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Why We Never Danced the Charleston

von Harlan Greene

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1333205,428 (3.92)1
The cult classic novel set in the gay underground of 1920s Charleston--with a new afterword by the Lambda Literary Award-winning author.   South Carolina, 1920s. For those young men and women fortunate enough to come from the right families, life in Charleston was a party--one where the latest craze was a strange new dance called "The Charleston." But some young men were forced to seek their romances in the shadows--where judgment and the law have trouble identifying exactly who is who.   Decades later, whispers emerge of something baffling and tragic that happened back then. As an old man confronts those demanding the truth, a story of love, betrayal and the deadly consequences of repression unfolds. A cult favorite by the author of What the Dead Remember and The German Officer's Boy, Harlan Greene's debut novel is restored to print with a new afterword revealing the facts upon which it is based.… (mehr)
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    Maurice von E. M. Forster (lucybrown)
    lucybrown: Both books examine young men coming to terms with their homosexuality in a time period when it was entirely unaccepted, even illegal. Forster's book is set in the late Victorian England (1914)and Greene's 1920s Charleston, SC. Both are well written though stylistically different.… (mehr)
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Beautifully written this story, set in Charleston, South Carolina around 1920s provides a vivid picture of life for young gay men of the time. The story principally centres around two young men, Hirsch Hess the handsome and desirable yet aloof son of Jewish immigrants, and Ned Grimke, slender, pale and somewhat effeminate. Hirsch is desired and briefly attained by our narrator, but soon lost to his old childhood and now rejected friend Ned. Looking back from his now old age our narrator describes the doomed love affair between Hirsch and Ned, cleverly skirting around the problems of what he could not observe first-hand, while convincingly recreating what it must have been like for a young man to recognise and then realise his sexual orientation at a time of prejudice and repression.

While the characters and their way of life may not win our hearts, Harlan Greene's magical prose is more than enough hold us. ( )
  presto | Dec 21, 2016 |
I picked up this book expecting to enjoy it, but, sadly, did not. This dislike is not the result of poor writing or any fault within the text itself, merely a disconnect with the characters and situations involved. I often have a difficult time when reading books in which none of the characters are particularly likeable. Why We Danced the Charleston is peopled with characters whose repression makes them resentful, angry, frightened, and sadomasochistic to varying degrees. Given the hostilely homophobic environment in which they live (Charleston in the 1920s) it is obvious why these men feel and behave as they do. Nonetheless, I find it difficult to empathize with people who seem bent on self-destruction and lash out at each other in often-cruel ways. In the end, I think the pervading sense of hopelessness in the novel turned me off the most. Still, I am glad I read this novel and would willingly recommend it to someone looking for fiction about doomed love or a tale of the Old South. Harlan Greene’s prose is lyrically beautiful and elegantly evokes the splendor and decay of Charleston.
  swelldame | May 14, 2007 |
In this novel, the unnamed narrator recounts the love triangle between himself and two other men in 1920's Charleston - a very repressive time when even a new dance was considered shocking enough to have people arrested. The young narrator meets Ned Grimke, a shy, club-footed boy, when just a child and begins an unusual friendship. As they grow older, the narrator begins to distance himself from him, not liking the unusual attraction that Ned has for him; he soon learns that he himself has such strange urgings. He begins to haunt the secret places where such men meet: a waterfront area known as The Battery and the Peacock Alley Bar.

One night, the narrator meets the handsome Hirsch Hess, a brooding Jew who seem sbent on self-destruction over his homosexualtiy. They share a short-lived affair until Hirsch accidentally meets Ned. The two form a strange, very close bond that both the narrator and societal pressures attempt to break with disatrous results.

"Why We Never Danced the Charleston" offers a unique glimpse at homosexuality in the South during the 1920's - a time when sexual expression was just beginning with new dances and other forms of culture. Greene depicts a very repressed society, in which everyone knows that the love between two men is wrong, where such men are taught to loathe themselves and others like them, and yet they survive, live and love despite what society says. His characters and their reaction to the time and societal norms with which they live come across very realistically. And, even though the ending is typically tragic for a gay novel, I still enjoyed reading it. ( )
  ocgreg34 | Feb 20, 2006 |
hinzugefügt von gsc55 | bearbeitenReviews by Amos Lassen (Jun 20, 2014)
 

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AutorennameRolleArt des AutorsWerk?Status
Harlan GreeneHauptautoralle Ausgabenberechnet
Odom, MelUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
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The cult classic novel set in the gay underground of 1920s Charleston--with a new afterword by the Lambda Literary Award-winning author.   South Carolina, 1920s. For those young men and women fortunate enough to come from the right families, life in Charleston was a party--one where the latest craze was a strange new dance called "The Charleston." But some young men were forced to seek their romances in the shadows--where judgment and the law have trouble identifying exactly who is who.   Decades later, whispers emerge of something baffling and tragic that happened back then. As an old man confronts those demanding the truth, a story of love, betrayal and the deadly consequences of repression unfolds. A cult favorite by the author of What the Dead Remember and The German Officer's Boy, Harlan Greene's debut novel is restored to print with a new afterword revealing the facts upon which it is based.

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