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Lädt ... Wiedersehen mit Brideshead (1945)von Evelyn Waugh
  
» 75 mehr BBC Big Read (42) 501 Must-Read Books (93) Best family sagas (14) 1940s (8) Sense of place (3) 20th Century Literature (142) BBC Big Read (27) Unread books (119) Best School Stories (22) Best Family Stories (44) A Novel Cure (62) Metafiction (35) Ambleside Books (196) Folio Society (276) Academia in Fiction (20) Elegant Prose (11) Books Read in 2016 (1,447) Movie Adaptations (42) Favourite Books (1,125) Books Read in 2013 (320) My favourite books (29) AP Lit (44) Books Read in 2022 (1,379) Books Read in 2015 (1,412) United Kingdom (43) Books Read in 2014 (1,119) The Greatest Books (51) Didactic Fiction (16) BBC Top Books (33) Books Read in 2018 (3,734) Books Set in Italy (127) My Favourite Books (27) Tagged 20th Century (21) Fiction For Men (95) the preppy handbook (10) War Literature (101) Books tagged favorites (372) Keine aktuelle Diskussion zu diesem Buch.  Wassilissa | Sep 10, 2012 | 
 Evelyn Waugh was a marvellous writer, but one of a sort peculiarly likely to write a bad book at any moment. The worst of his, worse even than The Loved One, must be Brideshead Revisited. But long before the Granada TV serial came along it was his most enduringly popular novel; the current Penguin reprint is the nineteenth in its line. The chief reason for this success is obviously and simply that here we have a whacking, heavily romantic book about nobs... It is as if Evelyn Waugh came to believe that since about all he looked for in his companions was wealth, rank, Roman Catholicism (where possible) and beauty (where appropriate), those same attributes and no more would be sufficient for the central characters in a long novel, enough or getting on for enough, granted a bit of style thrown in, to establish them as both glamorous and morally significant. That last blurring produced a book I would rather expect a conscientious Catholic to find repulsive, but such matters are none of my concern. Certainly the author treats those characters with an almost cringing respect, implying throughout that they are important and interesting in some way over and above what we are shown of them.  Brideshead Revisited fulfils the quest for certainty, though the image of a Catholic aristocracy, with its penumbra of a remote besieged chivalry, a secular hierarchy threatened by the dirty world but proudly falling back on a prepared eschatological position, has seemed over-romantic, even sentimental, to non-Catholic readers. It remains a soldier's dream, a consolation of drab days and a deprived palate, disturbingly sensuous, even slavering with gulosity, as though God were somehow made manifest in the haute cuisine. The Puritan that lurks in every English Catholic was responsible for the later redaction of the book, the pruning of the poetry of self-indulgence. Snobbery is the charge most often levelled against Brideshead; and, at first glance, it is also the least damaging. Modern critics have by now accused practically every pre-modern novelist of pacifism, or collaboration, in the class war. Such objections are often simply anachronistic, telling us more about present-day liberal anxieties than about anything else. But this line won’t quite work for Brideshead, which squarely identifies egalitarianism as its foe and proceeds to rubbish it accordingly... ‘I have been here before’: the opening refrain is from Rossetti, and much of the novel reads like a golden treasury of neo-classical clichés: phantoms, soft airs, enchanted gardens, winged hosts – the liturgical rhythms, the epic similes, the wooziness. Waugh’s conversion was a temporary one, and never again did he attempt the grand style. Certainly the prose sits oddly with the coldness and contempt at the heart of the novel, and contributes crucially to its central imbalance. "Lush and evocative ... the one Waugh which best expresses at once the profundity of change and the indomitable endurance of the human spirit." The new novel by Evelyn Waugh—Brideshead Revisited—has been a bitter blow to this critic. I have admired and praised Mr. Waugh, and when I began reading Brideshead Revisited, I was excited at finding that he had broken away from the comic vein for which he is famous and expanded into a new dimension... But this enthusiasm is to be cruelly disappointed. What happens when Evelyn Waugh abandons his comic convention—as fundamental to his previous work as that of any Restoration dramatist—turns out to be more or less disastrous... For Waugh’s snobbery, hitherto held in check by his satirical point of view, has here emerged shameless and rampant... In the meantime, I predict that Brideshead Revisited will prove to be the most successful, the only extremely successful, book that Evelyn Waugh has written, and that it will soon be up in the best-seller list somewhere between The Black Rose and The Manatee. Gehört zu Verlagsreihen10/18, Domaine étranger (1398) — 13 mehr Penguin Books (821) Penguin Clothbound Classics (2016) Penguin English Library, 2012 series (2020-10) Penguin Modern Classics (821) RBA Narrativa Actual (20) A tot vent (202) Ullstein Taschenbuch (20232) Иллюминатор (42) Ist enthalten inHat die (nicht zu einer Reihe gehörende) VorgeschichteBearbeitet/umgesetzt inIst gekürzt inHat eine Studie überEin Kommentar zu dem Text findet sich inHat als Erläuterung für Schüler oder StudentenPrestigeträchtige AuswahlenBemerkenswerte Listen
Die Taschenbuch-Ausgabe anlässlich der neuesten Verfilumg (Start: 9.10.2008) des Familienepos über die Bridesheads enthält einen Bildblock mit Szenenfotos. (Sch)
Anlässlich der neuesten Verfilmung (Start: 9.10.2008) des englischen Romanklassikers erscheint diese Taschenbuch-Neuausgabe. Enthalten ist diesmal auch ein Bildblock mit Szenenfotos. Der Titel wurde zuletzt in BA 11/83 besprochen. (Sch) Keine Bibliotheksbeschreibungen gefunden. |
LibraryThing Early Reviewers-AutorEvelyn Waughs Buch Brideshead Revisited wurde im Frührezensenten-Programm LibraryThing Early Reviewers angeboten.  Aktuelle DiskussionenKeineBeliebte Umschlagbilder
 Google Books — Lädt ...GenresMelvil Decimal System (DDC)823.912Literature English & Old English literatures English fiction Modern Period 1901-1999 1901-1945Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt: (4.04)
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Das Buch beginnt wie ein heiterer Landhaus-Jugendroman des alten England, exzentrische Typen, skurrile Gespräche, lässige Atmosphäre, entwickelt sich aber mehr und mehr zu einer Geschichte über Glauben und Leben mit und ohne Gott. Eine Schlüsselfigur ist die Schwester Sebastians, Cordelia, die für einen einfachen, tatkräftigen Glauben steht. Sie ist die eigentlich positive Figur dieser Geschichte. Das Buch ist toll und vielschichtig geschrieben und birgt bis in die Nebenfiguren wunderbare Charaktere. (