Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.
Lädt ... Half in Love (2002. Auflage)von Maile Meloy
Werk-InformationenDas Haus am Ende der Welt. von Maile Meloy
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. because of hearing Ann Patchett reading Proxy Marriage where in William and Bridey are finally brought together 8.5.21 ( ) These stories are like a bubbling brook, comforting and refreshing in its simplicity, with a glint of startling clarity every so often. The details that the author occasionally sprinkles throughout her stories remind me of when painters place small white dabs on the surfaces of water: it's only a small detail but it's what makes the story and the water come to life for the reader and the viewer. My favourite story was The Ice Harvester, and I was unable to get through Paint due to my own squeamishness at the visceral. I recently watched and adored a film called Certain Women, directed by Kelly Reichardt. I loved the way the stories carefully, unfolded and discovered that the writer was a novelist and a short story author. I immediately requested this collection and it was as good as expected. I love stories set in the modern American west and Meloy nails it here. I highly recommend it. Here is a taste: “We left early, heading into a pale sunrise, and somewhere on the winding road through the canyons it turned into a hot, dry day. I sat with my feet on the dash, lead ropes and old race programs on the floor beneath me, and watched the mountains and the impossibly blue sky go by. I'd seen this landscape so much that most of my senses were glutted and one mountain range looked like the next. At other times, and this was one of those, it caught me by surprise and the blue was so vast and bright I couldn't breathe.” Here's the thing: For a while, I was off short story collections, the way you're off fish for a while after your favorite market forgot to de-bone it. I read the ones that got all the accolades and thought, "I don't get it." Meaning, I don't get the stories and I don't get the hype. Lots of short story collections are over my head. They seem abstract and pretentious to me. But, I loved Maile Meloy's "Liars and Saints" so figured I'd give her stories a try. I'm glad I did. Her stories are real, honest, straight-forward, raw. There is nothing pretentious about them. They're not trying to win awards (though they have). There isn't a single story in this collection I didn't like, which is very, very rare. It's like loving every song on a CD. A couple favorite excerpts: "I had not wanted a dog, but the children loved him. It was true they did not fight so much now. The day my wife brought him home, my daughter held the dog in her arms and said, 'This is the happiest day of my life.' Children are whores. They will say anything. But I thought it could be true." "Jo thinks there's something permanently unfinished about Inger--like the missing 'id' of her name, though I guess it's not an id that's missing--and that's why she's never with a man very long; there's an absence in her that doesn't seem to need filling, or that other people can't fill." keine Rezensionen | Rezension hinzufügen
Auszeichnungen
Fourteen remarkable stories that combine strong Western settings with a subtle and distinct female voice. This critically celebrated debut collection marks the exciting beginning of prize-winner Meloy's promising career. Lean and controlled in their narration, abundant and moving in their effects, Maile Meloy's stories introduce a striking talent. Most are set in the modern American West, made vivid and unexpected in Meloy's unsentimental vision; others take us to Paris, wartime London, and Greece, with the same remarkable skill and intuition. In "Four Lean Hounds, ca. 1976," two couples face a complicated grief when one of the four dies. In "Ranch Girl," the college-bound daughter of a ranch foreman must choose which adult world she wants to occupy. In "A Stakes Horse," a woman confronts risk and loss at the racetrack and at home. And in "Aqua Boulevard"--winner of the 2001 Aga Khan Prize for Fiction--an elderly Parisian confronts his mortality. Meloy's command of her characters' voices is breathtaking; their fears and desires are deftly illuminated. Smart, surprising, and evocative, Meloy's brilliantly observed stories fully engage the mind and heart. Keine Bibliotheksbeschreibungen gefunden. |
Aktuelle DiskussionenKeineBeliebte Umschlagbilder
Google Books — Lädt ... GenresMelvil Decimal System (DDC)813.6Literature English (North America) American fiction 21st CenturyKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
Bist das du?Werde ein LibraryThing-Autor. |