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Oscar Wilde's Last Stand: Decadence,…
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Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century (Original 1997; 1998. Auflage)

von Philip Hoare (Autor)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
1947139,937 (3.56)4
A New York Times Notable Book of the Year that Sir Ian McKellen called "a shocking tale of heroes and villains--illuminating and upsetting in equal measure." The first production of Oscar Wilde's Salomé in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper Vigilante as a member of the "Cult of the Clitoris," a feminine version of the "Cult of the Wilde," a catchall for the degeneracy and perversion he was convinced had infected the land. He claimed that a black book was in the hands of their enemies the Germans, a book that contained the names of thousands of the British establishment who without doubt were members of the cult. Threat of exposure was costing England the war. Allan sued Billing for libel, and the ensuing trial, brought to life in this authoritative, spellbinding book, held the world in thrall. Was there or was there not a black book? What names did it contain? The trial was both hugely entertaining and deadly serious and raised specters of hysteria, homophobia, and paranoia that, like Oscar Wilde himself, continue to haunt us. As in Wilde's own trial in 1895, libel was hardly the issue; the fight was for control over the country's moral compass. In Oscar Wilde's Last Stand, biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and fascinating event. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.… (mehr)
Mitglied:SolomonCinco
Titel:Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century
Autoren:Philip Hoare (Autor)
Info:Arcade Publishing (1998), Edition: 1st North American ed, 256 pages
Sammlungen:Arts/Entertainment, Deine Bibliothek
Bewertung:
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Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century von Philip Hoare (1997)

  1. 00
    Solar Dance: Genius, Forgery and the Crisis of Truth in the Modern Age von Modris Eksteins (mambo_taxi)
    mambo_taxi: Both books involve (roughly) WWI-era artistic and social scandals curiously linked to major artists with enduring legacies. Both scandals reflect the particular turbulence of the times. As a bonus, the cast of characters involved are as intriguing as the scandals themselves.… (mehr)
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Filed with Oscar Wilde book collection
  JimandMary69 | Sep 2, 2023 |
This is a fascinating look at the cult of Wilde and the trial that highlighted and inflamed his already outlandish reputation. Philip Hoare is a joy to read and the episode on which he focuses would be fascinating in the hands of even a lesser writer. ( )
  jwhenderson | Apr 14, 2023 |
Interesting subject, badly written. ( )
  ChrisoftheLibrary | Dec 4, 2022 |
Excellent accounting of the Billing's affair. It's quite interesting to note that the more things change the more they remain the same. A great deal of the rhetoric used in that trial is quite the same as one hears from the right wing movement today! ( )
  ClifSven | Sep 12, 2010 |
Cult of the Clitoris. ( )
  picardyrose | Apr 15, 2009 |
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A New York Times Notable Book of the Year that Sir Ian McKellen called "a shocking tale of heroes and villains--illuminating and upsetting in equal measure." The first production of Oscar Wilde's Salomé in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper Vigilante as a member of the "Cult of the Clitoris," a feminine version of the "Cult of the Wilde," a catchall for the degeneracy and perversion he was convinced had infected the land. He claimed that a black book was in the hands of their enemies the Germans, a book that contained the names of thousands of the British establishment who without doubt were members of the cult. Threat of exposure was costing England the war. Allan sued Billing for libel, and the ensuing trial, brought to life in this authoritative, spellbinding book, held the world in thrall. Was there or was there not a black book? What names did it contain? The trial was both hugely entertaining and deadly serious and raised specters of hysteria, homophobia, and paranoia that, like Oscar Wilde himself, continue to haunt us. As in Wilde's own trial in 1895, libel was hardly the issue; the fight was for control over the country's moral compass. In Oscar Wilde's Last Stand, biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and fascinating event. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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