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Lädt ... Jordan Countyvon Shelby Foote
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Before Shelby Foote under took his epic history of the Civil War, he wrote this fictional chronicle -- "a landscape in narrative" -- of Jordan County, Mississippi, a place where the traumas of slavery, war, and Reconstruction are as tangible as rock formations. The seven stories in Jordan County move backward in time, from 1950 to 1797, and through the lives of characters as diverse as a black horn player doomed by tuberculosis and convulsive jealousy, a tormented and ineffectual fin-de-siecle aristocrat, and a half-wild frontiersman who builds a plantation in Choctaw territory only to watch it burn at the close of the Civil War. In prose of almost Biblical gravity; and with a deep knowledge of the ways in which history shapes human lives -- and sometimes warps them beyond repair -- Foote gives us an ambitious, troubling work of fiction that builds on the traditions of William Faulkner and Flannery O'Connor but that is resolutely unique. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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The opening story, Rain Down Home sees a soldier returning from the battlefield to find the town of Bristol, MS a changed place, and I’m sure, he finds himself a changed man.
The second story, Ride Out is a tale of a homecoming of a different sort. It opens with the setting up of the mobile electric chair for an execution and backtracks to the events that led to that day. It is somber and wrenching.
As if knowing that the human heart can only take so much of sorrow, Foote’s third story, A Marriage Portion is riddled with a bit of humor.
Number four, Child by Fever is long enough to be considered a novella vs. a short story, and has a Faulknerian flavor. It is a discourse on loneliness, isolation and irony, and it leaves you with an empty feeling of helplessness and sorrow. It was also a textbook study in the effective use of irony.
The fifth, The Freedom Kick addresses the newly found freedom of blacks in the post Civil War South. I found this line particularly apt:
They burnt crosses every night all around us, and a man who burns what he prays to, he’ll burn anything.
Pillar of Fire was my favorite of the collection. Perhaps Foote’s voice is the strongest when he addresses the Civil War itself, or perhaps my own affection for the time period, in all its inglorious sadness, affects this. This story stung, the way the blues sting, the way the opening chords of the theme from Gone With the Wind expresses truth and sadness so beautifully that it makes one cry.
The final entry is a tribute to the first displaced people of the area. Long before the Civil War would scar the land, and before the pioneers would settle it, there are the Choctaw. The Sacred Mound fittingly tells us a bit of their story, if it is only the last gasp of their civilization.
Shelby Foote does not disappoint. His writing is hauntingly real...as if he had been there to witness each stage and know each person. He understands the South, and he treats it with love and respect, but without sentiment. If you listen to him closely, the leaves will rustle with the steps of a past that is only just beyond our reach and whispering behind the porticoes.
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