The essays included in this volume attempt to answer, directly or indirectly, the following questions connected with Shakespeare's popularity worldwide. Can we appropriate Enobarbus's fascination with Cleopatra, borrowed for the motto of this volume: "age cannot wither Shakespeare, or custom stale"? What makes it so that his works do not "cloy" their recipients' appetite, but instead constantly whet it for more? Can we still talk about Shakespeare's "infinite variety" and how are we to understand this epithet in the twenty-first century? Does this opinion hold in the context of the international reception of his works? Why does he still enjoy such an exciting career--with his works still in active circulation--even though he died in 1616? How is it possible for works written with a quill over four hundred years ago by a man in ruffs and tights to resonate with the hearts and minds of contemporary recipients all over the world?