italy where Vesalius, a forefather of anatomy, once studied. She learned about body snatchers and grave robbers and anatomists who practiced their work on live criminals. Her disturbing, often entertaining anecdotes enrich this exquisitely crafted memoir, endowing an eerie beauty to the world of a doctor-in-training. Body of Work is an unforgettable examination of the mysteries of the human body and a remarkable look at our relationship with both the living and the dead.… (mehr)
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This is one of those books I started reading just because I have it, not knowing what I was getting into, not expecting much. But, akin to The Shack, I was very pleasantly surprised and massively enjoyed this book. It really tells a story, enough so that you almost feel as if you are there, experiencing the same experiences, feeling the same feelings. But at the same time you are putting yourself in the authors shoes, wondering how you would react in the same situations. Obviously I’ll never know, but reading this book put me just a bit closer, and am sure glad that I did. ( )
  MrMet | Apr 28, 2023 |
A mix of biography - documenting her first year as a medical student, dissecting a cadaver that her team dubbed "eve". She travels during the year to Europe, learning the history of cadaver dissection's. And each chapter is prefaced with a quotation/meditation, which brackets the different work, the author's family life and other events that are shaping her medical training, on the way to becoming a psychiatrist. ( )
  nancynova | Jul 11, 2021 |
BODY OF WORK is, I suppose, pretty much what its subtitle, MEDITATIONS ON MORTALITY FROM THE HUMAN ANATOMY LAB, promises it will be. I think I wanted it to be more memoir than it was, but then that's just me, not the author's fault. I found it to be, overall, only mildly interesting. The sections which dwelled on the history of medicine and medical training seemed to slow the flow of the narrative, and I found myself skimming over these parts.

It was only when Montross let herself get personal, when she reflected on the woman whose body she was systematically dismembering and studying, wondering who she might have been, what her life was like, that I found myself caught up. There is certainly much here that does cause one to pause and consider the very thin line between life and death.

But to my mind Montross's writing is at its very best when she allows herself to talk about her family. Her childhood, spent happily at Higgins Lake, in northern Michigan. And, most of all, those several pages she gives us about her grandparents. That glimpse into their lives when they were very young and in love, their hurried wartime wedding and the long and loving marriage that ensued, and, finally, their declining health. Those pages moved me deeply, perhaps because I am now closer to her grandparents' age than I am to hers. Montross, who studied creative writing and is, besides being a doctor, a poet, is without question a fine writer. I will recommend this book, particularly to anyone who is interested in medicine and its practice.

- Tim Bazzett, author of the memoir, BOOKLOVER ( )
  TimBazzett | Apr 20, 2016 |
I really enjoyed this book, probably because I could relate so much of what the author described to my own experiences with cadaveric dissection - everything from trying to find the right balance of humor and respectfulness in the lab, to the rush of emotions you feel when you see that your cadaver has painted fingernails (ours were a pearly pink), a stark reminder that she was once a living and breathing human being and not just a lab specimen. The historical bits were interesting as well, and reading this book made me really want to get back to the the lab again. ( )
  cait815 | Apr 1, 2013 |
Fascinating account of Brown University medical student's description of a gross anatomy class. Ohh. I'd like to take anatomy sometime! The description of the human body, dissection of various organs and systems was great -- the part about her personal life I could have done without. Who cares! ( )
  lnlamb | May 31, 2010 |
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This is a hauntingly moving memoir of the relationship between a cadaver named Eve and the first-year medical student who cuts her open. Christine Montross was a nervous first-year medical student, standing outside the anatomy lab on her first day of class, preparing herself for what was to come. Entering a room with stainless-steel tables topped by corpses in body bags is shocking no matter how long you've prepared yourself, but a strange thing happened when Montross met her cadaver. Instead of being disgusted by her, she was utterly intrigued-intrigued by the person the woman once was, humbled by the sacrifice she had made in donating her body to science, and fascinated by the strange, unsettling beauty of the human form. They called her Eve. This is the story of Montross and Eve-the student and the subject-and the surprising relationship that grew between them. Body of Work is a mesmerizing, rarely seen glimpse into the day-to-day life of a medical student-yet one that follows naturally in the footsteps of recent highly successful literary renderings of the mysteries of medicine, such as Atul Gawande's Complications: A Surgeon's Notes on an Imperfect Science. Christine Montross was a poet long before she became a doctor, and she brings an uncommon perspective to the emotional difficulty of the first year of medical school-the dispiriting task of remaining clinical and detached while in the anatomy lab, and the struggle with the line you've crossed by violating another's body once you leave it. Montross was so affected by her experience with Eve that she undertook to learn more about the history of cadavers and the study of anatomy. She visited an autopsy lab in Ireland and the University of Padua in Italy where Vesalius, a forefather of anatomy, once studied. She learned about body snatchers and grave robbers and anatomists who practiced their work on live criminals. Her disturbing, often entertaining anecdotes enrich this exquisitely crafted memoir, endowing an eerie beauty to the world of a doctor-in-training. Body of Work is an unforgettable examination of the mysteries of the human body and a remarkable look at our relationship with both the living and the dead.

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