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Lädt ... An Introduction to Literature, Criticism and Theory (2016. Auflage)von Andrew Bennett (Autor)
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Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at 'The Beginning' and concluding with 'The End', chapters range from the familiar, such as 'Character', 'Narrative' and 'The Author', to the more unusual, such as 'Secrets', 'Pleasure' and 'Ghosts'. Now in its fifth edition, Bennett and Royle's classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literature and laughter. The fifth edition has been revised throughout and includes four new chapters - 'Feelings', 'Wounds', 'Body' and 'Love' - to incorporate exciting recent developments in literary studies. In addition to further reading sections at the end of each chapter, the book contains a comprehensive bibliography and a glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader's eyes to the exhilarating possibilities of reading and studying literature. Keine Bibliotheksbeschreibungen gefunden. |
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Like the Klages and Lynn and Culler, B and R are clear as heck; unlike the Klages, B and R always come back around to reading particular texts (even some Chaucer! in Middle English!); unlike the Lynn, B and R never dumb things down.
Highly, highly recommended to all readers who read more than how-to manuals, and even, perhaps, for them.
UPDATE, Nov. 2008: Now that I've taught this, I'm much more aware of its limitations. 100 pages in my students groaned every time some version of the suspended law of non-contradiction showed up. "Let me guess, this is both X and not-X? How astonishing!" By the end of a month or so with them, they became a cautionary tale about biases: what would they have emphasized had they not been doctrinaire poststructuralists but instead Marxists? Feminist? Postcolonialists? Phenomenologists and Ethicists? ( )