Lester del Rey: El canto del crepúsculo; Robert Silverberg: Moscas; Frederik Pohl: El día siguiente a la llegada de los marcianos; Philip José Farmer: Jinetes del salario púrpura; Miriam Allen deFord: El sistema Malley; Robert Bloch: Un juguete para Juliette; Harlan Ellison; El merodeador en la ciudad al borde del mundo; Brian W. Aldiss: La noche en que todo el tiempo escapó.

The dangerous visions offered have dated in a similar way to much of the 60s/70s science fiction. If you are a fan of the post-Golden Age science fiction (focus on social issues and breaking of barriers) then I think you'll enjoy this, not really for me though. ( )

These visions don't seem very dangerous today, although Philip Jose Farmer's story "Riders of the Purple Wage" is almost prophetic. But try to imagine the impact this anthology would have had on the staid, genteel world of SF in 1967! Truly the genre would never be the same again. ( )

Indeholder "Foreword 1: The Second Revolution", "Isaac Asimov: Foreword 2: Harlan and I", "Harlan Ellison: Introduction: Thirty-two Soothsayers", "Lester del Rey: Evensong", "Robert Silverberg: Flies", "Frederik Pohl: The Day After the Day the Martians Came", "Philip José Farmer: Riders of the Purple Wage", "Miriam Allen deFord: The Malley System", "Robert Bloch: A Toy for Juliette", "Harlan Ellison: The Prowler in the City at the Edge of the World", "Brian W. Aldiss: The Night That All Time Broke Out".

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"Robert Silverberg: Flies" handler om Cassiday, der bliver reddet fra den visse død af "the golden ones", der leger med ham som drenge der piller ben og vinger af fluer.
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"Miriam Allen deFord: The Malley System" handler om ???
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"Harlan Ellison: The Prowler in the City at the Edge of the World" handler om ???
"Brian W. Aldiss: The Night That All Time Broke Out" handler om ???

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