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Lädt ... Eileen Agar: Angel of Anarchyvon Laura Smith (Herausgeber), Andrew Lambirth (Mitwirkender), Marina Warner (Mitwirkender)
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Eileen Aigar (b.1899 Buenos Aires; d.1991 London) is an often overlooked but crucial figure within the development of European twentieth-century culture. Throughout her 80-year career she synthesised elements of both cubism and surrealism to create a unique personal style suffused with intelligence, wit, irreverence, and emotion through a century of huge social and political change. Previously appraised in relation to her connections to better-known male figures of British and European modernism such as Paul Nash, Ezra Pound, Roland Penrose and Paul Eluard, this first major survey of her work will place her firmly as a pioneering surrealist artist in her own right, illuminating her progressive attitudes to making, sexuality and art history. This timely monograph will feature rarely-seen work, as well as new contributions by writer Marina Warner, poet Daisy Lafarge and Aigar's biographer Andrew Lambirth. This book is available in blue, red, mustard and maroon; books are shipped to customers at random. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)759.2The arts Painting History, geographic treatment, biography England and British IslesKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt: Keine Bewertungen.Bist das du?Werde ein LibraryThing-Autor. |
Painter and photographer Eileen Agar (1899–1991) was born in Buenos Aires and spent the majority of her life in Great Britain. In spite of her own pioneering contributions to painting, collage, photography and sculpture, Agar’s career has largely been appraised in relation to her connections with major male figures of European modernism such as Paul Nash, Ezra Pound, Roland Penrose and Paul Éluard. This monograph seeks to overturn that narrative and delve into Agar as a fully autonomous artist whose unique style was a crucial element in the development of European culture in the 20th century.Dense with pattern and color, Agar’s work across various media draws from Cubist and Surrealist tendencies of material juxtapositions and fractured imagery, evoking emotion through distortion. Alongside reproductions of rarely seen artworks, writer Marina Warner, poet Daisy Lafarge and Agar’s biographer Andrew Lambirth reflect on the artist’s progressive attitudes toward art, sexuality and art history. The book is published with four different colored covers.