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Die Parasiten (1949)

von Daphne du Maurier

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6221729,060 (3.55)49
Drei Abkömmlinge einer Künstlerehe, die zwar künstlerische Talente geerbt haben, jedoch nicht die Fähigkeit besitzen wirklich Gro es zu leisten, ziehen das Fazit ihres Lebens.
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BG-3
  Murtra | Oct 17, 2020 |
This was a thoroughly satisfying read for me. In ways it reminds me of Nancy Mitford's The Pursuit of Love, a book that I did not like, but somehow I care more about du Maurier's Parasites than I do any of Mitford's characters.

Plot points are revealed quietly rather than lit with spotlights, to the point that there was one major relationship that I missed for a good chunk of the novel. I love this way of telling a story. The characters were annoying, selfish little people, but they were also so full of potential that I just couldn't help hoping that they would change, just as I do with myself and every other human being I care about. But by and large we don't change, do we? We have our patterns of behavior that we stick to even when we recognize them and that they're not leading us to better things. Because trying to be our best selves might reveal that we already are, and that would be too disappointing. Better to stick with the comforting and familiar.

I most thoroughly related to Celia, who derives her self-worth from caring for others and uses that time-consuming task as an excuse to avoid putting herself out there for criticism. I will not go into detail here about the ways in which I feel akin to Celia, but trust that I'm reflecting deeply on my own outside of this review and I plan to have big plans to change and then just go back and do the same things I've always done. Because, best I can tell, that's what mid-life is all about: realizing once and for all that you can change the venue, but you're still the same you no matter what.

Aside from these, I love that du Maurier's Pappy anticipated (or perhaps inspired) Albert Brooks's 1991 film "Defending Your Life." (on p 178 of the edition I read).

I'll finish out with one of the quotes I particularly like because it echoes some of the existential discomfort my middle-schooler is voicing right now:

"Grown-up people...How suddenly would it happen, the final plunge into their world? Did it really come about overnight, as Pappy said, between sleeping and waking? A day would come, a day like any other day, and, looking over your shoulder, you would see the shadow of the child that was, receding; and there would be no going back, no possibility of recapturing the shadow. You had to go on; you had to step forward into the future, however much you dreaded the thought, however much you were afraid." (56)

Looking back, I find it interesting to try and spot that moment for each of the Delaney children---and for myself. ( )
1 abstimmen ImperfectCJ | Jun 28, 2020 |
The book descended so gently into its deep psychoanalysis of these semi-siblings that I was caught unawares by how deeply invested in these characters I've become. It has some of my favourite relationship-binary themes of love-hate, and sacrifice-selfishness, giving me residual heart squeezes reminiscent of Geek Love and Never Let Me Go.

What had started out as a strangely facetious and lilted portrayal of how a privileged upbringing translates into parasitic adulthoods has turned into one of the best multi-codependent characterisations I have read. In retrospect, the characters were already fully realised, which is somehow doubly satisfying: that the reader-detective has to reevaluate the previously-dismissed clues. ( )
  kitzyl | Jun 26, 2019 |
As with other Du Maurier novels I have read, this one was very readable, but not quite as compelling in terms of plot. It is really more of a character study of three sort-of siblings who had famous parents and who are all, in some way, failing at life. It lacks the gothic style that Du Maurier is known for. I liked the story but found it slow-going once I got past the childhood phase, and the end was rather bleak as no one manages to change or break the depressing patterns of their lives. ( )
  sturlington | May 29, 2019 |
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» Andere Autoren hinzufügen (5 möglich)

AutorennameRolleArt des AutorsWerk?Status
du Maurier, DaphneHauptautoralle Ausgabenbestätigt
Bron, EleanorErzählerCo-Autoreinige Ausgabenbestätigt
Folkel, FerruccioEinführungCo-Autoreinige Ausgabenbestätigt
Myerson, JulieEinführungCo-Autoreinige Ausgabenbestätigt

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Animal parasites are invertebrate animals which have taken up their abode in or upon the living bodies of other animals. From a broad biological outlook parasitism is a negative reaction to the struggle for existence, and always implies a mode of life that is near the line of least resistance....Occasional parasites are to be distinguished from permanent parasites. Among the former are the bed-bug and the leech, which usually abandon their host when they have obtained their object. In the embryo stage they are migratory, moving from host to host, or to a free life before becoming mature... Amongst the latter are the so-called fish-lice, which, with piercing mouth organs and elaborate clinging appartus, remain the same host always, and are amongst the most degenerate parasites known. Parasites affect their hosts by feeding upon their living tissues or cells, and the intensity of the effect upon the hosts ranges from the slightest local injury to complete destruction.  -- The Encyclopaedia Britannica
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For Whom the Caps fit
MENABILLY.
Spring, 1949.
Erste Worte
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It was Charles who called us the parasites.
I first encountered The Parasites in the Nottingham Library, summer of '76. (Introduction)
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"Grown-up people...How suddenly would it happen, the final plunge into their world? Did it really come about overnight, as Pappy said, between sleeping and waking? A day would come, a day like any other day, and, looking over your shoulder, you would see the shadow of the child that was, receding; and there would be no going back, no possibility of recapturing the shadow. You had to go on; you had to step forward into the future, however much you dreaded the thought, however much you were afraid."
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Mentioned in Doomed by Chuck Palahniuk....
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Drei Abkömmlinge einer Künstlerehe, die zwar künstlerische Talente geerbt haben, jedoch nicht die Fähigkeit besitzen wirklich Gro es zu leisten, ziehen das Fazit ihres Lebens.

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