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Matter von Iain M. Banks
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Matter (2008. Auflage)

von Iain M. Banks

Reihen: Kultur-Zyklus (8)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen / Diskussionen
3,743963,342 (3.85)1 / 111
In a distant-future, highly advanced society of seemingly unlimited technological capability, a crime is committed within a war. For one brother it means a desperate flight, and a search for the one--maybe two--people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity--and her particular set of abilities--might be a dangerous strategy. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter.… (mehr)
Mitglied:the_croupier
Titel:Matter
Autoren:Iain M. Banks
Info:Orbit (2008), Hardcover, 608 pages
Sammlungen:Deine Bibliothek
Bewertung:
Tags:science-fiction

Werk-Informationen

Die Sphären von Iain M. Banks

Kürzlich hinzugefügt vonzmatt, PlayerTwo, Rtrace, MycallWillo
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» Siehe auch 111 Erwähnungen/Diskussionen

Ich weiss noch nicht was ich davon halten soll, gerade eben verschlungen und noch halb verdaut... Aber ich weiss jedenfalls schon dass mir der fatalistische ausgang eher enttäuscht und die humoristischen anwandlungen mehr befremdet als belustigt haben.. ( )
  maledei | Mar 6, 2008 |
[...] it rapidly becomes heart-sinkingly clear that here, the particular society in which the Culture might or might not intervene is one of faux-medieval fantasy fiction. The uniquely hopeless odour of leather, horse-like animals, stale sweat and tortured syntax wafts from the pages, and there is a tedious drizzle of invented proper names. [...] The story's highly intriguing last act could perhaps have been fruitfully expanded into a greater space, and the long setup could have been compressed. Having front-loaded the novel with so much talky scene-setting, Banks might have ended up relying slightly too much on his (and our) favourite gadgets.
hinzugefügt von Widsith | bearbeitenThe Guardian, Steven Poole (Feb 9, 2008)
 

» Andere Autoren hinzufügen (1 möglich)

AutorennameRolleArt des AutorsWerk?Status
Banks, Iain M.Hauptautoralle Ausgabenbestätigt
Brandhorst, AndreasÜbersetzerCo-Autoreinige Ausgabenbestätigt
Dusoulier, PatrickÜbersetzerCo-Autoreinige Ausgabenbestätigt
Foley, JohnFotografCo-Autoreinige Ausgabenbestätigt
García Martínez, MartaÜbersetzerCo-Autoreinige Ausgabenbestätigt
Gálla Nóra,ÜbersetzerCo-Autoreinige Ausgabenbestätigt
Lill, DebraUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Longworth, TobyErzählerCo-Autoreinige Ausgabenbestätigt
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For Adèle
With thanks to everybody who helped:
Adèle, Les, Mic, Simon, Tim, Roger,
Gary, Lara and Dave le Taxi
Erste Worte
Prologue: In der leichten Brise kam ein trockenes Rascheln von einigen nahen Büschen.
Text: Das Gebäude musste eine alte Fabrik beziehungsweise Werkstatt oder etwas in der Art sein.
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A temple was worth a dozen barracks; a militia man carrying a gun could control a small unarmed crowd only for as long as he was present; however, a single priest could put a policeman inside the head of every one of their flock, for ever.
Djan Seriy's discomfiture was being caused by the fact that some of the Culture's more self-congratulatingly clever Minds (not in itself an underpopulated category), patently with far too much time on their platters, had come up with the shiny new theory that the Culture was not just in itself completely spiffing and marvellous and a credit to all concerned, it somehow represented a sort of climactic stage for all civilisations, or at least for all those which chose to avoid heading straight for Sublimation as soon as technologically possible (Sublimation meant your whole civilisation waved farewell to the matter-based universe pretty much altogether, opting for a sort of honorary godhood).

Avoid self-destruction, recognize -- and renounce -- money for the impoverishing ration system it really was, become a bunch of interfering, do-gooding busybodies, resist the siren call of self-promotion that was Subliming and free your conscious machines to do what they did best -- essentially, running everything -- and there you were; millenia of smug self-regard stretched before you, no matter what species you had started from.
Anaplian realised they had got rather rapidly to the point that all such conversations regarding the strategic intentions of the Culture tended to arrive at sooner or later, where it became clear that the issue boiled down to the question What Are The Minds Really Up To? This was always a good question, and it was usually only churls and determinedly diehard cynics who even bothered to point out that it rarely, if ever, arrived paired up with an equally good answer.

The normal, almost ingrained response of people at this point was to metaphorically throw their hands in the air and exclaim that if *that* was what it really all boiled down to then there was no point in even attempting to pursue the issue further because as soon as the motivations, analyses and stratagems of Minds become the defining factor in a matter, all bets were most profoundly off, for the simple reason that any and all efforts to second-guess such infinitely subtle and hideously devious devices were self-evidentally futile.

Anaplian was not so sure about this. It was her suspicion that it suited the purposes of the Minds rather too neatly that people believed this so unquestioningly. Such a reaction represented not so much the honest appraisal of further enquiry as being pointless as an unthinking rejection of the need to enquire at all.
Shoum: "As I say, news osmoses. And where news is concerned, the Culture is of a very low pressure."
Ferbin: "I fail to understand you, ma'am."
Shoum: "They tend to hear everything." [277]
Letzte Worte
(Zum Anzeigen anklicken. Warnung: Enthält möglicherweise Spoiler.)
Hinweis zur Identitätsklärung
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This is a Culture novel by Banks-with-an-M released in 2008. "Matter" was also a working title of the "non-M" book "The Steep Approach to Garbadale", but this is not that book. Please do not combine this with Garbadale.
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Wikipedia auf Englisch (2)

In a distant-future, highly advanced society of seemingly unlimited technological capability, a crime is committed within a war. For one brother it means a desperate flight, and a search for the one--maybe two--people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity--and her particular set of abilities--might be a dangerous strategy. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter.

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