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Cloud Cuckoo Land von Anthony Doerr
Lädt ...

Cloud Cuckoo Land (Original 2021; 2021. Auflage)

von Anthony Doerr (Autor)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
3,7061693,372 (4.21)206
"From the Pulitzer Prize-winning author of perhaps the most bestselling and beloved literary fiction of our time comes a triumph of imagination and compassion, a soaring novel about children on the cusp of adulthood in a broken world, who find resilience, hope, and story. The heroes of Cloud Cuckoo Land are children trying to figure out the world around them, and to survive. In the besieged city of Constantinople in 1453, in a public library in Lakeport, Idaho, today, and on a spaceship bound for a distant exoplanet decades from now, an ancient text provides solace and the most profound human connection to characters in peril. They all learn the story of Aethon, who longs to be turned into a bird so that he can fly to the paradise of Cloud Cuckoo Land, a better world. Twelve-year-old Anna lives in a convent where women toil all day embroidering the robes of priests. She learns to read from an old Greek tutor she encounters on her errands in the city. In an abandoned priory, she finds a stash of old books. One is Aethon's story, which she reads to her sister as the walls of Constantinople are bombarded by armies of Saracens. Anna escapes, carrying only a small sack with bread, salt fish-and the book. Outside the city walls, Anna meets Omeir, a village boy who was conscripted, along with his beloved pair of oxen, to fight in the Sultan's conquest. His oxen have died; he has deserted. In Lakeport, Idaho, in 2020, Seymour, a young activist bent on saving the earth, sits in the public library with two homemade bombs in pressure cookers-another siege. Upstairs, eighty-five-year old Zeno, a former prisoner-of-war, and an amateur translator, rehearses five children in a play adaptation of Aethon's adventures. On an interstellar ark called The Argos, Konstance is alone in a vault with sacks of Nourish powder and access to all the information in the world-or so she is told. She knows Aethon's story through her father, who has sequestered her to protect her. Konstance, encased on a spaceship decades from now, has never lived on our beloved Earth. Alone in a vault with sacks of Nourish powder and access to "all the information in the world," she knows Aethon's storythrough her father. Like Marie-Laure and Werner in All the Light We Cannot See, Konstance, Anna, Omeir, Seymour, the young Zeno, the children in the library are dreamers and misfits on the cusp of adulthood in a world the grown-ups have broken. They through their own resilience and resourcefulness, and through story. Dedicated to "the librarians then, now, and in the years to come," Anthony Doerr's Cloud Cuckoo Land is about the power of story and the astonishing survival of the physical book when for thousands of years they were so rare and so feared, dying, as one character says, "in fires or floods or in the mouths of worms or at the whims of tyrants." It is a hauntingly beautiful and redemptive novel about stewardship-of the book, of the Earth, of the human heart"--… (mehr)
Mitglied:Tinwara
Titel:Cloud Cuckoo Land
Autoren:Anthony Doerr (Autor)
Info:London : 4th estate (2021)
Sammlungen:Deine Bibliothek
Bewertung:****
Tags:fiction, interconnectedness, books about books, historical fiction, science fiction, USA, libraries, Constantinople, climate change, ancient Greek, read in 2021, Korea, war, orphans, multiple narratives, lgbt

Werk-Informationen

Cloud Cuckoo Land von Anthony Doerr (2021)

Kürzlich hinzugefügt vonQueenAlyss, kent23124, apodispub, private Bibliothek, KimS28, missrabbitmoon, JoeB1934, jpustka
  1. 40
    Der Wolkenatlas von David Mitchell (nicole_a_davis)
    nicole_a_davis: Both have stories that span multiple time periods and are seemingly unconnected until the end.
  2. 40
    Das Licht der letzten Tage von Emily St. John Mandel (JenMDB)
  3. 20
    Der goldene Esel von Apuleius (M_Clark)
    M_Clark: The Golden Ass is the basis, together with The Birds, for the ancient story Cloud Cuckoo Land. It also happens to be a tremendously entertaining novel from the days of the Roman Empire.
  4. 10
    Bewilderment von Richard Powers (Tinwara)
    Tinwara: Seymour in Cloud Cuckoo Land strongly reminded me of the young Robin in Bewilderment. If Seymour was your favorite character in Cloud Cuckoo Land, go for Bewilderment next!
  5. 10
    Fahrenheit 451 von Ray Bradbury (JenMDB)
  6. 10
    Das Meer der endlosen Ruhe von Emily St. John Mandel (Dariah)
  7. 00
    Scipios Traum von Iain Pears (martitia)
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Fantastic. What a feat of writing, to juggle so many (seemingly) disparate storylines, keep the reader engaged with each one, and weave them all together in the end. I want to write a book like this. ( )
  gonzocc | Mar 31, 2024 |
This book is an extraordinary testament to the power of a single book. In this case, a lost copy of a work by Antonius Diogenes - loosely translated as Cloud Cuckoo Land. The work moves across time and place from the 15th century siege leading to the capture of Constantinople by the Ottomans, into the 20th and 21st centuries around a small town in Idaho, and a perhaps not-so-distant future and spaceship traveling to a new world. Anthony Doerr captures both your attention and imagination as he traces the survival of an obscure text across the centuries. More significantly, we realize the impact this book has on each stop of its life. The book received tremendous praise and deserves every bit. ( )
  RoeschLeisure | Mar 11, 2024 |
I really admired the structure of this book, the way the interconnections are slowly revealed. The characters are interesting, and, especially in the cases of Zeno and Seymour, poignant.
My one nitpick, if you have a librarian character, do not name her marian. Every time I came across her , music man would go through my head and take me out of the story. ( )
  cspiwak | Mar 6, 2024 |
This feels like a heartfelt ode to the powers of storytelling and all the little ways humans are connected to one another. Although not everyone is going to vibe with the multiple POVs, time jumps, and slow reveals, I thought those aspects made the book uniquely enjoyable and were well-executed. Every chapter was its own treasure. ( )
  deborahee | Feb 23, 2024 |
Not as good as Doerr's "All the Light We Cannot See", but good. ( )
  ben_r47 | Feb 22, 2024 |
Yes, libraries are awesome, and we all love books. But the artificial convolutedness of “Cloud Cuckoo Land” is not enough to confer any additional depth on Doerr’s simple, belabored theme, a theme that thumps through the novel insisting that every character kneel in reverent submission.
hinzugefügt von Lemeritus | bearbeitenThe Washington Post, Ronald Charles (bezahlte Seite) (Sep 28, 2021)
 
Doerr does not overstate the importance of the story-within-a-story. If anything, he makes a point of reminding us again and again how easy it is for books to be lost across the ages — the staggering number of histories, tales, songs, account books, speeches, poems and stories that never made it through the meatgrinder of history....There are no heroes or villains, no global plots, no secret societies bent on controlling this lost manuscript. There's just a book thief, a boy and his ox, a messed-up kid who lost his best friend, a man putting on a children's play, a girl talking to a supercomputer....It is a book about books, a story about stories. It is tragedy and comedy and myth and fable and a warning and a comfort all at the same time. It says, Life is hard. Everyone believes the world is ending all the time. But so far, all of them have been wrong.It says that if stories can survive, maybe we can, too.
 
This is a novel so full that, if it can be said to be 'about' anything, perhaps it is about how things survive by chance, and through love. But the book is also keenly aware of the fact that humans have basically exhausted our chances, and it is time for a fierce and tenacious love to step up – by sharing and passing on what is mended and changed, like Diogenes’s book, with its delights and consolations – to save what we still have on Earth, and what is ours, as well as what we enjoy here, though it isn’t ours ... With all its tenderness for human life and animal life, and libraries, this novel nevertheless acknowledges that civilisation continues to insist on not going anywhere without packing its poisons.
hinzugefügt von Lemeritus | bearbeitenThe Guardian, Elizabeth Knox (Sep 24, 2021)
 
“Cloud Cuckoo Land" ... is, among other things, a paean to the nameless people who have played a role in the transmission of ancient texts and preserved the tales they tell. But it’s also about the consolations of stories and the balm they have provided for millenniums. It’s a wildly inventive novel that teems with life, straddles an enormous range of experience and learning, and embodies the storytelling gifts that it celebrates. It also pulls off a resolution that feels both surprising and inevitable, and that compels you back to the opening of the book with a head-shake of admiration at the Swiss-watchery of its construction.
hinzugefügt von Lemeritus | bearbeitenNew York Times, Marcel Theroux (bezahlte Seite) (Sep 24, 2021)
 
“Stranger, whoever you are, open this to learn what will amaze you” wrote Antonius Diogenes at the end of the first century C.E.—and millennia later, Pulitzer Prize winner Doerr is his fitting heir. Around Diogenes' manuscript, "Cloud Cuckoo Land"—the author did exist, but the text is invented—Doerr builds a community of readers and nature lovers that transcends the boundaries of time and space....As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.
hinzugefügt von Lemeritus | bearbeitenKirkus Reviews (Jun 29, 2021)
 

» Andere Autoren hinzufügen

AutorennameRolleArt des AutorsWerk?Status
Anthony DoerrHauptautoralle Ausgabenberechnet
Ireland, MarinErzählerCo-Autoreinige Ausgabenbestätigt
Jones, SimonErzählerCo-Autoreinige Ausgabenbestätigt

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Chorus Leader: To work, men. How do you propose to name our city?

Peisetairos: How about Sparta? That’s a grand old name with a fine pretentious ring.

Euelpides: Great Hercules, call my city Sparta? I wouldn’t even insult my mattress by giving it a name like Sparta.

Peisetairos: Well, what do you suggest instead?

Chorus Leader: Something big, smacking of the clouds. A pinch of fluff and rare air, a swollen sound.

Peisetairos: I’ve got it! Listen—Cloud Cuckoo Land!

—Aristophanes, The Birds, 414 B.C.E.
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For my dearest niece with hope that this brings you health and light
A fourteen-year-old girl sits cross-legged on the floor of a circular vault. A mass of curls haloes her head; her socks are full of holes. This is Konstance.
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But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.
Or maybe, like all lunatics, the shepherd made his own truth, and so for him, true it was.
Each sign signifies a sound, and to link sounds is to form words, and to link words is to construct worlds.
“Boil the words you already know down to their bones,” Rex says, “and usually you find the ancients sitting there at the bottom of the pot, staring back up.”
Anna remembers something Licinius said: that a story is a way of stretching time.
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"From the Pulitzer Prize-winning author of perhaps the most bestselling and beloved literary fiction of our time comes a triumph of imagination and compassion, a soaring novel about children on the cusp of adulthood in a broken world, who find resilience, hope, and story. The heroes of Cloud Cuckoo Land are children trying to figure out the world around them, and to survive. In the besieged city of Constantinople in 1453, in a public library in Lakeport, Idaho, today, and on a spaceship bound for a distant exoplanet decades from now, an ancient text provides solace and the most profound human connection to characters in peril. They all learn the story of Aethon, who longs to be turned into a bird so that he can fly to the paradise of Cloud Cuckoo Land, a better world. Twelve-year-old Anna lives in a convent where women toil all day embroidering the robes of priests. She learns to read from an old Greek tutor she encounters on her errands in the city. In an abandoned priory, she finds a stash of old books. One is Aethon's story, which she reads to her sister as the walls of Constantinople are bombarded by armies of Saracens. Anna escapes, carrying only a small sack with bread, salt fish-and the book. Outside the city walls, Anna meets Omeir, a village boy who was conscripted, along with his beloved pair of oxen, to fight in the Sultan's conquest. His oxen have died; he has deserted. In Lakeport, Idaho, in 2020, Seymour, a young activist bent on saving the earth, sits in the public library with two homemade bombs in pressure cookers-another siege. Upstairs, eighty-five-year old Zeno, a former prisoner-of-war, and an amateur translator, rehearses five children in a play adaptation of Aethon's adventures. On an interstellar ark called The Argos, Konstance is alone in a vault with sacks of Nourish powder and access to all the information in the world-or so she is told. She knows Aethon's story through her father, who has sequestered her to protect her. Konstance, encased on a spaceship decades from now, has never lived on our beloved Earth. Alone in a vault with sacks of Nourish powder and access to "all the information in the world," she knows Aethon's storythrough her father. Like Marie-Laure and Werner in All the Light We Cannot See, Konstance, Anna, Omeir, Seymour, the young Zeno, the children in the library are dreamers and misfits on the cusp of adulthood in a world the grown-ups have broken. They through their own resilience and resourcefulness, and through story. Dedicated to "the librarians then, now, and in the years to come," Anthony Doerr's Cloud Cuckoo Land is about the power of story and the astonishing survival of the physical book when for thousands of years they were so rare and so feared, dying, as one character says, "in fires or floods or in the mouths of worms or at the whims of tyrants." It is a hauntingly beautiful and redemptive novel about stewardship-of the book, of the Earth, of the human heart"--

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