Not at all sure why I felt I needed to read this in Paris. It was just as dull as I remembered. ( )

I bought this when the movie came out, but hadn't read it. I found it in a box I was unpacking recently. The movie adaptation is very good, but this is, you know, her diary. Very different.

I'm afraid I don't like her therapist at all (he didn't appear in the movie). He seems to be all about women's inherent need to be submissive and pathologizing her sexuality, for the most part. I'm guessing he's a Freudian. Hmf. ( )

Taken more or less directly from the extremely detailed journals of Anaïs Nin, This collection documents the intense year of her life when she first met Henry Miller and his wife June. Being a diary it can of course at times become a little self-indulgent, but the beauty, fluidity, and unflinchingly raw humanism of Nin’s writing stops the reader from rolling their eyes too much and offering an incredible chance to dive head first into the heart and soul of a creatively brilliant and incredibly curious human being. That is not to say that she is without flaws; But it would be a complete mistake and ignorant simplification to reduce this book to self indulgent erotica, or dismiss it because its author is not a very nice person, because there is a lot more going on there than smut.

Nin’s discussions of sexuality and love are just brilliant. Asking carefully thought-out questions and being as honest as she can be at the time, Nin examines and analyses her relationships with the men in her life, and with the most significant woman, June.

Anais is determined to analyze and try to understand every aspect of her emotional life. She possesses a remarkable self awareness that allows her to view herself almost as a separate person objectively reflecting back on the past days or weeks events.
( )

Taken more or less directly from the extremely detailed journals of Anaïs Nin, This collection documents the intense year of her life when she first met Henry Miller and his wife June. Being a diary it can of course at times become a little self-indulgent, but the beauty, fluidity, and unflinchingly raw humanism of Nin’s writing stops the reader from rolling their eyes too much and offering an incredible chance to dive head first into the heart and soul of a creatively brilliant and incredibly curious human being. That is not to say that she is without flaws; But it would be a complete mistake and ignorant simplification to reduce this book to self indulgent erotica, or dismiss it because its author is not a very nice person, because there is a lot more going on there than smut.

Nin’s discussions of sexuality and love are just brilliant. Asking carefully thought-out questions and being as honest as she can be at the time, Nin examines and analyses her relationships with the men in her life, and with the most significant woman, June.

Anais is determined to analyze and try to understand every aspect of her emotional life. She possesses a remarkable self awareness that allows her to view herself almost as a separate person objectively reflecting back on the past days or weeks events. ( )

The Expurgated, Unexpurgated Version
Review of the Harcourt Harvest paperback edition (1989) of the original Houghton Mifflin Harcourt hardcover "Henry and June: From the Unexpurgated Diary of Anaïs Nin" (1986)

See photographs at https://divagancias.com/wp-content/uploads/2020/02/henry-miller-june-mansfield-a...
Photographs of Anaïs Nin, Henry Miller and June Miller, sourced from Divagancias.com

This was a re-read as background to my recent read of Léonie Bischoff's graphic novel Anaïs Nin - Sur la mer des mensonges (Anaïs Nin - On the Sea of Lies) (2020). As this paperback edition dates from the time of its film adaptation Henry and June (1990) dir. Philip Kaufman, I think that I only picked it up due to the film. I have a vague idea that I didn't actually finish it at the time as it was somewhat tedious.

I pushed through this time just in order to see the parallels to Bischoff's graphic novel adaptation. I did have the same reaction to the tedious repetition of Nin's various real or imagined flirtations, loves & affairs which included Lawrence Drake, John Erskine, husband Hugo Guiler, writer Henry Miller and his wife June Miller, her cousin Eduardo, her dance teacher Francisco Miralles Arnau and two psychoanalysts: René Félix Allendy and Otto Rank. It is probably the regular psychoanalyst visits that made me start to think that a lot of it might be Freudian fantasy and wish fulfillment. Henry and June stops short of the (yech!) paternal incest covered in the follow-up Incest: The Unexpurgated Diary of Anaïs Nin, 1932-1934 (1992), but the yearning for a lost father figure (father Joaquín Nin had deserted the family in Nin's youth) seems to be evident regardless.

What also becomes evident is that much of Nin's life seems to be left out of this "Unexpurgated" version. The parts that appeared in the earlier The Diary of Anais Nin Volume 1 1931-1934 (1966) are not all repeated. This also seems evident from Bischoff's adaptation which has a dozen pages dedicated to Nin's dancing lessons and performances which I think are only mentioned in a single sentence in the new edition. ( )