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The Chief: the Life of William Randolph Hearst (2000)

von David Nasaw

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422459,505 (4.11)4
Biography & Autobiography. History. Politics. Nonfiction. HTML:

The definitive and "utterly absorbing" biography of America's first news media baron based on newly released private and business documents (Vanity Fair).

William Randolph Hearst, known to his staff as the Chief, was a brilliant business strategist and a man of prodigious appetites. By the 1930s, he controlled the largest publishing empire in the United States, including twenty-eight newspapers, the Cosmopolitan Picture Studio, radio stations, and thirteen magazines. He quickly learned how to use this media stronghold to achieve unprecedented political power.

The son of a gold miner, Hearst underwent a public metamorphosis from Harvard dropout to political kingmaker; from outspoken populist to opponent of the New Deal; and from citizen to congressman. In The Chief, David Nasaw presents an intimate portrait of the man famously characterized in the classic film Citizen Kane.

With unprecedented access to Hearst's personal and business papers, Nasaw details Heart's relationship with his wife Millicent and his romance with Marion Davies; his interactions with Hitler, Mussolini, Churchill, and every American president from Grover Cleveland to Franklin Roosevelt; and his acquaintance with movie giants such as Louis B. Mayer, Jack Warner, and Irving Thalberg. An "absorbing, sympathetic portrait of an American original," The Chief sheds light on the private life of a very public man (Chicago Tribune).

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I set out reading this book to understand Hearst's efforts to undermine the hemp industry. Sadly, this was not even mentioned, through no fault of the author. Instead, it followed Hearst's life in a relatively linear fashion: starting with his wealthy yet difficult upbringing, through the formation of his vast publishing empire, to his restless old age. Along the way the book tells fascinating tales of his involvement in American high society and influence on American politics of the first half of the 20th century. To people looking for answers as to where modern publishing and journalism have their origins, look no further than The Chief. ( )
  hiwigiwi | Jan 8, 2021 |
Nasaw... is a meticulous researcher and a cool analyst. His Hearst is altogether a larger, more sympathetic figure than the vindictive, humorless crypto-fascist seen by the left. He does not exculpate Hearst, the propagandist who signed up Hitler and Mussolini and flayed Franklin D. Roosevelt as a Communist dupe. He explains him and makes him human.
 
Mr. Nasaw has given his biography an immediacy that almost makes the reader forget that the author himself was not there as the story unfolded.
 
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William Randolph Hearst did not speak often of his father.
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Biography & Autobiography. History. Politics. Nonfiction. HTML:

The definitive and "utterly absorbing" biography of America's first news media baron based on newly released private and business documents (Vanity Fair).

William Randolph Hearst, known to his staff as the Chief, was a brilliant business strategist and a man of prodigious appetites. By the 1930s, he controlled the largest publishing empire in the United States, including twenty-eight newspapers, the Cosmopolitan Picture Studio, radio stations, and thirteen magazines. He quickly learned how to use this media stronghold to achieve unprecedented political power.

The son of a gold miner, Hearst underwent a public metamorphosis from Harvard dropout to political kingmaker; from outspoken populist to opponent of the New Deal; and from citizen to congressman. In The Chief, David Nasaw presents an intimate portrait of the man famously characterized in the classic film Citizen Kane.

With unprecedented access to Hearst's personal and business papers, Nasaw details Heart's relationship with his wife Millicent and his romance with Marion Davies; his interactions with Hitler, Mussolini, Churchill, and every American president from Grover Cleveland to Franklin Roosevelt; and his acquaintance with movie giants such as Louis B. Mayer, Jack Warner, and Irving Thalberg. An "absorbing, sympathetic portrait of an American original," The Chief sheds light on the private life of a very public man (Chicago Tribune).

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