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Lädt ... The Private Papers of Henry Ryecroft (Original 1902; 1915. Auflage)von George Gissing (Autor)
Werk-InformationenThe Private Papers of Henry Ryecroft von George Gissing (1902)
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Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. A fascinating book, written autobiographically. The author struggles with poverty, a desire for wealth, and a partial realization of a life of ease in later life. ( ) First published in 1903 by Constable and Co., Ltd., in the last year of George Gissing’s life, this is the one work of the author that retains literary interest and any real popularity with readers. A thinly veiled self-portrait of the author himself, it casts light not only on the literary world of that time, over a century ago, but on an aspect of human life that most authors, critic V. S. Pritchett argues in his foreword, do not well understand: how people change “many times in the course of their lives.” This book is not, Pritchett insists, “a novel ideas.” Instead, Gissing, as elsewhere, has provided us with a glimpse of “ordinary, hapless people” who send off “buds of thought and aspiration.” Like his other, now-neglected fiction, this book foreshadows “the kind of man who was to become the now familiar proletarian intellectual.” “Such people become ‘unclassed,’ they hide in a limbo of self-chosen loneliness.” Such is the “difficulty of Ryecroftism” . . . as well as of the modern, intelligent reader. I believe this to be a fictional autobiography by the author and may be his last work, the edition I have being published a year or so following his death. I feel I have a lot of shared sympathy for Henry Ryecroft although in some matters we differ, but I do share his love of books, solitary walks and avoidance of crowds. Inspired my interest in classical Greek with his description of a passage from Xenophon. A fascinating book with passages of sublime prose reflecting the changing seasons. Henry Ryecroft is a portrait of Gissing himself: a 60 year old writer who has been plagued by money problems and lack of real recognition during a long career devoted to literature. Towards the end of his life he comes into an inheritance allowing him, finally, to free himself from the demands of poverty. He rents a small house in Devon with a housekeeper and devotes his final years to walks in the Devonshire countryside and writing his memoirs. This hardly sounds like a gripping read, and it's not. However, as a meditation on ageing, the intellectual life, the importance of books, the beauty of the natural world, the position of the intellectual in society, the effects on character of poverty (an overriding concern in all of Gissing's work), the book is unparalleled in its gentle wisdom and beauty. Who among us cannot respond to this: Ah! the books that one will never read again! they gave delight, perchance something more; they left a perfume in the memory, but life has passed them by for ever. I have but to muse, and one after another they rise before me.... I read much less than I used to do; I think much more. Yet, what is the use of thought which can no longer serve to direct life? Better perhaps, to read and read incessantly, losing one's futile self in the activity of other minds.... To the end I shall be reading and - and forgetting. Ah! That's the worst of it! Had I at command all the knowledge I have at any time possessed, I might call myself a learned man... I cannot preserve more than a few fragments of what I read, yet read I shall, persistently, rejoicingly.... Wonderful stuff. A book to read again and again.
This is one of those classics which everyone has heard of, but which nobody should read. It is so tedious that many readers must have put it down long before reaching the end and consequently never discovered that the tedium has been broken down and categorised in Gissing's index. George Gissing’s late work, The private papers of Henry Ryecroft (1903), is described in The Cambridge history of English literature as lying ‘in form, somewhere between the journal intime and the diary, reflection and observation being expanded to the length of brief essays’, and in the Oxford companion to English literature as ‘a mock-autobiography’. As the purported autobiographer is a fictitious character, the eponymous Ryecroft, the book partakes also of the nature of fiction. The first edition, from Archibald Constable in 1903, 293 pages of text, is provided with a four-page index, which remained present in all Constable’s impressions of the book until 1918, except for an indexless sixpenny reprint they published in 1908 and reprinted in 1913. ... a real shame that this curious index has apparently become even rarer than the book to which it was appended!
Literary Criticism.
Nonfiction.
HTML: In this engaging collection of essays from George Gissing, the narrator of the fictional frame story describes himself as having been charged with the difficult task of editing a recently deceased friend's papers. The essays, sketches and observations are arranged according to a seasonal theme, and each of the four sections offers keen insights about the cycles of nature and of life. .Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)823.8Literature English & Old English literatures English fiction Victorian period 1837-1900Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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