Los ordenadores de la librería donde trabaja Woody no funcionan correctamente, aparecen errores en los catálogos y los pedidos desaparecen sin dejar rastro. La muerte por atropello de un empleado marca el inicio de la debacle: un dependiente acusa a otro de acoso sexual; otro pierde la habilidad de leer; los monitores de seguridad muestran cosas que se arrastran entre las estanterías y desaparecen antes de que nadie pueda encontrarlas...
Los húmedos y silenciosos seres que han estado merodeando en el sótano pueden ser lentos, pero son inexorables. Esta librería no es un refugio. Es la puerta hacia un infierno como no hay otro igual.

Ramsey Campbell is an extremely talented writer of the horror genre. I have over the years enjoyed so many of the books he has produced. This one though was just "okay". Not a bad plot for a haunted story...the problem was mostly with the characters. Too much time was spent developing them which made parts of the story drag. I didn't like any of them and found myself just wishing that what was in the shop would just get them all. 3 stars because I loved the idea behind the story and there were some really chilling moments in the shop. ( )

Gotta say, that Ramsey Campbell writes some pretty disturbing sh*t .... Not in the Stephen-King-piledriver sense at all (see Under the Dome)... almost the opposite – Campbell crawls inside your head, gets nice and comfy, and then opens up his little box of dark slimy things after it's too late for you to uninvite him. As of this writing, I am about 75% of the way through both this book, and Silent Children, and I have, shall we say, paused for a while, because both tales have gotten to the point where they have become more or less relentlessly disturbing, in a way that King or D. Koontz hardly ever is. King, for example, always breaks up his horror with humor. But there is nothing funny going on in the last 30% of The Overnight, and it requires a certain grim dedication to, even relish for, the sheer horror of the situation, to keep on reading in earnest. I do intend to do this! But I want to do it when I'm in the proper frame of mind, so that I can properly appreciate the horrific sequence of events for which Campbell has so carefully, even lovingly, prepared us.

A word of mild warning: Some readers will find said "preparation" to be intolerably "slow" or "boring" or "pointless". I say this without having read any other reviews of the book because, as I say, I haven't finished reading it yet, and I don't wish to be confronted with anything even remotely resembling a "spoiler"! But let me say, the comments of anyone who makes this sort of remark really should be taken with a serious chunk of salt; I do believe it says more about their troublesome attention spans than it does about the book they're reading, and more about their unwillingness to invest more than a minimal amount of energy in a book in return for its "payoff". Most readers who are in that category probably haven't even gotten that far in this review, I imagine. But if you are, and if you have, please forgive me for intentionally making fun of you, but also consider the possibility that The Overnight, and Ramsey Campbell in general, may not be "your cup of tea". Not entirely sure it's mine, either ... but we'll see.

UPDATE: Finished the book, and my rating stands, although the ending did pack more of a punch than I expected ... another example of Campbell's insidious writerly ways of shocking the reader but saving the most unsettling shocks -- appropriately enough -- for the end. ( )

see http://www.sfsite.com/10a/on209.htm ( )

I was really looking forward to a good horror novel. It’s been ages since I read one and thought how great it would be to spend some time with dread, revulsion and angst. Alas, I did not get that. Not even any decent mystery. What a waste. This had possibilities.

I think what the author was going for, was a combination of The Shining and Poltergeist. A place that is haunted because of some tragedy that took place on the spot in the distant past, combined with a place that turns its inhabitants into strangers to themselves and everyone else. A madness inducing place where strange creatures lurk in the corners, but eventually will come out to get you. A place that will make the reader agonize and worry over the sympathetic characters that inhabit it.

Yeah, I think that’s what Campbell was going for. Too bad he got caught up in showcasing the totally asshole nature of all of his characters. That’s right; total asshole nature. He forgot to show us how they were BEFORE the place got to them. He didn’t make them likeable. Every single one of them was a jerk. Not just to one or two people on the staff, but to everyone else they worked with. How the hell can one function like that if you’re always at odds with everyone you have to deal with 5 days a week? And strangely, I’ve only ever seen this from British writers portraying British people and situations. It’s weird. It’s as if the author is overcompensating for the possibility that they create people too saccharine. Whatever the reason, Campbell did not create a single person for me to feel anything except contempt for.

As if that wasn’t bad enough, there was the whole lack of, well, horror. Sure there were things going bump in the night and all, but their presence wasn’t really felt. Every once in a while someone’s bookshelf would get messed up. Or someone would see a patch of damp on the carpet one minute, and it would be gone the next. No one else would see it. Or there would be strange patterns on the computer screens. Odd figures in the fog that seemed to trail long, gray dreadlocks. When something did actually happen (a clerk was run over in the parking lot), it wasn’t really that dramatic or agonizing. Lorraine wasn’t that well known to us, and what we did know was annoying so who would mourn her loss? And the creepy and portentous explanation for these malignant entities is never given. How the hell are we supposed to be afraid of that? That's half of what creates fear and dread. Hello. Aren't you supposed to be a famous HORROR novelist?

Even the multiple POV gimmick couldn’t save this book. ( )