"In his ruthlessly clear-eyed final film, French master Robert Bresson pushed his unique blend of spiritual rumination and formal rigor to a new astringency. Transposing a Tolstoy novella to contemporary Paris, L'argent follows a counterfeit bill as it originates in a schoolboy prank, then circulates like a virus among the corrupt and the virtuous alike before landing with a young truck driver, leading him to incarceration and violence"--Container.