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Lädt ... Stories from the Arabian Nights (1907)von Laurence Housman
Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. This is the only copy of any stories from the Arabian nights that I have. Though I found the forward pretentious and mocking, I found the stories engaging and interesting. The stories read fast, and I like the pen and ink drawings, though not the color illustrations. It definitely makes me want to get a longer edition. Zeige 3 von 3 keine Rezensionen | Rezension hinzufügen
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Scheherazadè, the heroine of the Thousand and one Nights, ranks among the great story-tellers of the world much as does Penelope among the weavers. Procrastination was the basis of her art; for though the task she accomplished was splendid and memorable, it is rather in the quantity than the quality of her invention-in the long spun-out performance of what could have been done far more shortly-that she becomes a figure of dramatic interest. The idea which binds the stories together is greater and more romantic than the stories themselves; and though, both in the original and in translation, the diurnal interruption of their flow is more and more taken for granted, we are never quite robbed of the sense that it is Scheherazadè who is speaking-Scheherazadè, loquacious and self-possessed, sitting up in bed at the renewed call of dawn to save her neck for the round of another day. Here is a figure of romance worth a dozen of the prolix stories to which it has been made sponsor; and often we may have followed the fortunes of some shoddy hero and heroine chiefly to determine at what possible point of interest the narrator could have left hanging that frail thread on which for another twenty-four hours her life was to depend. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)398.2Social sciences Customs, Etiquette, Folklore Folklore Folk literatureKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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Really, I bought this book just for the colour plates. But then I read it as bedtime stories to my son (hoping to improve his classical education) and found the stories were really good. Of course I’ve read many versions of Aladdin and his wonderful lamp.... but the version here was as good as any. And it’s a good cross-section of the stories. That incredible mixture of jinns and genies, magic and romance. My favourite character is probably the very smart servant girl Morgana who overhears the thieves talking from within the giant pots. Though one has to admit there is pretty casual murder committed here when she pours boiling oil in on the thieves. (And I found myself thinking that the thieves must have shown enormous self control not to scream with pain and so alert the other thieves).
There is a bit of the “Hero with a thousand faces” with many of these stories and a rather casual re-inforcement of the idea that being a prince or princess is the greatest thing one can be. (And everyone else is of lesser importance).
I wonder how much these stories have contributed to the sustainment of monarchies throughout the world. Not sure how widespread these stories were throughout the world before Richard Burton’s translation into English around 1850. His original version apparently contained a lot of highly sexual content and much of this was purged for later (family) editions such as the current one. I love the illustrations in watercolour. Dulac is a real master of the medium and a lot of modern children’s book illustrators such as Robert Ingpen and Lisbeth Zwerger clearly owe a debt to Dulac. Happy to recommend this book though it’s almost certainly not in print. ( )