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Die Kommission

von F. Paul Wilson

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283493,328 (3.69)2
The New York Times-bestselling author of The Select is "one of the masters of the medical thriller and this one will keep you page-turning" (Larry King, USA Today).   Dr. Duncan Lathram is a brilliant plastic surgeon who recently invented a dissolving implant that allows incisions to heal without scarring. His unparalleled artistry in the operating room is the salvation of all the biggest power players in Washington, DC, whenever they need to be TV ready. Lathram appears to have it all, but something isn't right . . .   When young Gina Panzella isn't hustling as a house doctor at a local community hospital, she assists Dr. Lathram with surgery. She's known him almost her entire life and respects him deeply, yet there are a few things about him she can't quite figure out--like why so many of his patients are mysteriously dying.   Overcome with suspicion and fear, Panzella enlists the help of Gerry Canney, a high school classmate now working with the FBI, to dig deep into the doctor's past. Soon they will discover what Lathram is truly capable of . . .… (mehr)
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Implant had an interesting premise but fell a bit short. Duncan, a prominent vascular surgeon turned plastic surgeon has a vendetta against policy makers in Washington who ruined his vascular practice. He also happens to be the go to surgeon for them. He is intent on revenge.

Gina is a doctor who works for Duncan, he saved her life after an accident as a teen and she adores him.

The problems start when Gina meets Gerry an old classmate from high school. They weren't friends in high school, he doesn't even remember her real name, instead he refers to her as "Pasta". They instantly fall in love. Their relationship is a large part of the plot, it's boring and feels forced.

The main problem with Implant is it was incredibly predictable. I did enjoy reading it and with a few plot tweaks it could have been much better. ( )
  NicholeReadsWithCats | Jun 17, 2022 |
In many ways the story worked well. The beginning makes sure the reader knows who and why, but because of telling through the antagonist’s eyes from the start, there’s not much mystery. The reader is left wondering a few things, such as the full back story, but not much else. Otherwise, though, it was fun to read to see what Gina would discover, when she’d put it together, what she’d do about it, and how Lathram would react when he found out. The story isn’t unpredictable by any means, but it’s still a fun little thriller. The plot itself isn’t complicated in the least, it’s a simple straight forward ride, but there’s a certain comfort zone in these types. Wilson does an admirable job making sure the scenes work together well, keeping action alive, although it can be said that the beginning focuses strongly on other action pieces, and not the major one.

As a fault, the romance relationship between Gerry and Gina reads like a stereotypical romance. Their relationship is one of those ‘good natured’ kinds that you expect from Avon or Historical types. When they’re together it’s hunky dory, and, despite any problems unraveling later on, the way they respond to each other is a bit formulaic. I also found her internal dismissal of the past love unrealistic and convenient. That aside, I did enjoy their characters individually, and can’t fault Wilson too much on this.

Some of the scenes, particularly in the end, are full of suspense and written in a tight pace that kept my heart thumping.

Gina is hard-working and determined, and, even though a bit wooden, turned out to be an entertaining protagonist. Gerry, also wooden, came across as a nice guy, the perfect doting father with a traumatic background to his wife. Strangely enough, the most fun person to read through was the antagonist, Lathram. Wilson made sure the reader understood his reasoning; he definitely wasn’t a bad guy all the way through, just a confused one, and a lot of sympathy/empathy was on his side.

The main story long wasn’t strong in the beginning chapters, but it was still entertaining because something was always happening in the scenes. The pacing was consistent and didn’t feel rushed, nor too slow. Plot kept traveling uphill on a steady path, picking up frequency at the top, unraveling well at the resolution.

Wilsons style is direct, uncomplicated, and unhurried. He injects enough detail, and changes the wording when in a point of view of another character. As an example, the character of Lathram uses large, rare words…because of this, most of the scenes he’s involved in uses more complex descriptive vocabulary. When Wilson uses medical jargon, he makes sure it’s spelled out for the reader as to what it is. One of the first chapters speaks of a pulmonary embolism, and the definition is given through Gina’s eyes via internal dialogue. While sometimes this technique is frowned upon because it can take the reader out of the story and remind him/her they’re reading, it works here and isn’t used too often. Dialogue is convincing and used when needed, description isn’t relied on too heavily, and all things come out nicely trimmed and well edited.

The medical thriller turns out to be a story with an easy to follow plot, predictable twists and turns, but still is light and enjoyable reading. I wasn’t disappointed reading through this, but I suspect Wilson offers better stuff. I remember reading ‘The Touch’ years back, and remember enjoying it more than this. Don’t pass this one up if you own it or see it somewhere cheaply, but don’t go in expected a literary orgasm either. Wilson does his stuff well enough, but you don’t get fireworks.

( )
  ErinPaperbackstash | Jun 14, 2016 |
Another superior stand-alone novel from the master. ( )
  KerryAlanDenney | May 18, 2016 |
I enjoyed this book immensely. A medical thriller, perhaps not quite on par with Robin Cook, but my enjoyment came close to what I get from Cook. ( )
  aviatorz | Mar 8, 2009 |
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The New York Times-bestselling author of The Select is "one of the masters of the medical thriller and this one will keep you page-turning" (Larry King, USA Today).   Dr. Duncan Lathram is a brilliant plastic surgeon who recently invented a dissolving implant that allows incisions to heal without scarring. His unparalleled artistry in the operating room is the salvation of all the biggest power players in Washington, DC, whenever they need to be TV ready. Lathram appears to have it all, but something isn't right . . .   When young Gina Panzella isn't hustling as a house doctor at a local community hospital, she assists Dr. Lathram with surgery. She's known him almost her entire life and respects him deeply, yet there are a few things about him she can't quite figure out--like why so many of his patients are mysteriously dying.   Overcome with suspicion and fear, Panzella enlists the help of Gerry Canney, a high school classmate now working with the FBI, to dig deep into the doctor's past. Soon they will discover what Lathram is truly capable of . . .

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